Internet Shakespeare Editions

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  • Title: As You Like It: Bibliography
  • Author: David Bevington
  • ISBN: 978-1-55058-369-4

    Copyright David Bevington. This text may be freely used for educational, non-profit purposes; for all other uses contact the Editor.
    Author: David Bevington
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    1. 1Abbott, E. A. A Shakespearian Grammar. London: Macmillan, 1870 and subsequent editions.
    2. Armstrong, Edward A. Shakespeare's Imagination: A Study of the Psychology of Association and Inspiration. London: L. Drummond, 1946; Lincoln, NE, 1963.
    3. Babb, Lawrence. The Elizabethan Malady: A Study of Melancholia in English Literature from 1580 to 1642. East Lansing, MI: Michigan State College Press, 1951.
    4. Baldwin, T. W. William Shakspere's Small Latine & Lesse Greeke. 2 vols. Urbana, IL: University of Illinois Press, 1944.
    5. 5Bamborough, J. B. The Little World of Man. London and New York: Longman, Green, 1952.
    6. Barber, C. L. Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton: Princeton University Press, 1959, 1966.
    7. Bartholomaeus Anglicus. Thomas Berthelet, Bartholomaeus de Proprietatibus Rerum. 1535. Later editions, with commentary by Stephen Batman, are often referred to as Batman upon Bartholome.
    8. Bate, Jonathan. Shakespeare and Ovid. Oxford: Clarendon Press; New York: Oxford University Press, 1993.
    9. Beckerman, Bernard. Shakespeare at the Globe, 1599-1609. New York: Macmillan, 1962, 1967.
    10. 10Berry, Edward I. "Rosalynde and Rosalind." Shakespeare Quarterly 31, 1980, 42-52.
    11. Bevington, David, ed. The Complete Works of Shakespeare. 5th edn. New York: Longman, 2003.
    12. -----, ed. AYL. Bantam Shakespeare. New edition. New York: Random House; Bantam Dell,
    13. Bowdler, Thomas, ed. The Family Shakespeare. London: J. Hatchard, 1807; Longman, Hurst, Rees, Orme, and Brown, 1818.
    14. Bray, Alan. Homosexuality in Renaissance England.London: Gay Men's Press, 1982; New York: Columbia University Press, 1995.
    15. 15Brewer. Brewer's Dictionary of Phrase & Fable.New York: Harper & Row, 1970, and many other editions.
    16. Brissenden, Alan, ed. AYL. The Oxford Shakespeare. Oxford: Clarendon Press, New York: Oxford University Press, 1993.
    17. Brook, Peter, ed. As You Like It. 1953.
    18. Brown, John Russsell. Shakespeare and His Comedies. London: Methuen, 957, 1962.
    19. Bulman, James C. "Bringing Cheek by Jowl's As You Like It Out of the Closet: The Politics of Gay Theater." Shakespeare Bulletin 22, 2004, 31-46.
    20. 20Campbell, Oscar J. Shakespeare's Satire. Oxford and New York: Oxford University Press, 1943.
    21. Capell, Edward, ed. Comedies, Histories, and Tragedies. 10 vols. London, 1767-8, 1774, 1779.
    22. Cartwright, Robert. Shakespeare and Jonson. Dramatic versus Wit Combats. London, 1864.
    23. Cercignani, Fausto. Shakespeare's Works and Elizabethan Pronunciation. Oxford and New York: Oxford University Press, 1981.
    24. Chalmers, George. A Supplemental Apology for the Believers in the Shakespeare-papers. London, 1799.
    25. 25Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon Press, 1923.
    26. -----. William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press, 1930.
    27. Charlton, H. B. Shakespearian Comedy. London: Methuen, 1938.
    28. Cicero. De Natura Deorum. Loeb Classical Library.
    29. Clark, William George, and Williama Aldis Wright, eds., Works. The Globe edition. Cambridge: Cambridge University Press, 1864.
    30. 30Clarke, Charles Cowden. Shakespeare-Characters. London, 1863.
    31. Coleridge, Samuel Taylor. Seven Lectures on Shakespeare and Milton. London: Smith, Elder, 1856, 1863.
    32. Crawford, Jack R., ed. AYL. The Yale Shakespeare. New Haven: Yale University Press, 1919.
    33. Curtius, Ernst R. European Literature in the Latin Middle Ages. 1948. Trans. Willard Trask, Princeton: Princeton University Press, 1953.
    34. Deighton, Kenneth, ed. AYL. Deighton's Grey Cover Shakespeare. London, 1891.
    35. 35Delius, Nicolaus, ed. Werke. 7 vols. Elberfeld, 1854-61. Vol. 6, 1860.
    36. Dent, R. W. Shakespeare's Proverbial Language: An Index. Berkeley: University of California Press, 1981.
    37. -----. Proverbial Language in English Drama Exclusive of Shakespeare, 1495-1616; An Index. Berkeley: University of California Press, 1984.
    38. DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge:Cambridge University Press, 1997.
    39. Doran, Madeleine. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison, WI: University of Wisconsin Press, 1954.
    40. 40Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. London, 1875. 3rd edn., New York: Harper and brothers, 1881.
    41. Drake, Nathan. Shakespeare and His Times. 2 vols. London, 1817.
    42. Draper, R. P. "Shakespeare's Pastoral Comedy." Ă©tudes Anglaises 11, 1958, 1-17.
    43. Dusinberre, Juliet, ed. AYL. Arden 3 Shakespeare. London: Thomson Learning, 2006.
    44. Dyce, Alexander. Remarks on Mr. J. P. Collier's and Mr. C. Knight's Editions of Shakespeare. 1844.
    45. 45Erasmus, Desiderius. Adagia. Opera Omnia, ed. J. Leclerc, 10 vols., Leiden, 1703-6.
    46. Franz, Wilhelm. Die Sprache Shakespeares in Vers und Prosa. Halle, 1939. Originally Shakespeare-Grammatik, 1898-99.
    47. Frye, Northrop. "The Argument of Comedy." English Institute Essays 1948. New York: Columbia University Press, 1949.
    48. Furness, Horace Howard, ed. AYL. New Variorum Edition. Philadelphia: J. B. Lippincott, 1890.
    49. [Gentleman, Francis.] The Dramatic Censor; or, Critical Companion. 2 vols. 1770.
    50. 50Gervinus, Georg. Shakespeare Commentaries. Leipzig, 1849-50, trans. 1863, 1875.
    51. Gordon, G. S., ed. AYL. Oxford, 1912.
    52. Greg, W. W. Pastoral Poetry and Pastoral Drama. Oxford, 1905.
    53. Grey, Zachary. Critical, Historical, and Explanatory Notes on Shakespeare. 2 vols. 1754.
    54. Gurr, Andrew. The Shakespearian Playing Companies. Oxford: Clarendon Press; New York: Oxford University Press, 1995.
    55. 55-----. The Shakespearian Stage, 1574-1642. Cambridge: Cambridge University Press, 1970, 1980.
    56. Hall, Henry T. Shaksperean Fly-leaves and Jottings. London, 1871.
    57. Halliday, F. E. The Poetry of Shakespeare's Plays. New York: Barnes & Noble, 1964.
    58. Halliwell, James O., ed. Works. 16 vols. 1853-65.
    59. Harbage, Alfred B. As They Liked It: An Essay on Shakespeare and Morality. New York: Macmillan, 1947.
    60. 60Hattaway, Michael, ed. AYL. New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2000.
    61. Hazlitt, William. Characters of Shakespear's Plays. London, 1817.
    62. Homer. Iliad. 2 vols. Loeb Classical Library, 1924.
    63. Hosley, Richard. "Shakespeare's Use of a Gallery over the Stage," Shakespeare Survey 10, 1957, 77-89.
    64. -----. "The Discovery-space in Shakespeare's Globe." Shakespeare Survey 12, 1959, 35-46.
    65. 65-----. "Was There a Music-Room in Shakespeare's Globe?" Shakespeare Survey 13, 1960, 113-23.
    66. Hunter, Robert Grams. Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press, 1965.
    67. Jameson, Anna B. Characteristics of Women, Moral, Poetical, and Historical 1833. Later entitled Shakespeare's Heroines.
    68. Jankowski, Theodora A. Pure Resistance: Queer Virginity in Early Modern English Drama. Philadelphia: University of Pennsylvania Press, 2000.
    69. Jenkins, Harold. "As You Like It." Shakespeare Studies 8 1955), 40-51.
    70. 70Johnson, Samuel, ed. Plays. 8 vols. London, 1765.
    71. Kellogg, Abner O. Shakespeare's Delineations of Insanity, Imbecility, kand Suicide. New York, 1866.
    72. Ker, W. P. "Cervantes, Shakespeare, and the Pastoral Idea." Form and Style in Poetry: Lectures and Notes, ed. R. W. Chambers. London: Macmillan, 1928.
    73. Kökeritz, Helge. Shakespeare's Pronunciation. New Haven: Yale University Press, 1953.
    74. Kittredge, G. L., ed. AYL. Boston, 1939.
    75. 75Knight, Charles. Studies in Shakspere. London, 1849.
    76. Knowles, Richard, ed. A New Variorum Edition of Shakespeare: AYL. New York: Modern Language Ass'n of America, 1977.
    77. Laroque, François. Shakespeare's Festive World. Trans. Janet Lloyd. Cambridge: Cambridge University Press, 1991.
    78. Latham, Agnes, ed. AYL. Arden 2 Shakespeare. London: Methuen, 1975.
    79. Lever, J. W., ed. AYL. The New Swan Shakespeare. 1967.
    80. 80Lodge, Thomas. Rosalynde: Euphues' Golden Legacy. London, 1590. Reprinted in Knowles, ed. AYL.
    81. Looney, J. Thomas. "Shakespeare" Identified in Edward de Vere, the Seventeenth Earl of Oxford. New York: Frederick A. Stokes Co., 1920.
    82. Maginn, William, 1837. "Shakspeare Papers.--N. II. Jaques." Bentley's Miscellany, 1837, 550-60.
    83. Malone, Edmund, ed. Plays and Poems. 10 vols. London, 1790.
    84. Martin, Helena Faucit. "On Some of Shakespeare's Female Characters, by One Who Has Impersonaed Them. VII.--Rosalnd." Blackwood's 136, 1884, 399-437.
    85. 85McCabe, Richard A. "Elizabethan Satire and the Bishops' Ban of 1599." Yearbook of English Studies 11, 1981, 188-94.
    86. Mincoff, Marco. "What Shakespeare Did to Rosalynde." Shakespeare-Jarhbuch 96, 1960, 78-89.
    87. Nevo, Ruth. "Existence in Arden." Comic Transformations in Shakespeare. London and New York: Methuen, 1980.
    88. OED: The Oxford English Dictionary. Oxford, 2nd edn., 1989.
    89. Ogburn, Dorothy and Charlton. Shake-speare, The Man Behind the Name. New York: Morrow, 1962.
    90. 90Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare's England. Cambridge: Cambridge University Press, 1996.
    91. O'Sullivan, Daniel. Galérie des femmes de Shakespeare. Paris: H. Delloye, 1838.
    92. Ovid. Amores, Metamorphoses, Tristia. Loeb Classical Library.
    93. Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New Haven: Yale University Press, 1990.
    94. Patterson, Frank A. "Shakspere and the Medieval Lyric." Shakssperian Studies, ed. Brander Matthews and A. H. Thorndike. New York: Columbia University Press, 1916.
    95. 95Pepys, Samuel. The Diary of Samuel Pepys, ed. Robert Latham and William Matthews. Berkeley: University of California Press, 1970-83,
    96. Pliny. Natural History, trans. Philemon Holland. London, 1601.
    97. Pope, Alexander, ed. Works. 6 vols., London, 1723; 8 vols., 1728.
    98. Publilius Syrus. Sententiae, in Minor Latin Poets, Loeb Classical Library, 1934.
    99. Quiller-Couch, Arthur. See Wilson, J. Dover.
    100. 100Rowe, Nicholas, ed. Works. 6 vols. London, 1709.
    101. Ruggles, Henry J. The Plays of Shakespeare Founded on Literary Forms. Boston and New York, 1895.'
    102. Rylands, George H. W. Words and Poetry. New York: Payson & Clarke. Ltd., 1928.
    103. Schlegel, August. W. von. A Course of Lectures on Dramatic Art and Literature. Heidelberg, 1809-11. Translated John Black, 1815.
    104. Seng, Peter. The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge, MA: Harvard University Press, 1967.
    105. 105Shaw, George Bernard: Shaw on Shakespeare: An Anthology of Bernard Shaw's Writings on the Plays and Production of Shakepeare, ed. Edwin Wilson. New York, 1961.
    106. Sidney, Philip. Arcadia. London, 1590.
    107. Singer, Samuel W., ed. Dramatic Works. 10 vols. 1856.
    108. Sisson, C. J. New Readings in Shakespeare. 2 vols. Cambridge: Cambridge University Press, 1956.
    109. Smith, J. C., ed. AYL. The Warwick Shakespeare. London and Glasgow, 1894.
    110. 110Spedding, James. A contributor to Clark and Wright 1864 edition. See above under 'Clark'.
    111. Sprague, Arthur Colby. Shakespeare and the Actors: The Stage Business in His Plays (1660-1905). Cambridge, MA: Harvard University Press, 1944, 1963.
    112. Spurgeon, Caroline F. E. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge University Press, 1935.
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    114. Stoll, E. E. Shakespeare's Young Lovers. Oxford: Oxford University Press, 1937.
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    117. Thomson, J. A. K. Shakespeare and the Classics. London: Allen & Unwin, 1952
    118. Tilley, Morris P. A Dictionary of the Proverbs in England in the Sixeenth and Seventeenth Centuries. Ann Arbor, MI: Univeristy of Michigan Press, 1950.
    119. -----. "Shakespeare's 'Purge' of Jonson." TLS, 11 October 1928, 736.
    120. 120Traub, Valerie. Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. London and New York: Routledge, 1992.
    121. Ulrici, Hermann. Shakespeare's Dramatic Art: History and Character in Shakespeare's Plays, 1839. Trans. L. Dora Schmitz. 2 vols. London: G. Bell and sons, 1876.
    122. Upton, John. Critical Observations on Shakespeare. 1746, 1748.
    123. Verity, A. W., ed. AYL. The Pitt Press Shakespeare. Cambridge, 1899.
    124. Vickers, Brian. The Artistry of Shakespeare's Prose. London: Methuen, 1968.
    125. 125Virgil. Aeneid. Loeb Classical Library, 2 vols., 1965.
    126. Vyvyan, John. Shakespeare and Platonic Beauty. London: Chatto & Windus, 1961.
    127. Warburton, William, ed. Works. 8 vols. London, 1747.
    128. Ward, A. C., ed. AYL. Heritage of Literature Series. 1963.
    129. Watson, Robert N. "As You Liken It: Simile in the Wilderness." Shakespeare Survey 56, 2003, 79-92.
    130. 130White, Richard G. Studies in Shakespeare. Boston and New York, 1885.
    131. Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature. 3 vols. London and Atlantic Highlands, NJ: Athlone Press, 1994.
    132. Wilson, J. Dover. "Marlowe and As You Like It." TLS, 6 January 1927, 12.
    133. Wilson, J. Dover, and Arthur Quiller-Couch, eds. AYL. Cambridge: Cambridge University Press, 1926.
    134. Wright, William Aldis, ed. AYL. Shakespeare's Select Plays. Oxford: Clarendon Press Series, 1876.
    135. 135Wurtzburg, C. A. "The Ethics of As You Like It." Poet-Lore 4, 1892. 498-504.
    136. Young, David. The Heart's Forest: A Study of Shakespeare's Pastoral Plays. New Haven: Yale University Press, 1972.