Peer Reviewed
- Edition: Julius Caesar
Bibliography
- Introduction
- Texts of this edition
- Contextual materials
- Facsimiles
Bibliography
- Abbott, Edwin. A Shakespearian Grammar. London: Macmillan, 1897.
- Anson, John. "Julius Caesar: The Politics of the Hardened Heart." Shakespeare Studies 2 (1966), 11-33.
- Barroll, J. Leeds. "Shakespeare and Roman History." Modern Language Review 53 (1958), 327-43.
- Bartlett, Henrietta C. "Quarto Editions of Julius Caesar." The Library, 3rd ser., 4 (1913), 122-32.
- Bate, Jonathan, ed. The Romantics on Shakespeare. London: Penguin, 1992.
- Bate, Jonathan and Eric Rasmussen, eds. The Royal Shakespeare Company Shakespeare. New York: Modern Library, 2007.
- Berger, Harry. Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Ed. Peter Erickson. Stanford: Stanford UP, 1997.
- Blayney, Peter. The First Folio of Shakespeare. Washington, D.C.: Folger Shakespeare Library, 1991.
- _______, ed. The Norton Facsimile. The First Folio of Shakespeare. 2nd ed. New York: W. W. Norton, 1996.
- Bowers, Fredson. "The Copy for Shakespeare's Julius Caesar." South Atlantic Bulletin 43. 4 (1978), 28-36.
- _______. "Establishing Shakespeare's Text: Notes on Short Lines and the Problem of Verse Division." Studies in Bibliography 33 (1980), 74-130.
- Braden, Gordon. Renaissance Tragedy and the Senecan Tradition: Anger's Privilege. New Haven: Yale UP, 1985.
- Bradley, A. C. Shakespearean Tragedy (1904). New York: Fawcett, 1965.
- Bradshaw, Graham. Misrepresentations: Shakespeare and the Materialists. Ithaca, New York: Cornell UP, 1993.
- Brooks, Cleanth. The Well Wrought Urn. New York: Harcourt, Brace, World, 1947.
- Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. 8 vols. New York: Columbia UP, 1957-75.
- Cavell, Stanley. Disowning Knowledge in Seven Plays by Shakespeare. Cambridge: Cambridge UP, 2003.
- Charney, Maurice. Shakespeare's Roman Plays: The Function of Imagery in the Drama. Cambridge, Mass.: Harvard UP, 1961.
- Clark, William George and William Aldis Wright, eds. Julius Caesar.InWorks of William Shakespeare. 9 vols. Cambridge: Cambridge UP, 1863-66.
- Cox, John D. Seeming Knowledge: Shakespeare and Skeptical Faith. Waco: Baylor UP, 2007.
- Cox, John D. and David Scott Kastan, eds. A New History of Early English Drama. New York: Columbia UP, 1997.
- Dent, Robert William. Shakespeare's Proverbial Language. Berkeley and Los Angeles: U of California P, 1981.
- Daniell, David, ed. Julius Caesar. Walton-on-Thames: Thomas Nelson for the Arden Shakespeare, 1998.
- Dorsch, T. S., ed. Julius Caesar. London: Methuen for the Arden Shakespeare, 1955.
- Dowden, Edward. Shakepere: A Critical Study of His Mind and Art. 2nd ed. London: Henry King, 1876.
- Foakes, R. A. "An Approach to Julius Caesar." Shakespeare Quarterly 5 (1954), 259-70.
- Fortin, Rene E. "Julius Caesar: An Experiment in Point of View." Shakespeare Quarterly 19 (1968), 341-47.
- The Geneva Bible. A facsimile of the 1560 edition. Madison: U of Wisconsin P, 1969.
- Gervinus, Georg Gottfried. Shakespeare Commentaries. Trans. F. E. Bunnett. London: Smith, Elder, 1883.
- Granville-Barker, Harley. Prefaces to Shakespeare. London: Sidgwick and Jackson, 1927.
- Greenblatt, Stephen. "Shakespeare and the Exorcists." Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkley and Los Angeles: U of California P, 1988. 94-128.
- Greg, W. W. "The Bibliographical History of the First Folio." The Library, 2nd ser., 4 (1903), 258-83.
- _______. Dramatic Documents from the Elizabethan Playhouses: Stage Plots, Actors' Parts, Prompt Books, 2 vols. Oxford: Clarendon, 1931.
- _______. TheEditorial Problem in Shakespeare. Oxford: Oxford UP, 1931.
- Hinman, Charlton, ed. The Norton Facsimile. The First Folio of Shakespeare. New York: W. W. Norton, 1968.
- Horace, Satires, Epistles and Ars Poetica. Trans. Rushton Fairclough. Cambridge, Mass.: Harvard UP for the Loeb Classical Library, 1926.
- _______. The Printing and Proof-Reading of the First Folio. 2 vols. Oxford: Clarendon, 1963.
- Hornstein, Lillian Herlands. "Analysis of Imagery: A Critique of Literary Method." PMLA 57 (1942), 638-53.
- Hudson, H. N. Shakespeare: His Life, Art, and Characters. 2 vols. Boston: Ginn, 1895.
- Humphreys, Arthur R., ed. Julius Caesar. Oxford: Oxford UP, 1984.
- Hunter, Mark. "Politics and Character in Shakespeare's 'Julius Caesar.'" Essays by Divers Hands, n.s. 10 (1931), 109-40.
- Jonson, Ben. Ben Jonson. Eds. C. H. Herford and Percy Simpson. 11 vols. Oxford: Clarendon, 1925-52.
- Johnson, Samuel. Johnson on Shakespeare. Ed. Arthur Sherbo. Vols. 7 and 8 of The Yale Edition of the Works of Samuel Johnson. New Haven: Yale UP, 1968.
- Jowett, John. "Ligature Shortage and Speech-prefix Variation in Julius Caesar." The Library, 6th ser., 6 (1985), 244-53.
- Kahn, Coppèlia. Roman Shakespeare: Warrior, Wounds, and Women. London and New York: Routledge, 1997.
- Kastan, David Scott. Shakespeare and the Shapes of Time. Hanover: UP of New England, 1982.
- Kaula, David. "'Let Us Be Sacrificers': Religious Motifs in Julius Caesar." Shakespeare Studies 14 (1981), 197-214.
- Kirschbaum, Leo. "Shakespeare's Stage Blood and Its Critical Significance." PMLA 64 (1949), 517-29.
- Knapp, Jeffrey. Shakespeare's Tribe: Church, Nation, and Theater in Renaissance England. Chicago: U of Chicago P, 2002.
- Knight, G. Wilson. The Imperial Theme. 1931. London: Methuen, 1965.
- Kolbe, F. C. Shakespeare's Way: A Psychological Study. London: Sheed and Ward, 1930.
- Levin, Richard. "My Theme Can Lick Your Theme." College English 37 (1975), 307-12.
- _______. New Readings vs. Old Plays. Chicago: U of Chicago P, 1979.
- Lewis, C. S. Studies in Words. Cambridge: Cambridge UP, 1960.
- Liebler, Naomi Conn. "'Thou Bleeding Piece of Earth': The Ritual Ground of Julius Caesar." Shakespeare Studies 14 (1981), 175-96.
- MacCallum, M. W. Shakespeare's Roman Plays and Their Background. 1910; London: Macmillan, 1967.
- Maxwell, J. C. "Shakespeare's Roman Plays: 1900-1956." Shakespeare Survey 10 (1957), 1-11.
- Miles, Geoffrey. Shakespeare and the Constant Romans. Oxford: Clarendon, 1996.
- Miola, Robert. "Shakespeare and His Sources: Observations on the Critical History of Julius Caesar." Shakespeare Survey 40 (1987), 69-76.
- Monsarrat, Gilles. Light from the Porch: Stoicism and English Renaissance Literature. Paris: Didier-Erudition, 1984.
- Moxon, Joseph. Mechanick Exercises on the Whole Art of Printing, 1683-4. Eds. Herbert Davis and Harry Carter. London, Oxford UP, 1958.
- Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1988.
- Oxford English Dictionary. http://dictionary.oed.com/.
- New Variorum Julius Caesar. Ed. H. H. Furness. Philadelphia: Lippincott, 1913.
- Paster, Gail Kern. "'In the spirit of men there is no blood': Blood as Trope of Gender in Julius Caesar." Shakespeare Quarterly 40 (1989), 284-98.
- Phillips, J. E. The State in Shakespeare's Greek and Roman Plays. New York: Columbia UP, 1940.
- Pope, Alexander, ed. Works of Shakespeare. 6 vols. London: Jacob Tonson, 1723-25.
- Plutarch. The Lives of the Noble Grecians and Romans. Trans. Thomas North. Ed. Judith Mossman. Ware: Wordsworth Editions, 1998.
- Rabkin, Norman. Shakespeare and the Common Understanding. New York: Free Press, 1967.
- _______. "Structure, Convention, and Meaning in Julius Caesar." Journal of English and Germanic Philology 63 (1964), 240-54.
- Ransom, John Crowe. The New Criticism. Norfolk, Conn.: New Directions, 1941.
- Rasmussen, Eric. "The Revision of Scripts." Cox and Kastan, eds. 441-60.
- Resch, J. "Zu Shakespeares Julius Cäsar IV, 3, 143 ff." Archiv für das Studium der Neueren Sprachen und Literaturen 67 (1882), 445-448.
- Ricoeur, Paul. "Interpretation as Exercise of Suspicion." Freud and Philosophy. Trans. Denis Savage. New Haven: Yale UP, 1970. 31-36.
- Ringler, William. "Poeta Nascitur non Fit": Some Notes on the History of an Aphorism." Journal of the History of Ideas, 2 (1941), 497-504.
- Ripley, John. Julius Caesar on Stage in England and America, 1599-1973. Cambridge: Cambride UP, 1980.
- Rose, Mark. "Conjuring Caesar: Ceremony, History, and Authority in 1599." English Literary Renaissance 19 (1989), 291-304.
- Rossiter, A. P. "Line-Division in 'Julius Caesar.'" Times Literary Supplement, Saturday, July 29, 1939, 453-54.
- Rowe, Nicholas, ed. The Works of Mr. William Shakespear. 7 vols. London: Jacob Tonson, 1709.
- Satchell, Thomas. "The spelling of the First Folio." Times Literary Supplement 3 June 1920, 352.
- Saunders, J. W. "Staging at the Globe, 1599-1613." Shakespeare Quarterly 11 (1960), 402-25.
- Schanzer, Ernest. TheProblem Plays of Shakespeare. New York: Schocken Books, 1963.
- _______. "Thomas Platter's observations on the Elizabethan stage," Notes and Queries 201 (1956), 465-7.
- Serpieri, Alessandro. "Reading the signs: towards a semiotics of Shakespearean drama." Trans. Keir Elam. Alternative Shakespeares. Ed. John Drakakis. London: Methuen, 1985. 119-43.
- Shapiro, James. A Year in the Life of William Shakespeare: 1599. New York: HarperCollins, 2005.
- Shuger, Debora. Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture. Berkeley and Los Angeles: U of California P, 1990.
- Sicherman, Carol Marks. "Short Lines and Interpretation: The Case of Julius Caesar." Shakespeare Quarterly 35 (1984), 180-95.
- Simmons, J. L. Shakespeare's Pagan World: The Roman Tragedies. Charolottesville: UP of Virginia, 1973.
- Sohmer, Steve. Shakespeare's Mystery Play: The Opening of the Globe Theatre 1599. Manchester: Manchester UP, 1999.
- Spurgeon, Caroline. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge UP, 1939.
- Stirling, Brents. "'Or Else This Were a Savage Spectacle.'" PMLA 66 (1951), 765-74.
- Taylor, Gary. "Musophilus, Nosce teipsum, and Julius Caesar." Notes and Queries 229 (1984): 191-95.
- Tillyard, E. M. W. The Elizabethan World Picture. New York: Macmillan, 1944.
- _______. Shakespeare's History Plays. New York: Barnes and Noble, 1944.
- Traversi, Derek. Shakespeare: The Roman Plays. Stanford: Stanford UP, 1963.
- Tyrwhitt, Thomas. "Observations and Conjectures upon Some Passages by Shakespeare." Samuel Johnson and George Steevens, eds. Plays of William Shakespeare. 10 vols. London: Bathurst, Strahan et al., 1778.
- Vawter, Marvin L. "'Division 'tween Our Souls': Shakespeare's Stoic Brutus." Shakespeare Studies 7 (1974), 173-95.
- Velz, John W. "Undular Structure in 'Julius Caesar.'" Modern Language Review 66 (1971), 21-30.
- Vickers, Brian. Shakespeare: The Critical Heritage. 5 vols. London: Routledge and Kegan Paul, 1974-79.
- Weinberg, Bernard. A History of Literary Criticism in the Italian Renaissance. 2 vols. Chicago: U of Chicago P, 1961.
- Wells, Stanley. Re-Editing Shakespeare for the Modern Reader (Oxford: Clarendon, 1984).
- Wells, Stanley and Gary Taylor, with John Jowett and William Montgomery. William Shakespeare: A Textual Companion. Oxford: Oxford UP, 1987.
- Werstine, Paul. "Narratives about Printed Shakespeare Texts: 'Foul Papers' and 'Bad Quartos.'" Shakespeare Quarterly 41 (1990), 65-86.
- _______. "Plays in Manuscript." Cox and Kastan, eds. 481-97.
- Wilson, John Dover, ed. Julius Caesar. Cambridge: Cambridge UP, 1949. Vol 15. The Works of Shakespeare. 39 vols. 1921-66.
- Wilson, Richard. "'Is this a holiday?': Shakespeare's Roman Carnival." ELH 54 (1987), 31-44.
- Wimsatt. W. K. and Monroe Beardsley. The Verbal Icon: Studies in the Meaning of Poetry. Lexington, Kentucky: U of Kentucky P, 1954.
- Wright, George T. Shakespeare's Metrical Art. Berkeley and Los Angeles: University of California Press, 1988.