Internet Shakespeare Editions


Bibliography: Shakespeare's stage

  1. Adams, John Cranford. The Globe Playhouse: Its Design and Equipment. Second ed. New York: Barnes and Noble, 1942.
  2. Arnold, Janet. Patterns of Fashion: The Cut and Construction of Clothes for Men and Women, C1560-1620. London: Macmillan, 1985.
  3. Astington, John H., ed. The Development of Shakespeare's Theater. New York, N.Y: AMS Press, 1992.
  4. Axton, Richard.. European Drama of the Early Middle Ages. London: Hutchinson, 1974.
  5. Barroll, J. Leeds. Politics, Plague, and Shakespeare's Theater: The Stuart Years. Ithaca: Cornell University Press, 1991.
  6. Bate, Jonathan, and Russell Jackson. Shakespeare: An Illustrated Stage History. Oxford: Oxford University Press, 1996.
  7. Beadle, Richard, ed.. The Cambridge Companion to Medieval English Theatre. Cambridge: Cambridge University Press, 1994.
  8. Beckerman, Bernard. Shakespeare at the Globe, 1599-1609. London: Collier-Macmillan, 1962.
  9. Bentley, Gerald E. The Jacobean and Caroline Stage. Oxford: Clarendon Press, 1941-68. 7 vols.
  10. Bentley, Gerald E. The Profession of Dramatist in Shakespeare's Time, 1590-1642. Princeton: Princeton University Press, 1971.
  11. Bentley, Gerald E. The Profession of Player in Shakespeare's Time, 1590-1642. Princeton: Princeton University Press, 1984.
  12. Bentley, Gerald E, ed. The Seventeenth-Century Stage: A Collection of Critical Essays. Chicago: Chicago University Press, 1968.
  13. Bentley, Gerald Eades, ed. A Book of Masques in Honour of Allardyce Nicoll. Cambridge: Cambridge University Press, 1967.
  14. Bergeron, David M. Pageantry in the Shakespearean Theatre. Athens, Ga.: University of Georgia Press, 1985.
  15. Bergeron, David Moore. Twentieth-Century Criticism of English Masques, Pageants, and Entertainments: 1558-1642. San Antonio, Tex: Trinity University Press, 1972.
  16. Berry, Herbert. Shakespeare's Playhouses. New York: AMS, 1987.
  17. Berry, Ralph. Shakespeare and the Awareness of the Audience. London: Macmillan, 1984.
  18. Bevington, David M. and Peter Holbrook, eds.. The Politics of the Stuart Court Masque. Cambridge: Cambridge University Press, 1998.
  19. Biggs, Murray, and <et al>, eds. The Arts of Performance in Elizabethan and Early Stuart Drama: Essays for G.K. Hunter. Edinburgh: Edinburgh University Press, 1991.
  20. Bradbrook, M.C. The Rise of the Common Player: A Study of Actor and Society in Shakespeare's England. London: Chatto & Windus, 1962.
  21. Bridges, Robert Seymour, 1844-1930., et al.. The Influence of the Audience on Shakespeare's Drama. --. New York: Haskell House, 1966.
  22. Butterworth, Philip. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research, 1998.
  23. Callaghan, Dympna. Shakespeare without Women: Representing Gender and Race on the Renaissance Stage. London; New York: Routledge, 2000.
  24. Campbell, Lily B. Scenes and Machines on the English Stage During the Renaissance. New York: Barnes and Noble, 1960.
  25. Carson, Neil. A Companion to Henslowe's Diary. Cambridge: Cambridge University Press, 1988.
  26. Cartwright, Kent. Shakespearean Tragedy and Its Double: The Rhythms of Audience Response. University Park, Pa: Pennsylvania State University Press, 1991.
  27. Chambers, E.K.. The Elizabethan Stage. Oxford: Clarendon Press, 1951. 4 vols.
  28. Chambers, E.K.. The Medieval Stage. London: Oxford University Press, 1903. 2 vols.
  29. Cheney, Sheldon. The Theatre; Three Thousand Years of Drama, Acting, and Stagecraft. New York: McKay, 1972.
  30. Collier, John Payne p.. The Alleyn Papers; a Collection of Original Documents Illustrative of the Life and Times of Edward Alleyn, and of the Early English Stage and Drama.. New York: AMS Press, 1970.
  31. Cook, Ann Jennalie. The Privileged Playgoers of Shakespeare's London, 1576-1642. Princeton: Princeton University Press, 1981.
  32. Cornelia, Marie. The Function of the Masque in Jacobean Tragedy and Tragicomedy. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1978.
  33. Cunningham, Peter, ed. Extracts from the Accounts of the Revels at Court. London: Shakespeare Society of London, 1842.
  34. Cunningham, Peter. Inigo Jones, a Life. London: Shakespeare Society, 1853.
  35. Cunnington, C. Willet, and Phillis Cunnington. Handbook of English Costume in the Sixteenth Century. Boston: Plays, Inc., 1970.
  36. Davidson, Clifford. Technology, Guilds, and Early English Drama. Kalamazoo: Medieval Institute Publications, 1996.
  37. Davidson, Clifford, C. J. Gianakaris, and John H. Stroupe. The Drama of the Middle Ages: Comparative and Critical Essays. New York: AMS Press, 1982.
  38. Davies, Robertson. Shakespeare's Boy Actors. New York: Russell & Russell, 1964.
  39. Day, Barry. This Wooden 'O', Shakespeare's Globe Reborn, the Official Story, with a Foreword by Sir John Gielgud. London: Oberon Books, 1996.
  40. Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.
  41. Dessen, Alan C.. Essays on Dramatic Technique. Evanston: Northwestern University Press, 1981.
  42. Dessen, Alan C. , and Leslie Thomson. A Dictionary of Stage Directions in English Drama 1580-1642. Cambridge: Cambridge UP, 1999.
  43. Dillon, Janette. Language and Stage in Medieval and Renaissance England. Cambridge: Cambridge University Press, 1998.
  44. Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London. Cambridge, New York: Cambridge University Press, 2000.
  45. Dutton, Richard, ed. Jacobean and Caroline Masques. Nottingham: Nottingham Drama Texts, 1981.
  46. Edwards, Francis. Ritual and Drama: The Mediaeval Theatre. Guildford: Lutterworth, 1976.
  47. Evans, Herbert Arthur, ed. English Masques. London: Gresham Publishing, 1906.
  48. Gair, W. Reavley. The Children of Paul's: The Story of a Theatre Company, 1553-1608. Cambridge: Cambridge University Press, 1982.
  49. Gibson, Joy Leslie. Squeaking Cleopatras: The Elizabethan Boy Player. Stroud, Gloucestershire: Sutton, 2000.
  50. Gosson, Stephen. Playes Confuted in Five Actions. Ed Arthur Freeman. New York: Garland Pub, 1972.
  51. Gosson, Stephen. The School of Abuse, 1579. Menston: Scolar Press, 1972.
  52. Gosson, Stephen. The Schoole of Abuse, Conteining a Plesaunt Inuectiue against Poets, Pipers, Plaiers, Iesters, and Such Like Caterpillers of a Commonwelth. Amsterdam: Theatrum Orbis Terrarum, 1972.
  53. Graham, Clare. The Rose: Bankside's First Theatre - Henslowe, Shakespeare, Marlowe. London: Oyez Press, 1999.
  54. Graves, R.E.. Lighting the Shakespearean Stage, 1567-1642. Cambridge: Cambridge UP, 1999.
  55. Grebanier, Bernard D. N.. Then Came Each Actor: Shakespearean Actors, Great and Otherwise, Including Players and Princes, Rogues, Vagabonds and Actors Motley, from Will Kempe to Olivier and Gielgud and After. New York: McKay, 1975.
  56. Grose, B. Donald, and O. Franklin Kenworthy. A Mirror to Life: A History of Western Theatre. New York: Holt, Rinehart and Winston, 1985.
  57. Gurr, Andrew. Playgoing in Shakespeare's London. Cambridge: Cambridge University Press, 1987.
  58. Gurr, Andrew. Playgoing in Shakespeare's London. 2nd ed. Cambridge: Cambridge University Press, 1996.
  59. Gurr, Andrew. The Shakespearean Playing Companies. Oxford: Oxford University Press, 1996.
  60. Gurr, Andrew. The Shakespearean Stage 1574-1642. Cambridge: Cambridge University Press, 1980.
  61. Gurr, Andrew. Staging in Shakespeare's Theatres. Oxford; New York: Oxford University Press, 2000.
  62. Gurr, Andrew, and Ichikawa Mariko. Staging in Shakespeare's Theatres. Oxford: Oxford UP, 2000.
  63. Gurr, Andrew, Ronnie Mulryne, and Margaret Shewring, eds. The Design of the Globe. London: The International Shakespeare Globe Centre, 1993.
  64. Harbage, Alfred. Annals of English Drama, 975-1700: An Analytical Record of All Plays, Extant or Lost, Chronologically Arranged and Indexed by Authors, Titles, Dramatic Companies, &C. Ed Samuel Schoenbaum. London: Methuen, 1964.
  65. Harbage, Alfred. As They Liked It. New York: Macmillan, 1947.
  66. Harbage, Alfred. Shakespeare and the Rival Traditions. N. Y.: Macmillan, 1952.
  67. Hartnoll, Phyllis. A Concise History of the Theatre. Rev. ed. London: Thames and Hudson, 1985.
  68. Hartnoll, Phyllis, ed. The Oxford Companion to the Theatre. London: Oxford University Press, 1967.
  69. Hatcher, O. Latham. A Book for Shakespeare Plays and Pageants: A Treasury of Elizabethan and Shakespearean Detail for Producers, Stage Managers, Actors, Artists and Students. London: J.M. Dent, 1910.
  70. Hattaway, Michael. Elizabethan Popular Theatre: Plays in Performance. London: Routledge & Kegan Paul, 1982.
  71. Henslowe, Philip. Henslowe's Diary. Eds. R. A Foakes and R. T Rickert. Cambridge: Cambridge University Press, 1961.
  72. Hildy, Franklin J, ed. New Issues in the Reconstruction of Shakespeare's Theatre. New York: P. Lang, 1990.
  73. Hildy, Franklin J.. "Minority Report on the Decisions of the Pentagram Conference." Shakespeare Bulletin 1992: 9-12.
  74. Hillebrand, Harold Newcomb. The Child Actors. New York: Russell & Russell, 1964.
  75. Hodges, C. Walter. Enter the Whole Army: A Pictorial Study of Shakespearean Staging 1576-1616. Cambridge: Cambridge University Press, 1999.
  76. Hodges, C. Walter. The Globe Restored. London: Ernest Benn, 1953.
  77. Hodges, C. Walter. Shakespeare's Second Globe: The Missing Monument. London, 1973.
  78. Hodges, C. Walter, Samuel Schoenbaum, and Leonard Leone. The Third Globe: Symposium for the Reconstruction of the Globe Playhouse, Wayne State University, 1979. Detroit: Wayne State University Press, 1981.
  79. Holmes, Martin Rivington. Shakespeare and Burbage: The Sound of Shakespeare as Devised to Suit the Voice and Talents of His Principal Player. London: Phillimore, 1978.
  80. Homan, Sidney. Shakespeare's Theater of Presence: Language, Spectacle, and the Audience. Cranbury, N.J: Associated University Presses, 1986.
  81. Hotson, Leslie. Shakespeare's Wooden O. London: Rupert Hart-Davis, 1959.
  82. Howard, Jean E. Shakespeare's Art of Orchestration: Stage Technique and Audience Response. Urbana: University of Illinois Press, 1984.
  83. Hudson, Katherine. The Story of the Elizabethan Boy-Actors. London: Oxford University Press, 1971.
  84. Johnston, Alexandra F., and Wim N. M. Hüsken, eds.. English Parish Drama. Amsterdam: Rodopi, 1996.
  85. Jones-Davies, M.T.. Inigo Jones, Ben Jonson Et Le Masque. Paris: M. Didier, 1967.
  86. Jonson, Ben. The Complete Masques. Ed Stephel Orgel. New Haven, Conn.: Yale University Press, 1969.
  87. Joseph, B. L. Elizabethan Acting. London: Oxford University Press, 1964 [1951].
  88. Joseph, Bertram Leon. The Tragic Actor. London: Routledge & Paul, 1959.
  89. Kempe, William. A Dutiful Invective against the Treasons of Ballard and Babington. Amsterdam: Theatrum Orbis Terrarum, 1971.
  90. Kernodle, George R. From Art to Theatre: Form and Convention in the Renaissance. Chicago: Chicago University Press, 1944.
  91. Kernodle, George R. Invitation to the Theatre. New York: Harcourt Brace and World, 1967.
  92. Kiernan, Pauline. Staging Shakespeare at the New Globe. Basingstoke: Macmillan Press, 1999.
  93. King, T. J.. Shakespearean Staging 1599-1642. Cambridge: Harvard University Press, 1971.
  94. King, Thomas J. Casting Shakespeare's Plays: London Actors and Their Roles 1590-1642. Cambridge: Cambridge UP, 1992.
  95. Knutson, Roslyn Lander. The Repertory of Shakespeare's Company, 1594-1613. Fayetteville: University of Arkansas Press, 1991.
  96. Kogan, Stephen. The Hieroglyphic King: Wisdom and Idolatry in the Seventeenth-Century Masque. Rutherford: Fairleigh Dickinson University Press, 1986.
  97. Langley, Andrew. Shakespeare's Theatre. Oxford: Oxford University Press, 1999.
  98. Laroque, Francois. Shakespeare's Festive World. Cambridge: Cambridge UP, 1991.
  99. Laroque, Francois. Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. Trans. Janet Lloyd. Cambridge: Cambridge University Press, 1991.
  100. Lawrence, W. J. The Elizabethan Playhouse, and Other Studies. New York: Russell, 1963 [1912]. 2 vols.
  101. Lawrence, W. J. The Physical Conditions of the Elizabethan Playhouse. Cambridge: Harvard University Press, 1927.
  102. Lee, Sidney, Sir. Shakespeare and the Modern Stage, with Other Essays. London: A. Constable, 1907.
  103. Lees-Milne, James. The Age of Inigo Jones. London: B.T. Batsford Ltd., 1953.
  104. Limon, Jerzy. The Masque of Stuart Culture. Newark: University of Delaware Press, 1990.
  105. Lindley, David, ed.. The Court Masque. Manchester: Manchester University Press, 1984.
  106. Linthicum, Marie C. Costume in the Drama of Shakespeare and His Contemporaries. London: Oxford University Press, 1936.
  107. Lomax, Marion. Stage Images and Traditions: Shakespeare to Ford. Cambridge: Cambridge Universtity Press, 1987.
  108. Mann, David. The Elizabethan Player: Contemporary Stage Representation. London: Routledge, 1991.
  109. McJannet, Linda. The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code. Newark: University of Delaware Press, 1999.
  110. McMillin, Scott and Sally-Beth MacLean. The Queen's Men and Their Plays. Cambridge: Cambridge University Press, 1998.
  111. Muir, Lynette R.. The Biblical Drama of Medieval Europe. Cambridge: Cambridge University Press, 1995.
  112. Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: University of Chicago Press, 1988.
  113. Mulryne, J.R., and Margaret Shewring, eds. Shakespeare's Globe Rebuilt. New York: Cambridge University Press, 1997.
  114. Murray, John Tucker. English Dramatic Companies, 1558-1642. New York: Russell and Russell, 1963 [1910]. 2 vols.
  115. Nelsen, Paul. "Reinventing Shakespeare's Globe? A Report of Design Choices for the Isgc Globe 2." Shakespeare Bulletin 1992: 5-8.
  116. Nelsen, Paul. "Sizing up the Globe: Proposed Revisions to the Isgc Reconstruction." Shakespeare Bulletin 1993: 5-13.
  117. Newton, Stella Mary. Renaissance Theatre Costume and the Sense of the Historic Past. London: Rapp & Whiting, 1975.
  118. Nicoll, Allardyce. The Development of the Theatre: A Study of Theatrical Art from the Beginnings to the Present Day. 5th ed. New York: Harcourt, Brace & World, 1966.
  119. Nicoll, Allardyce. A History of English Drama, 1660-1900. Cambridge: Cambridge University Press, 1952-59 (3 vols., rev. ed.).
  120. Nicoll, Allardyce. Masques, Mimes and Miracles: Studies in the Popular Theatre. London: Harrap, 1931.
  121. Nicoll, Allardyce. Stuart Masques and the Renaissance Stage. London: G.C. Harrap, 1937.
  122. Nungezer, Edwin. A Dictionary of Actors and of Other Persons Associated with the Public Representation of Plays in England before 1642.. New York: Greenwood Press, 1968 [1929].
  123. Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare's England. Cambridge: Cambridge University Press, 1996.
  124. Orgel, Stephen. The Jonsonian Masque. Cambridge: Harvard University Press, 1965.
  125. Orrell, John. The Human Stage: English Theatre Design, 1567-1640. Cambridge: Cambridge University Press, 1988.
  126. Orrell, John. The Quest for Shakespeare's Globe. Cambridge: Cambridge University Press, 1983.
  127. Orrell, John. The Theatres of Inigo Jones and John Webb. Cambridge: Cambridge University Press, 1985.
  128. Parsons, Keith and Pamela Mason (eds). Shakespeare in Performance. London: Salamander Books Ltd, 1995.
  129. Paterno, Salvatore.. The Liturgical Context of Early European Drama. Potomac: Scripta Humanistica, 1989.
  130. Peacock, John. The Stage Designs of Inigo Jones: The European Context: Cambridge University Press, 1995.
  131. Poel, William. Shakespeare in the Theatre. London: Sidgwick and Jackson, 1913.
  132. Prouty, Charles Tyler, ed.. Studies in the Elizabethan Theatre. Hamden, Conn: Shoe String Press, 1961.
  133. Richards, Kenneth, and Laura Richards. The Commedia Dell'arte: A Documentary History. Oxford: Basil Blackwell, 1990.
  134. Richman, David. Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the Theater. Newark: University of Delaware Press, 1990.
  135. Robinson, John William. Studies in Fifteenth-Century Stagecraft. Kalamazoo: Medieval Institute Publications, Western Michigan University, 1991.
  136. Ross, James Bruce, and Mary Martin McLauglin, eds. The Portable Medieval Reader. New York: Viking Penguin, 1977 [1949].
  137. Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances 1590-1890. London: Sussex University Press, 1975.
  138. Schoenbaum, Samuel. Annals of English Drama, 975-1700: A Second Supplement to the Revised Edition. Evanston, Ill: Northwestern University, Dept. of English, 1970.
  139. Schoenbaum, Samuel, ed. Essays Principally on Masques and Entertainments. Evanston, Ill: Northwestern University Press, 1968.
  140. Schoenbaum, Samuel, and Alan C. Dessen, eds. Essays Principally on the Playhouse and Staging. Evanston: Northwestern University Press, 1971.
  141. Shapiro, Michael. Children of the Revels: The Boy Companies of Shakespeare's Time and Their Plays. New York: Columbia University Press, 1977.
  142. Sharpe, Robert Boies. The Real War of the Theaters: Shakespeare's Fellows in Rivalry with the Admiral's Men, 1594-1603: Repertories, Devices, and Types. Boston: D.C. Heath, 1935.
  143. Shurgot, Michael W.. Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance. Newark: University of Delaware Press, 1998.
  144. Southern, Richard. The Medieval Theatre in the Round. London: Faber and Faber Limited, 1957.
  145. Southern, Richard. The Open Stage. New York: Theatre Arts Books, 1959.
  146. Southworth, John. Shakespeare, the Player: A Life in the Theatre. Stroud, Gloucestershire: Sutton, 2000.
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  148. Stage, The Renaissance. "The Renaissance Stage: The Idea and Image of Antiquity." Princeton, NJ: Films for the Humanities, 1990.
  149. Steele, Mary Susan. Plays and Masques at Court During the Reigns of Elizabeth, James and Charles. New York: Russell & Russell, 1986.
  150. Stopes, Charlotte Carmichael. Burbage and Shakespeare's Stage. New York: Haskell House, 1970.
  151. Stratman, Carl Joseph. Bibliography of Medieval Drama. New York: F. Ungar, 1972. 2 vols.
  152. Streitberger, W. R., ed. Jacobean and Caroline Revels Accounts, 1603-1642. Oxford: Malone Society, 1986.
  153. Styan, J. L.. Shakespeare's Stagecraft. Cambridge: Cambridge University Press, 1971.
  154. Sullivan, Mary Agnes. Court Masques of James I: Their Influence on Shakespeare and Public Theatres. Lincoln, Neb., 1913.
  155. Thompson, Marvin and Ruth (eds.). Shakespeare and the Sense of Performance. Newark: University of Delaware Press, 1989.
  156. Thompson, Peter. Shakespeare's Professional Career. Cambridge: Cambridge University Press, 1992.
  157. Thomson, Peter. Shakespeare's Theatre. London: Routledge, 1992.
  158. Thomson, Peter. Shakespeare's Theatre. 2 ed. London: Routledge, 1992.
  159. Tydeman, William. English Medieval Theatre 1400-1500. London, Boston and Henley: Routledge & Kegan Paul plc., 1986.
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  162. Weimann, Robert. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Eds. Helen Higbee and William West. Cambridge, U.K.; New York: Cambridge University Press, 2000.
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  166. Wickham, Glynne. Early English Stages 1300-1600. New York: Columbia University Press, 1959-63. 2 vols.
  167. Wickham, Glynne. The Medieval Theatre. Cambridge, New York: Cambridge University Press, 1987.
  168. Wiles, David. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.
  169. Wilson, Jean. The Archaeology of Shakespeare: The Material Legacy of Shakespeare's Theatre. Gloucestershire: Alan Sutton Pub., 1995.
  170. Wollesen-Wisch, Barbara and Susan Scott Munshower, eds.. "All the World's a Stage-- ": Art and Pageantry in the Renaissance and Baroque. University Park, Pa: Dept. of Art History, the Pennsylvania State University, 1990. 2 vols.
  171. Young, Karl. The Drama of the Medieval Church. Oxford: Clarendon Press, 1933. 2 vols.