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Shakespeare in South Africa: Works Cited

Shakespeare in South Africa -- page 11

Works cited

  1. Attwell, Eric. [1992.] Port Elizabeth Opera House: The First 100 Years. Cape Town: CAPAB.
  2. Barnard, Lady Anne. 1973. The Letters of Lady Anne Barnard to Henry Dundas. Ed. A.M. Lewin Robinson. Cape Town: A.A. Balkema.
  3. Bishop, Freda Godfrey. 1944."My life on stage was a great and lovely adventure." The Outspan. December 22: 20-21, 58.
  4. Bosman, F.C.L. 1928. Drama en Toneel in Suid-Africa. Vol. 1. Kaapstad: J. Dusseau & Co.
  5. Butler, Guy. 1992. "Notes on Seeing and Hearing Shakespeare's Plays in South Africa." Shakespeare Society of Southern Africa: Occasional Papers and Reviews 7.1: 1-13. Also available in Guy Butler, Essays and Lectures, 1949-1991, ed. Stephen Watson. Cape Town: David Philip, 1994: 221-236.
  6. Cartelli, Thomas. 1999. Repositioning Shakespeare: National formations, postcolonial appropriations. London and New York: Routledge.
  7. Chilvers, Hedley A. 1929. Out of the Crucible. London: Cassell and Company, Ltd.
  8. Coertze, L.I., trans. 1945. Hamlet, prins van Denemarke. Vertaal duer L.I. Coertze; met tekeninge van Maude Sumner. Kaapstad: Stewart.
  9. Couzens, Tim. 1988. "A Moment in the Past: William Tsikinya-Chaka." Shakespeare in Southern Africa. 2 (1988):60-66.
  10. Croall, Jonathan. 2002. Gielgud: A Theatrical Life. New York: Continuum.
  11. Davies, Anthony. 1988. Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa. Cambidge: Cambridge University Press.
  12. Davies, Anthony, and Stanley Wells, eds. 1994. Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge University Press.
  13. Dhlomo, H.I.E. 1985.Collected Works, Ed. Nick Visser and Tim Couzens. Johannesburg: Ravan Press.
  14. Distiller, Natasha. 2005. South Africa, Shakespeare, and Postcolonial Culture. Lewiston, Queenston, Lampeter: Edwin Mellen.
  15. "Electric Umabatha is back." Spotlight 1.1 (July/August) 1950; 23.
  16. Etherington, Norman. 2001. The Great Treks: The Transformation of Southern Africa, 1815-1854. London: Longman.
  17. Fletcher, Jill. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.
  18. Ffrangçon-Davies, Gwen. 1943. "Why not a CEMA for South Africa?" The Outspan (July 30, 1943): 11, 41.
  19. Freeman, N.S. 1949. "Theatres and plays in Natal, 1846-1897" Unpublished MA thesis, University of Birmingham.
  20. Gollancz, Israel, ed. 1916. A Book of Homage to Shakespeare. London: Oxford University Press, 1916.
  21. Gray, Stephen. 1997. "African Poets Respond to Shakespeare." Shakespeare in Southern Africa. 10: 49-69.
  22. Gray, Stephen. 1998. "Notes on South African and Australian Theatre." South African Theatre Journal 12, 1&2 (May/September) 172-177.
  23. Gray, Stephen. 1976. "Two Sources of Plaatje's Mhudi." Munger Africana Library Notes 37: 6-28.
  24. Hacksley, Malcolm. 1992. "Shakespeare in CRUX, 1967-1991: An Overlooked Resource for Teachers of Shakespeare?" Shakespeare Society of Southern Africa: Occasional Papers and Reviews 7.1: 14-20.
  25. Hatfield, Denis. 1967. Cape Theatre in the 1940's. Cape Town: Purnell.
  26. Hoffmann, Arthur and Anna Romain Hoffman. 1980. They Built a Theatre: the History of the Johannesburg Repertory Players. Johannesburg: Ad. Donker.
  27. Hoffman, Ursula. 1964. A List of Theatre Performances in Johannesburg, 1867-1897. Johannesburg: Johannesburg Public Library.
  28. Huguenet, André.1950. Applous! : Die Kronieke van 'n Toneelspieler. Pretoria: J.H. de Bussy.
  29. Huguenet, André. 1947. "These Are Our Plans for a National Theatre." The Outspan. Sept. 19: 91-93.
  30. Johannesburg Shakespeare Tercentenary Celebration: April 23rd to may 2nd, 1916. Souvenir Programe.
  31. Johnson, David. 1996. Shakespeare and South Africa. Oxford: Clarendon Press.
  32. Kannemeyer, J.C. 2002. Die Goue Seun: Die Lewe en Werk van Uys Krige. Cape Town: Tafelberg.
  33. Knox, Patricia and Thelma Gutsche. 1947. Do you know Johannesburg? Vereeniging: Unie-Volkspers, Beperk.
  34. Laidler, P.W. 1926. Annals of the Cape Stage. Edinburgh: William Bryce.
  35. Lemmer, André. 1988. Upgrading the Teaching of Shakespeare in Southern African High Schools. Grahamstown: Institute for the Study of English in Africa.
  36. Leyds, G.A. 1964. A History of Johannesburg: The Early Years. Cape Town: Nasionale Boekhandel Beperk.
  37. Lewinsohn, Richard. 1937. Barney Barnato: From Whitechapel Clown to Diamond King. London: George Routledge & Sons, Ltd.
  38. Lindeque, Lydia. 1941. Trek op die Skerm. Pretoria: J.L. van Schaik.
  39. Love, Harold. 2001. "'Sir, I am a Tragedian': The Male Superstars of the Melbourne Stage, 1850-70" In: O Brave New World:Two Centuries of Shakespeare on the Australian Stage. Ed. John Golder and Richard Madelaine. Sydney: Currency Press.
  40. Marsh, D.R.C. 1962. The Recurring Miracle: A Study of Cymbeline and the Last Plays. Pietermaritzburg: University of Natal Press.
  41. Mazrui, Ali A. 1967. "Shakespeare in African Political Thought." The Anglo-African Commonwealth:Political Fiction and Cultural Fusion. Oxford: Pergamon Press.
  42. McKluskie. 1999. 'Macbeth/Umabatha: Global Shakespeare in a Post-Colonial Market.' Shakespeare Survey 52: 154-165.
  43. Moberley, Margery. 2002. "Political Detention Remembered." Concord: Newsletter of the Alan Paton Centre. 2.3 (May 2002): 4-5.
  44. Modisane, Bloke. 1963. Blame Me on History. Johannesburg: Ad. Donker, 1986.
  45. Msomi, Welcome. 1998. Umabatha. Mamela Afrika Series. Sandton: Heinemann.
  46. Mullineaux, Peter Newton. 1988. "An Examination of the Use of the Contextual Question in Examining Shakespeare's Plays at the Standard Ten Level in Cape Education Department Schools." Unpublished MA, Rhodes University.
  47. Nel, Johann. 1944. "The Establishment of a Really National Theatre." The Outspan (March 31, 1944): 21, 45.
  48. Orkin, Martin. 1991. Drama and the South African State. Manchester: Manchester University Press.
  49. Orkin, Martin. 1986. Shakespeare Against Apartheid. Johannesburg: Ad. Donker.
  50. Partridge, A.C. 1964. Orthography in Shakespeare and Elizabethan Drama: A Study of Colloquial Contractions, Elision, Prosody and Punctuation London: Edward Arnold.
  51. Partridge, A.C. [1949] The Problem of Henry VIII Reopened: Some Linguistic Criteria for the Two Styles Apparent in the Play. With a foreword by Allardyce Nicoll. Cambridge: Bowes and Bowes.
  52. Performing Arts in South Africa: Cultural Aspirations of a Young Country. 1969. Pretoria: Department of Information.
  53. Peteni, R.L. 1976. Hill of Fools. Cape Town: David Philip.
  54. Peteni, R.L. 1980. Kwazidenge. Cape Town: David Philip.
  55. Peterson, Bhekizizwe. 2000. Monarchs, Missionaries and African Intellectuals: African Theatre and the Unmaking of Colonial Marginality. Cape Town: Africa World Press, Inc.
  56. Plaatje, Sol. T 1937. Dintshontsho tsa bo-Juliuse Kesara. Johannesburg: University of the Witwatersrand.
  57. Plaatje, Sol. T.1930. Mhudi: An Epic of South African Native Life a Hundred Years Ago. Alice: The Lovedale Press, 1957.
  58. Plaatje, Sol T. 1930. Mhudi. Ed Stephen Gray; Intro. Tim Couzens with woodcuts by Cecil Skotnes. London: Heinemann, 1978.
  59. Plaatje, Sol. T.1916. Native Life in South Africa. Introduced by Brian Willan. Johannesburg: Ravan Press, 1982.
  60. Quince, Rohan. 2000. Shakespeare in South Africa: Stage productions During the Apartheid Era. New York: Peter Lang.
  61. Racster, Olga. 1951. Curtain Up! Cape Town & Johannesburg: Juta & Co Ltd.
  62. Rasana, Cossie. 2002. "The Reading Preferences of Grade 11 ESL Learners in Grahamstown." M.Ed dissertation, Rhodes University.
  63. Rosen, Juanita, ed. 1967. Theatre Programmes in Johannesburg, 1898-1912. Johannesburg: University of the Witwatersrand.
  64. Schalkwyk, David. 2002. Speech and Performance in Shakespeare's Sonnets and Plays. Cambridge: Cambridge University Press.
  65. Schalkwyk, David and Lerothodi Lapula. 2000. 'Sol Plaatje, William Shakespeare, and the Translation of Culture'. Pretexts: Literary and Cultural Studies 9.1: 10-26.
  66. Searelle, Luscombe. [1896?] Tales of the Transvaal London: T. Fischer Unwin.
  67. Seddon, Deborah. 2004. 'Shakespeare's Orality: Solomon Plaatje's Setswana Translations.' English Studies in Africa 47.2: 77-95.
  68. Sher, Antony, 2001. Beside Myself: An Autobiography. London: Hutchinson.
  69. Sher, Antony, and Gregory Doran. 1996. Woza Shakespeare!: Titus Andronicus in South Africa. London: Methuen.
  70. Shole, Shole J. 1990/91. "Shakespeare in Setswana: An Evaluation of Raditladi's Macbeth and Plaatje's Diposophoso." Shakespeare in Southern Africa 4: 51-64.
  71. Storrar, P.B. 1972. "Leonard Rayne." In Better than they Knew. Ed. R.M. de Villiers. Cape Town: Purnell.
  72. Smith, Anna Hester. 1958. "Luscombe Searelle - Impresario." Africana Notes and News 12 (1958): 290-298.
  73. Stopforth, L.D.M. 1955. Drama in South Africa, 1925-1955. Unpublished D.Litt thesis, Potchefstroom University for CHO.
  74. Taylor, Gary. 2000. "Hamlet in Africa 1607." In Travel Knowledge: European "Discoveries" in the Early Modern Period. New York: Palgrave Press.
  75. "The Shakespeare Tercentenary." Education Gazette 15.24 (27 April 1916): 1022-23.
  76. Themba, Can. 1963. "Through Shakespeare's Africa." The New African 2.8 (21 September, 1963):150-153.
  77. Trewin, J.C. 1960. Benson and the Bensonians. London: Barrie and Redcliff.
  78. Van Heyningen, Christina. 1950. "Afrikaans Translations of Shakespeare." Vista 1 (1950): 17-25.
  79. Willan, Brian. 1984. Sol Plaatje: South African Nationalist,1876-1932.London:Heinemann.
  80. Wright, Laurence. 1993. "A Checklist of South African Theses and Dissertations on Shakespeare." Shakespeare in Southern Africa. 6 (1993): 88-92.
  81. Wright, Laurence. 2002. "A checklist of South African Theses and Dissertations on Shakespeare." Shakespeare in Southern Africa. 14 (2002): 43-47.
  82. Wright, Laurence. 1996. "Blame Me on Shakespeare(s): David Johnson's Shakespeare and South Africa." The English Academy Review 13 (1996): 63- 74.
  83. Wright, Laurence. 2001. "Confronting the African Nightmare: Yael Farber's SeZaR." Shakespeare in Southern Africa 13: 102-106.
  84. Wright, Laurence. 2002. "Shakespeare in South Africa: Alpha and 'Omega'" Postcolonial Studies 7.1: 63-81.
  85. Wright, Laurence. 2004a. 'Umabatha: Global and Local.' English Studies in Africa 47.2: 97-111.
  86. Wright, Laurence. 2004b. 'Hill of Fools: A South African Romeo and Juliet?' English in Africa 31.2: 73-88.


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