Internet Shakespeare Editions

About this text

  • Title: Twelfth Night: Bibliography
  • Authors: David Carnegie, Mark Houlahan
  • ISBN: 978-1-55058-372-4

    Copyright Internet Shakespeare Editions. This text may be freely used for educational, non-proift purposes; for all other uses contact the Coordinating Editor.
    Authors: David Carnegie, Mark Houlahan
    Not Peer Reviewed


    1. Allen, Shirley S. Samuel Phelps & Sadler's Wells Theatre. Middletown, Conn.: Wesleyan UP, 1971.
    2. Anderson, Linda. A Kind of Wild Justice: Revenge in Shakespeare's Comedies. Newark: U of Delaware P, 1987.
    3. Arlidge, Anthony. Shakespeare and the Prince of Love: The Feast of Misrule in the Middle Temple.London: Giles de la Mare, 2000.
    4. Armfield, Neil. Dir. Twelfth Night. Australian Film Institute, 1986.
    5. Auden, W.H. Lectures on Shakespeare. Ed. Arthur Kirsch. London: Faber & Faber, 2000.
    6. Barber, C.L. Shakespeare's Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom. 1959. Cleveland & New York: Meridian, 1963.
    7. Barnet, Sylvan. "Charles Lamb and the Tragic Malvolio." Philological Quarterly 33 (1954): 178-188.
    8. Barton, Ann. 'As You Like It and Twelfth Night: Shakespeare's Sense of an Ending', Shakespearean Comedy, Stratford upon Avon Studies 14. London Edward Arnold, 1972. 160-181.
    9. Bate, Jonathan. Soul of the Age: the Life, Mind and World of William Shakespeare. London: Viking, 2008.
    10. Bate, Jonathan and Eric Rasmussen, eds. William Shakespeare: Complete Works. London: MacMillan, 2007.
    11. Belsey, Catherine. "Disrupting Sexual Difference: Meaning and Gender in the Comedies." Alternative Shakespeares. Ed. John Drakakis. New Accents. London: Methuen, 1985. 166-191.
    12. Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time, 1590-1642. Princeton: Princeton UP, 1972.
    13. Billington, Michael. Ed. Directors' Shakespeare: Approaches to Twelfth Night by Bill Alexander, John Barton, John Caird, Terry Hands. London: Nick Hern Books, 1990.
    14. Blake, Ann. "Location, Imagination and Heterotopia in Twelfth Night." Procházka 66-80.
    15. Booth, Stephen. Precious Nonsense: The Gettysburg Address, Ben Jonson's Epitaphs on His Children, and Twelfth Night. Berkeley: U of California P, 1998.
    16. -----."Twelfth Night 1.1: The Audience as Malvolio." Shakespeare's"Rough Magic": Renaissance Essays in Honor of C.L.Barber. Ed. Peter Erickson and Coppélia Kahn. Newark: Delaware U P; London and Toronto: Associated University P, 1985: 149-168.
    17. Bradbrook, Muriel. Shakespeare the Craftsman: the Clark Lectures 1968. Cambridge: Cambridge UP, 1969.
    18. Bradley, A.C. "Feste the Jester." Gollancz 164-169.
    19. Branagh, Kenneth. dir. Twelfth Night. directed for television by Paul Kaeno. Thames Television, 1988. DVD
    20. Brittin, Norman A. "The Twelfth Night of Shakespeare and of Professor Draper." Shakespeare Quarterly 7 no. 2 (Spring 1956): 211-216.
    21. Brown, John Russell. Shakespeare's Plays In Performance. London: Edward Arnold, 1966.
    22. Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare Volume II: The Comedies, 1597-1603. London: Routledge and Kegan Paul, 1958.
    23. Callaghan, Dympna. "'And all is semblative a woman's part': Body Politics in Twelfth Night." Textual Practice 7.3 (Winter 1993):428- 453.
    24. Carnegie, David. "'Maluolio within'": Performance Perspectives on the Dark House", Shakespeare Quarterly 52.3 (Fall 2001): 393- 414.
    25. -----. "'What country, friends, is this?': Australian and New Zealand Productions of Twelfth Night in the Twentieth Century." Multicultural Shakespeare: Translation, Appropriation and Performance 8.23 (2011): 19-38.
    26. Castiglione, Baldassare. The Book of the Courtier. Trans. Sir Thomas Hoby (1561). Everyman's Library. London: Dent, 1966.
    27. Chalk, Darryl. "'To Creep in at Mine Eyes': Theatre and Secret Contagion in Twelfth Night." Rapt in Secret Studies: Emerging Shakespeares. Eds. Darryl Chalk and Laurie Johnson. Newcastle upon Tyne: Cambridge Scholars, 2010. 172-193.
    28. Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 Volumes. Oxford: Clarendon Press, 1951. (1930).
    29. Charlton, H.B. Shakespeare's Comedies: the Culmination. Manchester: Manchester UP, 1937.
    30. Cook, Ann Jennalee. "Off the Book: Extra-Textual Effects in Trevor Nunn's Twelfth Night." Clayton, Brock & Forés 75-87.
    31. Clayton, Tom, Susan Brock & Vicente Forés, Eds. Shakespeare and the Mediterranean: the Selected Proceedings of the International Shakespeare Association World Congress Valencia, 2001 Newark: U of Delaware P, 2004.
    32. Coddon, Karin S. ""Slander in an Allow'd Fool": Twelfth Night's Crisis of the Aristocracy", SEL: Studies in English Literature33 (1993): 309-325.
    33. Cressy, David. "Gender Trouble and Cross-Dressing in Early Modern England," Journal of British Studies 35, no. 4 (October 1996): 438-465.
    34. Cunnington, Phillis, and Catherine Lucas. Occupational Costume in England. London: Adam & Charles Black, 1967.
    35. Dean, Paul. "'Comfortable Doctrine': Twelfth Night and the Trinity." Review of English Studies New Series 52, no. 208 (2001): 516- 524.
    36. Donnelan, Declan. Dir. Twelfth Night: Cheek by Jowl. Programme for Sydney Festival, 2006.
    37. Dean, David M. Law-making and Society in Late Elizabethan England: The Parliament of England, 1584-1601. Cambridge Studies in Early ModernBritish History. Cambridge: Cambridge UP, 2002.
    38. Dexter, John. dir. Twelfth Night. Granada, 1969. VCR.
    39. Dobson, Michael. "Shakespeare Performances in England, 2003." Shakespeare Survey 57 (2004): 268.
    40. Doughtie, Edward, ed. Lyrics from English Airs 1596-1622. Cambridge, Mass.: Harvard UP, 1970.
    41. Drakakis, John. "Michael Bogdanov in Conversation." Shakespeare Survey 60 (2007): 196-214.
    42. Draper, John W. The Twelfth Night of Shakespeare's Audience. Stanford: Stanford UP, 1950.
    43. Duffin, Ross W. Shakespeare's Songbook. With a companion CD. New York: Norton, 2004.
    44. Dutton, Richard, Alison Findlay and Richard Wilson. Region, Religion and Patronage: Lancastrian Shakespeare. Manchester: Manchester UP, 2003.
    45. Dvenadtsataya noch. (Twelfth Night). dir. Yakov Fried. Lenfilm, 1955.
    46. Eagleton, Terry. William Shakespeare. Rereading Literature. Oxford: Basil Blackwell, 1986.
    47. Edmondson, Paul. Twelfth Night. The Shakespeare Handbooks. Houndmills, Basingstoke Hampshire: Palgrave Macmillan, 2005.
    48. Empson, William. Seven Types of Ambiguity. 1929. London: Chatto and Windus, 1949.
    49. Elam, Keir. Ed & Intr. Twelfth Night. The Arden Shakespeare: Third Series. London: Cengage Learning, 2008.
    50. Erne, Lukas. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge UP, 2004.
    51. Evans, Bertrand. Shakespeare's Comedies. Oxford: Clarendon, 1960.
    52. Ficino, Marsilio. Marsilio Ficino's Commentary on Plato's Symposium: The Text and a Translation, with an Introduction by Sears Reynolds Jane, A. M. The University of Missouri Studies. Columbia, Miss. U. Of Missouri , 1944.
    53. Finkelpearl, Philip J. John Marston of the Middle Temple: An Elizabethan Dramatist in His Social Setting. Cambridge, Mass.: Harvard UP, 1969.
    54. Fisher, Will. "Staging the Beard: Masculinity in Early Modern English Culture." Harris and Korda 230-257.
    55. Fischer, Sandra K. Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama. Newark: U of Delaware P, 1985.
    56. Foakes, R.A. "The Owl and the Cuckoo: Voices of Maturity in Shakespeare's Comedies," in Shakespearian Comedy . Stratford-Upon-Avon Studies 14. London: Edward Arnold, 1972. 121-142.
    57. Forman, Valerie. "Material Dispossessions and Counterfeit Investments: the Economies of Twelfth Night." Woodbridge 112- 127.
    58. Freeman, Penelope. "The Pronouns of Propriety and Passion: you and thou in Shakespeare's Italian Comedies." Clayton, Brock and Forés 168-179.
    59. Furness, Horace Howard, ed. Twelfth Night or, What You Will: A New Variorum Edition of Shakespeare. 1901. New York: Dover, 1964.
    60. Gay, Penny. The Cambridge Introduction to Shakespeare's Comedies. Cambridge: Cambridge UP, 2008.
    61. Gollancz, Israel. "Bits of Timber: Some Observations on Shakespearian Names—'Shylock'; 'Polonius'; 'Malvolio.'" Gollancz 170-178.
    62. -----. Ed. A Book of Homage to Shakespeare. Oxford: Humphrey Milford/Oxford UP, 1916.
    63. Gorrie, John. dir. Twelfth Night. BBC, 1980.
    64. Gras, Henk K. "Direct Evidence and Audience Response to Twelfth Night; The Case of John Manningham of the Middle Temple," Shakespeare Studies 21 (1993): 109-154.
    65. Greenblatt, Stephen. Shakespearean Negotiations, Berkeley and Los Angeles: U of California P, 1988.
    66. Greif, Karen. "A Star is Born: Feste on the Modern Stage." Shakespeare Quarterly 39. 1 (1988): 61-78.
    67. Gurr, Andrew. The Shakespearean Stage 1574-1642, 3rd ed. Cambridge: Cambridge UP, 1992
    68. Gurr, Andrew, & Mariko Ichikawa. Staging in Shakespeare's Theatres. Oxford Shakespeare Topics. Oxford: Oxford UP, 2000.
    69. Hakluyt, Richard. The Principal Navigations , Voyages, Traffiques, and Discoveries of the English Nation. London: 1599.
    70. Halliwell. James O. The Works of William Shakespeare. The text Formed From a new Collation of Early Editions: to which are added all the original novels and tales on which the plays are founded; copious archaeological annotations on each play, an essay on the formation of the text; and a life of the poet. The Illustrations and Wood-Engravings by Frederick William Fairholt, Esq. 16 volumes. F.S.A. London: 1853.
    71. Hanna, Sara. "From Illyria to Ellysium: Geographical Fantasy in Twelfth Night." Procházka 21-46.
    72. Harrison, G.B. The Elizabethan Journals: Being a Record of Those Things Most Talked of During the Years 1591-1603. 1938. London: Routledge and Kegan Paul, 1955.
    73. Hartman, Geoffrey H. "Shakespeare's Poetical Character in Twelfth Night". Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. London: Methuen, 1985. 37-54.
    74. Hawkes, Terry. "Comedy, Orality and Duplicity: Twelfth Night." Waller 168-174.
    75. Hay, Natasha. "Love's a Beach". Rev. of Auckland Theatre Company Twelfth Night, New Zealand Listener July 29 (2006),9 Feb 2012 re/loves-a- beach/.
    76. Hinman, Charlton. The Printing and Proof-reading of the First Folio of Shakespeare. 2 vols. Oxford: Clarendon, 1963.
    77. Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry 1500-1700. Princeton: Princeton UP, 1961.
    78. Houlahan, Mark. " 'Like to th'Egyptian thief': Shakespeare Sampling Heliodorus in Twelfth Night. Rapt in Secret Studies: Emerging Shakespeares. Eds. Darryl Chalk & Laurie Johnson. Cambridge, UK: Cambridge Scholars, 2010. 305- 317.
    79. Hotson, Leslie. The First Night of Twelfth Night. London: Mercury Books, 1961. R. Hart-Davis, 1954.
    80. Howard, Jean. "Shakespeare, Geography, and the Work of Genre on the Early Modern Stage." Modern Language Quarterly 64:3 (September 2003): 299-322.
    81. -----. The Stage and Social Struggle in Early Modern England. London: Routledge,1994.
    82. Jonson, Ben. The Complete Poems. Ed. George Parfitt. Penguin English Poets. Harmondsworth: Penguin,1980.
    83. Jorgensen, Caitlin L. "'A Madmen's Epistles are no Gospels': Alienation in Twelfth Night and Anti-Martinist Discourse," Renaissance Papers (1999): 67-78.
    84. Kermode, Frank. Pieces of My Mind: Essays and Criticism 1958- 2002. New York: Farrar, Strauss and Giroux, 2002.
    85. Kerwin, William. Beyond the Body: the Boundaries of Medicine and English Renaissance Drama. Amherst: U of Massachusetts P, 2005.
    86. Kott, Jan. Shakespeare Our Contemporary. Trans. Boleslaw Taborski. 2nd ed. London: Methuen, 1967.
    87. Krieger, Elliot. "Twelfth Night: 'The morality of indulgence". White 37-71.
    88. Lamb, Charles. Elia and the Last Essays of Elia. Ed. Jonathan Bate. Oxford World's Classics. Oxford: Oxford UP, 1987.
    89. Leclercle, Anne. "Country House, Catholicity and the crypt(ic) in Twelfth Night." Dutton, Findlay and Wilson: 84-101.
    90. Leech, Clifford. Twelfth Night and Shakespearean Comedy. Toronto: U of Toronto P, 1965.
    91. Leggatt, Alexander. Shakespeare's Comedy of Love. 1973. London: Methuen, 1974.
    92. Lewalski, Barbara. "Thematic Patterns in Twelfth Night." Shakespeare Studies I (1965): 168-182
    93. Lindley, David. Shakespeare and Music. The Arden Critical Companions. London: Thomson Learning, 2006.
    94. Loxton, Harry. Rev. of Unicorn Theater Twelfth Night (2009), 20 Feb 2012. nicorn-rev.htm.
    95. Luce, Morton. Ed. The Works of Shakespeare: Twelfth Night or What You Will. Arden Shakespeare. 1906. London: Methuen, 1937.
    96. -----, ed. Rich's 'Apolonius & Silla,' an Original of Shakespeare's 'Twelfth Night'. The Shakespeare Classics. London: Chatto & Windus, 1912.
    97. McEachern, Claire. Ed. Twelfth Night. Barnes and Noble Shakespeare. New York: Barnes & Noble, 2007.
    98. Maguire, Laurie and Thomas Berger. Eds. Textual Formations and Reformations. Newark: U of Delaware P, 1998.
    99. Mahood, M.M. Bit Parts in Shakespeare's Plays. Cambridge: Cambridge UP, 1992.
    100. Mallin, Eric S. Inscribing the Time: Shakespeare and the End of Elizabethan England. Los Angeles: U of California P, 1995.
    101. Manningham, John. The Diary of John Manningham of the Middle Temple, 1602-1603 Ed. Robert Parker Sorlien. Hanover, N.H.: U. Press of New England, 1976.
    102. Mann, David. The Elizabethan Player: Contemporary Stage Representation. London and New York: Routledge, 1991.
    103. Massai, Sonia. Ed. William Shakespeare's Twelfth Night: A Sourcebook. London: Routledge, 2007.
    104. Menon, Madhavi. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham, N.C. and London: Duke UP, 2011.
    105. Milward, Peter. "The Religious Dimension of Shakespeare's Illyria." Clayton, Brock and Forés 381-387.
    106. Muir, Kenneth. The Sources of Shakespeare's Plays. London: Methuen, 1977
    107. Mulryne, J.R. and Margaret Shewring. Eds. Theatre of the English and Italian Renaissance. London: Macmillan, 1991.
    108. Munro, Lucy. "Music and Sound." The Oxford Handbook of Early Modern Theatre.Ed. Richard Dutton. Oxford: Oxford UP, 2009. 543-560.
    109. Novy, Marianne. Love's Argument: Gender Relations in Shakespeare. Chapel Hill and London: U of North Carolina P, 1984.
    110. Nunn, Trevor, dir. Twelfth Night. Fine Line, 1995. DVD
    111. O'Dell, George C. D. Shakespeare from Betterton to Irving. 2 vols. With a New Introduction by Robert Hamilton Ball. New York: Dover, 1966
    112. O'Harvey, Richard, ed. History of the Middle Temple. Oxford and Portland, Oregon: Hart Publishing, 2011.
    113. Osborne, Laurie E. The Trick of Singularity: Twelfth Night and the Performance Editions. Iowa City: U. of Iowa P, 1996.
    114. Palfrey, Simon and Tiffany Stern. Shakespeare in Parts. Oxford: Oxford UP, 2007.
    115. Palmer, D.J. "Art and Nature in Twelfth Night", Critical Quarterly IX 3 (1967) 201-12.
    116. Palmer, D.J. ed. Shakespeare: Twelfth Night: A Selection of Critical Essays. London: Macmillan, 1972.
    117. Parker, Patricia. "Barbers and Barbary: Early Modern Cultural Semantics." Renaissance Drama NS 33 (2004): 201-245.
    118. -----, "Was Illyria as Mysterious and Foreign as We Think?" The Mysterious and the Foreign in Early Modern England. Ed. Helen Ostovich, Mary V. Silcox, and Graham Roebuck. Newark: U. of Delaware P, 2008: 209-234.
    119. Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearian Stage. Chicago: Chicago UP, 2004.
    120. Pentland, Elizabeth. "Some early modern backgrounds to Twelfth Night." Schiffer 149-166.
    121. Pequigney, Joseph. 'The Two Antonios and Same-Sex Love in Twelfth Night and The Merchant of Venice', English Literary Renaissance XXII (1992), pp. 201-21.
    122. Plautus. Menaecmi. A pleasant and fine Conceited Comædie, taken out of the most excellent wittie Poet Plautus. Whitworth 188-221.
    123. Potter, Lois. Twelfth Night: Text and Performance. Houndmills, Basingstoke: Macmillan, 1985.
    124. Procházka, Martin. "Introduction." Procházka 1-5.
    125. --, "Shakespeare's Illyria, Sicily and Bohemia: Other Spaces, Other Times, or Other Economies." Procházka 130-150.
    126. --. Ed. "Shakespeare's Illyrias: Heterotopias, Identities, Counterhistories". Litteraria Pragensia 12: 23 (2002).
    127. Rich, Barnabe. Rich's Farewell to Military Profession 1581. ed. Thomas Mabry Cranfill. Austin: U of Texas P, 1959.
    128. Rowe, Nicholas. "Preface to Shakespeare" (1709), Nichol Smith. 27- 38.
    129. Ryan, Kiernan. Shakespeare's Comedies. London: Palgrave MacMillan, 2009.
    130. Salgádo, Gámini, ed. Eyewitnesses of Shakespeare: First Hand Accounts of Performances 1590-1890. London: Sussex UP, 1975.
    131. Schafer, Elizabeth. "Unsettling AustrIllyria: Twelfth Night, Exotic Englishness and Empire." Contemporary Theatre Review 19.3 (2009): 342-353.
    132. --. Ed. Twelfth Night. Shakespeare in Production. Cambridge: Cambridge UP, 2009.
    133. Schalkwyk, David. Shakespeare, Love and Service. Cambridge: Cambridge UP, 2008.
    134. Scheil, Katherine West. The Taste of the Town: Shakespearian Comedy and the Early Eighteenth-Century Theater. Lewisburg: Bucknell UP, 2003.
    135. Schiffer, James. Ed. Twelfth Night: New Critical Essays.Shakespeare Criticism Volume 34. New York: Routledge, 2011.
    136. Shakespeare, William. Mr William Shakespeares comedies, histories & tragedies: published according to the true originall copies. London: 1623.
    137. Shakespeare: the Animated Tales Twelfth Night. screenplay by Leon Garfield. dir. Maria Muat. BBC, 1992.
    138. Shapiro, James. 1599: A Year in the Life of Shakespeare. London: Faber and Faber, 2005.
    139. Shapiro, Michael. Gender in Play on the Shakespearean Stage: Boy Heroines and Female PagesAnn Arbor: U of Michigan P, 1994.
    140. Sherley, Anthony, Sir. A True Report of Sir Anthony Shierlies Iourney ouerland to VENICE, from thence by sea to ANTIOCH, ALEPPO, and Babilon, and soe to Casbine in Persia: his entertainment there by the great Sophie: his Oration: his letters of Credence to the Christian Princes: and the Priuiledge obtained of the great Sophie, for the quiet passage and trafique of all Christian Marchants, throughout his whole Dominions. London: 1600.
    141. Shore, Robert. "Some like it in black and white." Rev. of Cheek by Jowl 12th Night. TLS June 30, 2006: 19.
    142. Sidney, Sir Philip. The Countess of Pembroke's Arcadia (The Old Arcadia). Ed. Jean Robertson. Oxford: Clarendon P, 1973.
    143. Silent Shakespeare. Music by Laura Rossi. London: BFI, 1999.
    144. Simmons, J.L. " A Source for Shakespeare's Malvolio: the Elizabethan Controversy with the Puritans." Huntington Library Quarterly November 1972-1973. Vol 36: 181-201.
    145. Simpson, Percy. "King Charles the First as Dramatic Critic." Bodleian Quarterly Record VIII, no. 92 (1936-7): 257-262.
    146. Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: Chicago UP, 1999.
    147. Smith, Bruce. Ancient Scripts & Modern Experience on the English Stage 1500-1700. Princeton, N.J.: Princeton UP, 1983.
    148. Smith, David Nichol. Ed. Shakespeare Criticism: A Selection.1916. London: Oxford UP, 1949.
    149. Spurgeon, Caroline. Shakespeare's Imagery and What It tells Us. 1935. Cambridge: Cambridge UP, 1966.
    150. Stanivukovic, Goran. "Illyria Revisited: Shakespeare and the Eastern Adriatic." Clayton, Brock & Forés 401-415.
    151. -----. ""What country, friends, is this?": The Geographies of Illyria in Early Modern England." Procházka 5-21.
    152. Stevens, John. "Shakespeare and the Music of the Elizabethan Stage." Shakespeare in Music. ed. Phyllis Hartnoll. London: Macmillan, 1966. 3-48.
    153. Stewart, Alan. Shakespeare's Letters. Oxford: Oxford UP, 2009.
    154. Stubbes, Phillip. The Second Part of the Anatomie of Abuses.1583. New York & London: Garland, 1973.
    155. Supple, Tim. Dir. Twelfth Night. Channel Four, 2003. DVD
    156. Styan, J.L. Shakespeare Revolution: Criticism and Performance in the Twentieth Century. Cambridge: Cambridge UP, 1977.
    157. Taylor, Gary, and John Jowett. Shakespeare Reshaped, 1606–1623. Oxford: Oxford UP, 1993.
    158. Taylor, Michael. Shakespeare Criticism in the Twentieth Century. Oxford Shakespeare Topics. Oxford: Oxford UP, 2001.
    159. Theobald, Lewis. The Works of Shakespeare: In Seven Volumes. Collated with the Oldest Copies, and Corrected; with NOTES, Explanatory, and Critical: by Mr. THEOBALD. London: Tonson, 1733.
    160. Thomson, Peter. Shakespeare's Theatre. Theatre Production Studies 1. London: Routledge & Kegan Paul, 1983.
    161. Tilley, Maurice. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. 1950. Ann Arbor: U. of Michigan P, 1966.
    162. Turner, Robert K. "The Text of Twelfth Night." Shakespeare Quarterly xxvi (Spring 1975): 128-139.
    163. Twelfth Night. Shakespeare: the Animated Tales. Screenplay by Leon Garfield. Dir. Maria Muat. Soyuzmultfilm/Christmas films with S4C Channel 4 Wales, 1992.
    164. Vickers, Brian. Ed. Shakespeare: the Critical Heritage. 5 vols. London: Routledge & Kegan Paul, 1974-1981.
    165. Vitkus, Daniel. Turning Turk: English Theater and the Multicultural Mediterranean. London: Palgrave Macmillan, 2003.
    166. Waller, Gary. Ed and Intr. Shakespeare's Comedies. Longman Critical Readers. London and New York: Longman, 1991
    167. Warren Roger & Stanley Wells. Eds. Twelfth Night. The Oxford Shakespeare. Oxford: Clarendon Press, 1994.
    168. Wells, Stanley. Royal Shakespeare: Four Major Productions at Stratford-upon-Avon. Furman Studies. Manchester: Manchester UP, 1976.
    169. White, R.S. Ed. Twelfth Night: Contemporary Critical Essays. London: MacMillan, 1996.
    170. Whitworth, Charles. Ed. The Comedy of Errors. The Oxford Shakespeare. Oxford: Oxford UP, 2002.
    171. Wiles, David. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge UP, 1987
    172. Woolf, Virginia. Passionate Apprentice: the Early Journals 1897- 1909. ed. Mitchell A. Leaska. San Diego: Harcourt, Brace, Jovanovich, 1990.
    173. -----. "Twelfth Night at the Old Vic." Death of the Moth and Other Essays. 1942. London: Hogarth Press, 1981. 34-37.
    174. Wright, Thomas. The Passions of the Minde in generall.London: 1604
    175. Wrightson, Keith."'Sorts of People' in Tudor and Stuart England." The Middling Sort of People: Culture, Society and Politics in England, 1550-1800. Ed. Jonathan Barry and Christopher Brooke. London: Macmillan, 1994. 28-51.
    176. Yamada, Akihiro. "The Textual Problems of Twelfth Night 1623." Bulletin of the Liberal Arts Department Meisei University 26 (July 1962). 57-63.