Internet Shakespeare Editions

Author: Jessica Slights
Peer Reviewed

Bibliography

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25Davidson, Nicholas. "Theology, Nature and the Law: Sexual Sin and Sexual Crime in Italy from the Fourteenth to the Seventeenth Century." Crime, Society and the Law in Renaissance Italy. Ed. Trevor Dean and K.J.P. Lowe. Cambridge: Cambridge UP, 1994. 74-98.

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30Distiller, Natasha. "Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing Othello in South Africa." Comparative Drama 46.3 (2012): 339-54.

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Empson, William. "Honest in Othello." The Structure of Complex Words. 1951. 3rd ed. London: Chatto and Windus, 1977. 218-49.

35Evans, G. Blackmore, et al., eds. Othello. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997. 1251-96.

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Geneva Bible: A Facsimile of the 1560 Edition. Intro. Lloyd E. Berry. Madison: U of Wisconsin P, 1969.

40Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. 1980. Chicago: U of Chicago P, 2005.

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Hall, Kim F. "Othello and the Problem of Blackness." A Companion to Shakespeare's Works: The Tragedies. Ed. Richard Dutton and Jean E. Howard. Malden, MA: Blackwell, 2003. 357-74.

45---. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell UP, 1995.

---. "'These Bastard Signs of Fair': Literary Whiteness in Shakespeare's Sonnets." Post-Colonial Shakespeares. Ed. A. Loomba and M. Orkin. London: Routledge, 1998.

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Harbage, Alfred, ed. Othello. William Shakespeare: The Complete Works. Maryland: Penguin, 1969. 1021-59.

Hart, Alfred. "The Date of Othello." Times Literary Supplement 10 October 1935: 631.

50Heilman, Robert. Magic in the Web: Action and Language inOthello. Lexington: U of Kentucky P, 1956.

Honigmann, E.A.J. "The First Quarto of Hamlet and the Date of Othello." Review of English Studies 44(1993): 211-19.

---. ed. Othello. Arden 3 Shakespeare. Surrey: Nelson, 1997.

Hunter, G.K. "Othello and Colour Prejudice." Proceedings of the British Academy 53 (1967); rpt. Dramatic Identities and Cultural Tradition: Studies in Shakespeare and his Contemporaries. Liverpool: Liverpool UP, 1978, 31-59.

Jackson, Henry. "Letter of 1610." Trans. Dana F. Sutton. The Philological Museum, The Shakespeare Institute of the University of Birmingham. http://www.philological.bham.ac.uk/jackson/text.html

55Jameson, Anna Murphy. Shakespeare's Heroines: Characteristics of Women, Moral, Poetical, and Historical. Ed. Cheri L. Larsen Hoeckley. Peterborough, ON: Broadview, 2005.

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Johnson, Samuel, ed. Othello. The Plays of William Shakespeare. Vol. 8. London: J. and R. Tonson, 1765.

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Jonson, Ben. Every Man Out of his Humour. Ed. Helen Ostovich. The Revels Plays. Manchester: Manchester UP, 2011.

60Kahn, Coppélia. Man's Estate: Masculine Identity in Shakespeare. Berkeley: U of California P, 1981.

Knight, G. Wilson. "The Othello Music." The Wheel of Fire: Interpretations of Shakespearian Tragedy. 1930; rev. and enl. London: Methuen, 1949. 109-35.

Kolin, Philip C. "Blackness Made Visible: A Survey of Othello in Criticism, on Stage, and on Screen." Othello: New Critical Essays. London: Routledge, 2002. 1-87.

Kugler, Emily M. N. Sway of the Ottoman Empire on English Identity in the Long Eighteenth Century. Brill's Studies in Intellectual History 209. Leiden, The Netherlands: Koninklijke Brill, 2012.

Leavis, F.R. "Diabolical Intellect and the Noble Hero; or The Sentimentalist Othello." Scrutiny 6 (1937); rpt. in The Common Pursuit. London: Chatto & Windus, 1952; rpt. London: Faber, 2008. 136-59.

65Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford UP, 2002.

---. "Sexuality and Racial Difference." Critical Essays on Shakespeare'sOthello. Ed. Barthelemy, Anthony Gerard. New York: G. K. Hall, 1994. 162-86.

Lupton, Julia Reinhard. Citizen-Saints: Shakespeare and Political Theology. Chicago: U of Chicago P, 2005.

MacDonald, Joyce Green. "Acting Black: 'Othello,' 'Othello' Burlesques, and the Performance of Blackness." Theatre Journal 46 (1994): 231-49.

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70- See more at: http://www.historytoday.com/brian-pullan/military-organization-renaissance-state-venice-1400-1617#sthash.rvsg2FSd.dpuf

Malone, Edmond, ed. Othello. The Plays and Poems of William Shakespeare. Vol. 9. London: J. Rivington, et al. 1790; rpt. New York: AMS, 1968.

Martyr, Peter. The Decades of the New World. Trans. Richard Eden. London: 1555.

Massai, Sonia, ed. World-wide Shakespeares: Local Appropriations in Film and Performance. New York: Routledge, 2005.

Matteo, Gino J. Shakespeare'sOthello: The Study and the Stage 1604-1904. Salzburg: Institut fur Englische Sprache und Literatur, 1974.

75Maxwell, J.C. "Othello and the Bad Quarto of Hamlet." Notes and Queries 21 (1974): 130.

McDonald, Russ, ed. Othello. Pelican Shakespeare. New York: Penguin, 2001.

Minear, Erin. "Music and the Crisis of Meaning in Othello." SEL 49.2 (2009): 355-70.

Mowat, Barbara A. and Paul Werstine, eds. Othello. New Folger Library Shakespeare. New York: Simon & Schuster, 1993.

Muir, Kenneth, ed. Othello. London: Penguin, 1968.

80Nares, Robert. A Glossary of Collection of Words, Phrases, Names, and Allusions to Customs, Proverbs, etc. London,1822.

Neely, Carol Thomas. Broken Nuptials in Shakespeare's Plays. New Haven: Yale UP, 1985.

---. "Women and Men in Othello." Critical Essays on Shakespeare'sOthello. Ed. Anthony Gerard Barthelemy. New York: G. K. Hall, 1994.

Neill, Michael, ed. Othello. Oxford: Oxford UP, 2006.

---. "'Unproper Beds': Race, Adultery, and the Hideous in Othello." Shakespeare Quarterly 40 (1989), 383-412.

85Newman, Karen. "'And wash the Ethiop white': Femininity and the Monstrous in Othello." Shakespeare Reproduced: The Text in History and Ideology. Ed. Jean E. Howard and Marion F. O'Connor. New York: Methuen, 1987; rpt. Essaying Shakespeare. Minneapolis: U of Minnesota P, 2009, 38-58.

Novy, Marianne L. Love's Argument: Gender Relations in Shakespeare. Chapel Hill: U of North Carolina P, 1984.

Nucius, Nicander. The Second Book of the Travels of Nicander Nucius, of Corcyra. Ed. and trans. J.A. Cramer. London, 1941.

Orkin, Martin. "Othello and the 'plain face' of Racism." Shakespeare Quarterly 38.2 (1987): 166-88.

Orlin, Lena Cowen, ed. Othello: The State of Play. London: Bloomsbury, 2014.

90---. ed. New Casebooks: Othello. Basingstoke: Palgrave Macmillan, 2004.

Parker, Patricia. "Fantasies of 'Race' and 'Gender': Africa, Othello, and Bringing to Light." Women, "Race," and Writing in the Early Modern Period. Ed. Margo Hendricks and Patricia Parker. New York: Routledge, 1994. 84-100.

---. "Shakespeare and Rhetoric: 'Dilation' and 'Delation' in Othello. Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 54-74.

Paster, Gail Kern, ed. Reading the Early Modern Passions: Essays in the Cultural History of Emotions. Philadelphia: U of Pennsylvania P, 2004.

---. Humouring the Body: Emotions and the Shakespearean Stage. Chicago: U of Chicago P, 2004.

95Pechter, Edward, ed. Othello. New York: Norton, 2004.

---. Othello and Interpretive Traditions. Iowa City: U of Iowa P, 1999.

---. "'Why Should we Call Her Whore?' Bianca in Othello." Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Ed. Jonathan Bate, Jill L. Levenson, and Dieter Mehl. Cranbury, NJ: Associated UPs, 1998.

Pennacchia, Maddalena. "Female Marginalia: Handkerchiefs at the Border of Tudor History." Textus: English Studies in Italy 22.3 (2009): 699-713.

Pliny. The Historie of the World. Commonly called, The Naturall Histories of C. Plinius Secundus. Trans. Philemon Holland. London, 1601.

100Pope, Alexander, ed. Othello. In The Works of Mr. William Shakespeare. Vol. 6. London: Jacob Tonson, 1723-1725; rpt. New York: AMS, 1969.

Potter, Lois, ed. Othello. Shakespeare in Performance. Manchester: Manchester UP, 2002.

Pye, Christopher. "'To Throw Out Our Eyes for Brave Othello': Shakespeare and Aesthetic Ideology." Shakespeare Quarterly 60.4 (2009): 425-47.

Rymer, Thomas. A Short View of Tragedy. London, 1693.

Ridley, M.R., ed. Othello. Arden 2. London: Methuen, rev. ed. 1962.

105Rosenberg, Marvin. The Masks ofOthello. Berkley: U of California P, 1961.

Ross, Lawrence J. "The Meaning of Strawberries in Shakespeare." Studies in the Renaissance 7 (1960): 225-40.

Rowe, Katherine. Dead Hands: Fictions of Agency, Renaissance to Modern. Stanford: Stanford UP, 1999.

Rowe, Nicholas, ed. Othello. The Works of Mr. William Shakespear. Vol. 5. London: Jacob Tonson, 1709-1710; rpt. New York: AMS, 1967.

Rutter, Carol Chillington. "Unpinning Desdemona (Again) or 'Who Would Be Toll'd with Wenches in a Shew?'" Shakespeare Bulletin 28.1 (2010): 111-32.

110Sanders, Norman, ed. Othello. The New Cambridge Shakespeare. Cambridge: Cambridge UP, 1984, rev. ed. 2003.

Schlegel, August Wilhelm. A Course of Lectures on Dramatic Art and Literature. Trans. John Black and A. J. W. Morrison. London, 1815.

Shattuck, Charles H., ed. John Philip Kemble Promptbooks. Vol. 1. The Folger Facsimiles. Charlottesville: UP of Virginia, 1974.

Skura, Meredith Anne. "Reading Othello's Skin: Contexts and Pretexts." Philological Quarterly 87.3-4 (2008): 299-334.

Slights,Camille Wells. "Slaves and Subjects in Othello." Shakespeare Quarterly 48.4 (1997): 377-90.

115Slights, William W.E. The Heart in the Age of Shakespeare. Cambridge: Cambridge UP, 2008.

Smith, Bruce. Homosexual Desire in Shakespeare's England. Chicago: U of Chicago P. 1991.

Smith, Gordon Ross. "Iago: The Paranoiac." American Imago: Studies in Psychoanalysis and Culture 16 (1959); rpt. The Design Within: Psychoanalytic Approaches to Shakespeare. Ed. M.D. Faber. New York: Science House, 1970. 170-82.

Smith, Ian. "Othello's Black Handkerchief." Shakespeare Quarterly 64.1 (2013):1-25.

Snow, Edward. A. "Sexual Anxiety and the Male Order of Things in Othello." English Literary Renaissance 10.3 (1980): 384-412.

120Snyder, Susan. Othello: Critical Essays. New York: Garland, 1988.

---. The Comic Matrix of Shakespeare's Tragedies:Romeo and Juliet,Hamlet,Othello, andKing Lear. Princeton: Princeton UP, 1979.

Spivak, Bernard. Shakespeare and the Allegory of Evil. New York: Columbia UP, 1958.

Steevens, George, ed. Othello. Twenty Plays of Shakespeare. Vol. 4. London: J. and R. Tonson, 1766; rpt. New York: AMS, 1968.

Swift, Daniel.Shakespeare's Common Prayers: The Book of Common Prayer and the Elizabethan Age. Oxford: Oxford UP, 2013.

125The Art of Falconry: Being the De arte venandi cum avibus of Frederick II of Hohenstaufen. Ed. and trans. Casey A. Wood and F. Marjorie Fyfe. Stanford: Stanford UP, 1943.

The Book of Common Prayer: The Texts of 1549, 1559, and 1662. Ed. Brian Cummings. Oxford: Oxford UP, 2011.

Theobald, Lewis, ed. Othello. The Works of Shakespeare. Vol. 7. London: A. Bettesworth and C. Hitch, et al. 1733; rpt. New York: AMS, 1968.

Thompson, Ayanna, ed. Colorblind Shakespeare: New Perspectives on Race and Performance. New York: Routledge, 2006.

Tilley, Morris Palmer. A Dictionary of Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor: U of Michigan P, 1950.

130Turner, David M. "Adulterous Kisses and the Meanings of Familiarity in Early Modern Britain." The Kiss in History. Ed. Karen Harvey. Manchester: Manchester UP, 2005, 80-97.

Vanita, Ruth. "'Proper' Men and 'Fallen' Women: The Unprotectedness of Wives in Othello." SEL, 1500-1900 34(1994): 341-56.

Vaughan, Virginia Mason. Othello: A Contextual History. Cambridge: Cambridge UP, 1994.

Vitkus, Daniel. Turning Turk: English Theater and the Multicultural Mediterranean,1570-1630. New York: Palgrave Macmillan, 2003.

Walen, Denise. "Unpinning Desdemona." Shakespeare Quarterly 58.4(2007): 487-508.

135Wangh, Martin. "Othello: The Tragedy of Iago." Psychoanalytic Quarterly 19 (1950): 202-12; rpt. The Design Within: Psychoanalytic Approaches to Shakespeare. Ed. M.D. Faber. New York: Science House, 1970. 157-68.

Wells, Stanley, et al. William Shakespeare: A Textual Companion. Oxford: Clarendon, 1987.

---, and Gary Taylor, ed. Othello. The Oxford Shakespeare: The Complete Works. 2nd ed. Oxford: Clarendon, 2005. 873-907.

Wilder, Lina Perkins. Shakespeare's Memory Theatre: Recollection, Properties, and Character. Cambridge: Cambridge UP, 2010.

Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature. 2 vols. London: Athlone, 1994.

140---. A Glossary of Shakespeare's Sexual Language. London: Athlone, 1997.

Wood, Sam. "Where Iago Lies: Home, Honesty and the Turk in Othello." Early Modern Literary Studies 14.3 (2009): 27 paragraphs.