Internet Shakespeare Editions

About this text

  • Title: Henry IV, Part 1: Bibliography
  • Author: Rosemary Gaby
  • ISBN: 978-1-55058-371-7

    Copyright Rosemary Gaby. This text may be freely used for educational, non-profit purposes; for all other uses contact the Editor.
    Author: Rosemary Gaby
    Not Peer Reviewed


    1. Abbott, E. A. A Shakespearian Grammar. London: Macmillan, 1870.
    2. Addenbrooke, David. The Royal Shakespeare Company: The Peter Hall Years.London: William Kimber, 1974.
    3. Bakhtin, Mikhail. Rabelais and His World.1965. Trans. Hélène Iswolsky. Bloomington, IN: Indiana UP, 1984.
    4. Barber, C.L. Shakespeare's Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom. 1959. 2nd ed. Princeton, NJ: Princeton UP, 1972.
    5. Barker, Roberta. "Tragical-Comical-Historical Hotspur." Shakespeare Quarterly54.4 (2003): 288-307.
    6. Beauman, Sally. The Royal Shakespeare Company: A History of Ten Decades. Oxford: Oxford UP, 1982.
    7. Bell, John. The Time of My Life. Sydney: Allen & Unwin, 2002.
    8. Belsey, Catherine. "Making Histories Then and Now: Shakespeare from Richard II to Henry V." Uses of History: Marxism, Postmodernism and the Renaissance. Ed. Peter Hulme, Francis Barker, and Margaret Iverson. Manchester: Manchester UP, 1991. 24-46.
    9. Berger, Harry Jr. "The Prince's Dog: Falstaff and the Perils of Speech-Prefixity." Shakespeare Quarterly 49.1 (1998): 40-73.
    10. Bevington, David, ed. Henry the Fourth Parts I and II: Critical Essays. New York and London: Garland, 1986.
    11. ----------, ed. Henry IV, Part 1. The Oxford Shakespeare. Oxford: Clarendon P, 1987.
    12. Billington, Michael. "Kate and the King." Guardian Weekly. Guardian, 19 Apr. 1992. Web.
    13. Bloom, Harold. Shakespeare: The Invention of the Human.New York: Riverhead, 1998.
    14. Bogdanov, Michael, and Michael Pennington. The English Shakespeare Company: The Story of 'the Wars of the Roses' 1986-1989. London: Nick Hern, 1992.
    15. Bowers, Fredson. "Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV." Studies in Bibliography 34 (1981): 189-98.
    16. Bradley, A.C. "The Rejection of Falstaff." Shakespeare Henry IV Parts I and II: A Casebook.Ed. G.K. Hunter. Houndmills, Basingstoke: Macmillan, 1991. 56-78.
    17. Brewer. Brewer's Dictionary of Phrase & Fable. Millennium Ed. London: Cassell, 2002.
    18. Bristol, Michael. Carnival and Theater: Plebian Culture and the Structure of Authority in Renaissance England. London and New York: Routledge, 1985.
    19. Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. Vol. 4. London: Routledge, 1962.
    20. Calderwood, James L. Metadrama in Shakespeare's Henriad: Richard II to Henry V. Berkeley: U of California P, 1979.
    21. Caldwell, Ellen M. "'Banish All the Wor(l)d': Falstaff's Iconoclastic Threat to Kingship in I Henry IV." Renascence: Essays on Values in Literature 59.4 (2007): 219-46.
    22. Campbell, Lily B. Shakespeare's"Histories": Mirrors of Elizabethan Policy. 1947. 3rd ed. London: Methuen, 1968.
    23. Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon P, 1930.
    24. Cohen, Derek. "History and the Nation in Richard II and Henry IV." Studies in English Literature 1500-190042.2 (2002): 293-315.
    25. Collick, John. Shakespeare, Cinema and Society. Manchester: Manchester UP, 1989.
    26. Colman, Adrian. Shakespeare's Henry IV, Part One. Sydney: Sydney UP, 1990.
    27. Corbin, Peter, and Douglas Sedge, eds. The Oldcastle Controversy. Manchester: Manchester UP, 1991.
    28. Crystal, David and Ben Crystal. Shakespeare's Words: A Glossary and Language Companion. New York: Penguin, 2002.
    29. Davies, Michael. "Falstaff's Lateness: Calvinism and the Protestant Hero in Henry IV." The Review of English Studies 56.225 (2005): 351-28.
    30. de Jongh, Nicholas. "Long Day's Journey into England's Nightmare." Evening Standard 17 Aug. 2007: 9. Web.
    31. Dent, R. W. Shakespeare's Proverbial Language: An Index. Berkeley: University of California Press, 1981.
    32. Dessen, Alan C. "The Elizabethan-Jacobean Script-to-Stage Process: The Playwright, Theatrical Intentions, and Collaboration." Style 44.3 (2010): 391-403.
    33. DNB. Oxford Dictionary of National Biography. Web.
    34. Dollimore, Jonathan, and Alan Sinfield, eds. Political Shakespeare: New Essays in Cultural Materialism. 2nd ed. Manchester: Manchester UP, 1994.
    35. Donaldson, Ian. "Falstaff's Buff Jerkin." Shakespeare Quarterly37.1 (1986): 100-01.
    36. Draudt, Manfred. "Shakespeare's English Histories at the Vienna Burgtheater." Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. Ed. Ton Hoenselaars. Cambridge: Cambridge UP, 2004. 196-209.
    37. Dutton, Richard, and Jean Howard, eds. A Companion to Shakespeare's Works: The Histories. Malden, MA: Blackwell, 2003.
    38. Edelman, Charles. "Shakespeare's Henry IV, Part 1." The Explicator 6.4 (2005): 5-7.
    39. Empson, William. "Falstaff and Mr Dover Wilson (1953)." Shakespeare Henry IV Parts I and II: A Casebook.Ed. G. K. Hunter. Houndmills, Basingstoke: Macmillan, 1991. 133-54.
    40. Evans, Lloyd. "Force of Nature." Spectator. 14 May 2005: 74. Web.
    41. Forward, Geoffrey G. "What "Maior" is Falstaff Denying?" Shakespeare Quarterly 41.3 (1990): 336-43.
    42. Gelber, Bill. "Review of Henry IV Parts I and II, by the Royal Shakespeare Company at the Courtyard Theatre in Stratford-upon-Avon." Early Modern Literary Studies 13.3 (2008) 21: 1-9. Web.
    43. The Geneva Bible: A Facsimile of the 1560 Edition.Madison, Milwaukee, and London: U of Wisconsin P, 1969.
    44. Gildersleeve, V.C. Government Regulation of the Elizabethan Drama. New York: Burt Franklin, 1961.
    45. Goldberg, Jonathan. "Hal's Desire, Shakespeare's Idaho."Theory in Practice: Henry IV Parts One and Two. Ed. Nigel Wood. Buckingham, Philadelphia: Open UP, 1995. 35-64.
    46. Grady, Hugh. "Falstaff: Subjectivity Between the Carnival and the Aesthetic." Modern Language Review 96.3 (2001): 609-23.
    47. Greenblatt, Stephen. "Invisible Bullets." Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Oxford UP, 1988. 21-65.
    48. Hall, Jonathan. Anxious Pleasures: Shakespearean Comedy and the Nation-State.Cranbury, NJ: Associated UP, 1995.
    49. Hammond, Antony. "Encounters of the Third Kind in Stage-Directions in Elizabethan and Jacobean Drama." Studies in Philology89.1 (1992): 71-99.
    50. Hattaway, Michael, ed. The Cambridge Companion to Shakespeare's History Plays. Cambridge: Cambridge UP, 2002.
    51. Hawkes, Terence. "Bryn Glas." Post-Colonial Shakespeares. Eds. Ania Loomba and Martin Orkin. London: Routledge, 1998. 117-40.
    52. Hazlitt, William. "From Characters of Shakespeare's Plays (1817)." Henry IV Parts One and Two.Ed. Ronald L. Levao. New York: Pearson Longman, 2007. 353-56.
    53. Henderson, Diana E. "Performing History: Henry IV, Money, and the Fashion of the Times." A Companion to Shakespeare and Performance.Ed. Barbara Hodgdon and W.B. Worthen. Malden, MA, and Oxford: Blackwell, 2005. 376-96.
    54. Hewison, Robert. "Review of Richard II, Henry IV, Parts 1 and 2." Sunday Times. Times, 26 Aug. 2007: 20. Web.
    55. Highley, Christopher. "Wales, Ireland, and 1 Henry IV." Renaissance Drama21 (1990): 91-114.
    56. Hinman, Charlton, ed. The Norton Facsimile. The First Folio of Shakespeare. 2nd ed. New York: W.W. Norton, 1996.
    57. ----------. Six Variant Readings in the First Folio of Shakespeare. Lawrence, Kansas: U of Kansas Libraries, 1961.
    58. Hinman, Charlton, and W. W. Greg, eds. Henry the Fourth Part I, 1598: Shakespeare Quarto Facsimiles No 14. Oxford: Clarendon, 1966.
    59. Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare's History. Princeton, NJ: Princeton UP, 1991.
    60. ---, ed. The First Part of King Henry the Fourth: Texts and Contexts. Boston and New York: Bedford, 1997.
    61. Hoenselaars, Ton, ed. Shakespeare's History Plays: Performance, Translation, and Adaptation in Britain and Abroad. Cambridge: Cambridge UP, 2004.
    62. Holderness, Graham. Shakespeare Recycled: The Making of Historical Drama. New York and London: Harvester Wheatsheaf, 1992.
    63. Holderness, Graham, Nick Potter, and John Turner. Shakespeare: The Play of History. Houndmills, Basingstoke: Macmillan, 1988.
    64. Holland, Peter. English Shakespeares: Shakespeare on the English Stage in the 1990s. Cambridge: Cambridge UP, 1997.
    65. Hopkins, Lisa. Shakespeare on the Edge: Border-Crossing in the Tragedies and the Henriad. Aldershot, England: Ashgate, 2005.
    66. ----------. "Welshness in Shakespeare's English Histories." Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad.Ed. Ton Hoenselaars. Cambridge: Cambridge UP, 2004. 60-74.
    67. Howard, Jean E., and Phyllis Rackin, eds. Engendering a Nation: A Feminist Account of Shakespeare's English Histories. London and New York: Routledge, 1997.
    68. Humphreys, A. R., ed. The First Part of King Henry IV. 1960. The Arden Shakespeare. London and New York: Routledge, 1989.
    69. Hunt, Maurice. "The Hybrid Reformations of Shakespeare's Second Henriad." Comparative Drama 32 (1998): 176-206.
    70. Jackson, MacD. P. "The Manuscript Copy of the Quarto (1598) of Shakespeare's 1 Henry IV." Notes and Queries 7.33 (1986): 353-54.
    71. Jackson, Russell. "Shakespeare at Stratford-upon-Avon: Summer and Fall, 2000." Shakespeare Quarterly 52:1 (2001): 107-23.
    72. Jenkins, Harold. "The Structural Problem in Shakespeare's Henry IV (1956)."Shakespeare Henry IV Parts I and II: A Casebook.Ed. G.K. Hunter. Houndmills, Basingstoke: Macmillan, 1991. 155-73.
    73. Kastan, David Scott, ed. King Henry IV Part 1.The Arden Shakespeare. London: Thomson Learning, 2002.
    74. ----------. "'Killed with Hard Opinions': Oldcastle, Falstaff and the Reformed Text of 1 Henry IV." Textual Formations and Reformations. Eds. Laurie E. Maguire and Thomas L. Berger. Newark: U of Delaware P, 1998. 211-27.
    75. ----------. Shakespeare After Theory.London and New York: Routledge, 1999.
    76. Kelly, Henry Ansagar. Divine Providence in the England of Shakespeare's Histories.Cambridge, MA: Harvard UP, 1970.
    77. Kennedy, Dennis. "Foreword: Histories and Nations." Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. Ed. Ton Hoenselaars. Cambridge: Cambridge UP, 2004. 1-8.
    78. Krims, Marvin B. "Hotspur's Antifeminine Prejudice in Shakespeare's 1 Henry IV." Literature and Psychology 4 (1994): 118-32.
    79. Lander, Jesse M. "'Crack'd Crowns' and Counterfeit Sovereigns: The Crisis of Value in 1 Henry IV." Shakespeare Studies 30 (2002): 137-61
    80. Leggatt, Alexander. Shakespeare's Political Drama: The History Plays and the Roman Plays. London: Routledge, 1988.
    81. Levao, Ronald, ed. Henry IV, Parts I & II. New York: Pearson Longman, 2007.
    82. Levine, Nina. "Extending Credit in the Henry IV Plays." Shakespeare Quarterly 51.4 (2000): 403-31.
    83. Lloyd, Megan. "'To Speak Welsh': Nonsense and Subversion in Shakespeare's Henry IV, Part One."North American Journal of Welsh Studies 2 (2002): 7-14.
    84. Long, William B. "Stage Directions: a Misinterpreted Factor in Determining Textual Provenance." TEXT 2 (1985): 121-37.
    85. Lyons, Bridget Gellert, and Dorothy Remy, eds.Chimes at Midnight, Orson Welles, Director.New Brunswick and London: Rutgers UP, 1988.
    86. Magelssen, Scott. "Henry IV." Shakespeare Bulletin 22.3 (2004): 99-101.
    87. McAlindon, Tom. Shakespeare's Tudor History: A Study of Henry IV, Parts 1 and 2. Aldershot, England: Ashgate, 2001.
    88. ----------. "Swearing and Forswearing in Shakespeare's Histories: The Playwright as Contra-Machiavel." Review of English Studies 51.202 (2000): 208-29.
    89. McMillin, Scott. Henry IV, Part One. Shakespeare in Performance. Manchester and New York: Manchester UP, 1991.
    90. McMullen, Gordon, ed. 1 Henry IV. Norton Critical Edition. 3rd ed. New York: Norton, 2003.
    91. Morgann, Maurice. "An Essay on the Dramatic Character of Sir John Falstaff." London: Wheatley and Adlard, 1825.
    92. Mortimer, Ian. The Fears of Henry IV: The Life of England's Self-made King,London: Jonathan Cape, 2007.
    93. "New Theatrical Bills." New York Times.20 March 1896. Web.
    94. Norwich, John Julius. Shakespeare's Kings. Harmondsworth: Penguin, 1999.
    95. Odell, George C. D. Shakespeare-- From Betterton to Irving. 2 vols. 1920. New York: Benjamin Blom, 1963.
    96. Onions, C. T. A Shakespeare Glossary.Rev. ed. Oxford: Clarendon P, 1986.
    97. Ornstein, Robert. A Kingdom for a Stage: The Achievement of Shakespeare's History Plays. Cambridge, MA: Harvard UP, 1972.
    98. OED. Oxford English Dictionary. Web.
    99. Palmer, T. "Master John Fletcher his dramaticall Workes now at last printed." 1647. The Works of Francis Beaumont and John Fletcher in Ten Volumes. Vol. 1. Project Gutenburg, 2004. Web.
    100. Partridge, Eric. Shakespeare's Bawdy:a Literary & Psychological Essay and a Comprehensive Glossary. London: Routledge, 1947.
    101. Patterson, Annabel M. Reading Holinshed's Chronicles. Chicago: U of Chicago P, 1994.
    102. Peat, Derek. "Falstaff Gets the Sack." Shakespeare Quarterly 53.3 (2002): 379-85.
    103. Pendleton, Thomas A. "'This Is Not the Man': On Calling Falstaff Falstaff." Analytical and Enumerative Bibliography 4.1 (1990): 59-71.
    104. Pepys, Samuel. The Diary of Samuel Pepys: A New and Complete Transcription. Ed. Robert Latham and William Matthews. London: Bell, 1970.
    105. Pilkington, Ace G. Screening Shakespeare from Richard II to Henry V. London and Toronto: Associated UPs, 1991.
    106. Pugliatti, Paola. Shakespeare the Historian.New York: St Martin's P, 1996.
    107. Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. London and New York: Routledge, 1991.
    108. Ribner, Irving. The English History Play in the Age of Shakespeare.1957. Rev. ed. London and New York: Routledge, 2005.
    109. Ruiter, David. Shakespeare's Festive History: Feasting, Festivity, Fasting and Lent in the Second Henriad. Aldershot, England: Ashgate, 2003.
    110. Ryan, Kiernan. "The Future of History in Henry IV." Henry IV Parts One and Two. Ed. Nigel Wood. Buckingham and Bristol: Open UP, 1995.
    111. Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances 1590-1890. New York: Harper & Row, 1975.
    112. Shaheen, Naseeb. Biblical References in Shakespeare's History Plays. Newark: U of Delaware P, 1989.
    113. Shaughnessy, Robert. "'I do, I will': Hal, Falstaff and the Performative." Alternative Shakespeares 3.Ed. Diana E. Henderson. London and New York: Routledge, 2008. 14-33.
    114. ----------. Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf, 1994.
    115. Shaw, Bernard. Shaw on Shakespeare.Ed. Edwin Wilson. Harmondsworth: Penguin, 1961.
    116. Shrimpton, Nicholas. "Shakespeare Performances in Stratford-upon-Avon and London." Shakespeare Survey 36 (1983): 149-55.
    117. Shurgot, Michael W., and Peter J. Smith. "The 2010 Season at London's Globe Theatre." The Upstart Crow 29 (2010): 82-98.
    118. The Oldcastle Controversy: Sir John Oldcastle, Part 1 and The Famous Victories of Henry V.Ed. Peter Corbin and Douglas Sedge. Manchester and New York: Manchester UP, 1991.
    119. Stewart, J.I.M. "The Birth and Death of Falstaff (1949)." Shakespeare Henry IV Parts I and II: A Casebook.Ed. G.K. Hunter. Houndmills, Basingstoke: Macmillan, 1991. 127-34.
    120. Tatspaugh, Patricia. "Shakespeare Onstage in England: March to December 2005." Shakespeare Quarterly57.3 (2006): 318-43.
    121. Taylor, Gary. "The Fortunes of Oldcastle." Shakespeare Survey 38 (1985): 85-100.
    122. Taylor, Mark. Shakespeare's Imitations. Newark: U of Delaware P, 2002.
    123. Thomson, Peter. Shakespeare's Theatre. London: Routledge, 1983.
    124. Tiffany, Grace. "Puritanism in Comic History: Exposing Royalty in the Henry Plays." Shakespeare Studies 26 (1998): 256-87.
    125. Tillyard, E.M.W. Shakespeare's History Plays.1944. London: Chatto and Windus, 1980.
    126. Traub, Valerie. "Prince Hal's Falstaff: Positioning Psychoanalysis and the Female Reproductive Body." Shakespeare Quarterly 40.4 (1989): 456-74.
    127. Traversi, Derek. Shakespeare from Richard II to Henry V. Stanford, CA: Stanford UP, 1957.
    128. Tropea, Silvana. "Ron Daniels Finds the Space Inside Shakespeare." American Theatre 11.4 (1994): 40-41.
    129. Ulrici, Hermann. Shakespeare's Dramatic Art: and his Relation to Calderon and Goethe.Trans. A.J.W.M. London: Chapman, Brothers, 1846.
    130. Vickers, Brian, ed. Shakespeare: The Critical Heritage. 6 vols. London: Routledge and Kegan Paul, 1974-81.
    131. Walker, Alice. "The Folio Text of 1 Henry IV." Studies in Bibliography6 (1954): 45-59.
    132. Weil, Herbert, and Judith Weil, eds. The First Part of King Henry IV. The New Cambridge Shakespeare. Cambridge: Cambridge UP, 1997.
    133. Wells, Stanley. Re-Editing Shakespeare for the Modern Reader. Oxford: Clarendon, 1984.
    134. Wells, Stanley, Gary Taylor, John Jowett, and William Montgomery. William Shakespeare: A Textual Companion. Oxford: Clarendon P, 1987.
    135. Wentersdorf, Karl P. "Shakespeare and Carding: Notes on Cruxes in 1 Henry IVand in Twelfth Night." Shakespeare Quarterly 36.2 (1985): 215-18.
    136. Werstine, Paul. "Post-Theory Problems in Shakespeare Editing." Yearbook of English Studies (1999):103-17.
    137. West, Gilian. "'Titan,' 'Onyers,' and Other Difficulties in the Text of 1 Henry IV." Shakespeare Quarterly 34.3 (1983): 330-33
    138. Wharton, T.F. Henry the Fourth Parts, 1 and 2: Text and Performance. London and Basingstoke: Macmillan, 1983.
    139. Wilders, John. The Lost Garden: A View of Shakespeare's English and Roman History Plays. London and Basingstoke: Macmillan, 1978.
    140. Wilson, Edwin, ed. Shaw on Shakespeare. Harmondsworth: Penguin, 1969.
    141. Wilson, John Dover, ed. The First Part of the History of Henry IV. The New Cambridge Shakespeare. Cambridge, Cambridge UP, 1946.
    142. ---. The Fortunes of Falstaff. 1943. Cambridge: Cambridge UP, 1979.
    143. Wilson, John Dover, and T.C. Worsley. Shakespeare's Histories at Stratford 1951. Freeport, NY: Books for Libraries P, 1970.
    144. Wiseman, Susan. "The Family Tree Motel: Subliming Shakespeare in My Own Private Idaho." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Eds. Lynda E. Boose and Richard Burt. London: Routledge, 1997. 225-39.
    145. Wolf, Matt. "Sly yet sweet Falstaff in 'Henry IV, 1 and 2'." New York Times. 11 May 2005. Web.
    146. Wood, Nigel, ed. Henry IV, Parts One and Two.Buckingham, Philadelphia: Open UP, 1995.
    147. Yachnin, Paul. "History, Theatricality, and the 'Structural Problem' in the Henry IVPlays." Philological Quarterly 70 (1991): 163-79.
    148. Williams, George Walton. "Second Thoughts on Falstaff's Name." Shakespeare Quarterly 30.1 (1979): 82-84.
    149. Zimmerman, Susan. "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and Richard III." The Library6.7 (1985): 218-55.