<?xml version="1.0" encoding="UTF-8"?><app type="annotation" for="doc_Son_M" view="complete" select="" base-label="">
    <note>
      <ln t="tln" n="0.1"/>
      <lem>1</lem>
      <level n="1">The first seventeen sonnets argue that the youth should marry and have children in order to preserve his physical beauty through children.</level>
   </note>
    <note>
      <ln t="tln" n="1"/>
      <lem>increase,</lem>
      <level n="1">procreation, offspring.</level>
   </note>
    <note>
      <ln t="tln" n="3"/>
      <lem>riper</lem>
      <level n="1">the elder, the parent.</level>
   </note>
    <note>
      <ln t="tln" n="5"/>
      <lem>contracted</lem>
      <level n="1">betrothed.</level>
   </note>
    <note>
      <ln t="tln" n="6"/>
      <lem>self-substantial</lem>
      <level n="1">from your own substance.</level>
   </note>
    <note>
      <ln t="tln" n="11"/>
      <lem>content,</lem>
      <level n="1">(1) contents, (2) contentment.</level>
   </note>
    <note>
      <ln t="tln" n="12"/>
      <lem>niggarding.</lem>
      <level n="1">paradoxically, wasting by saving (himself from marriage).</level>
   </note>
    <note>
      <ln t="tln" n="14"/>
      <lem>thee.</lem>
      <level n="1">to devour the offspring the world deserves, by choosing a childless death. </level>
   </note>
    <note>
      <ln t="tln" n="17"/>
      <lem>field,</lem>
      <level n="1">create wrinkles in his brow.</level>
   </note>
    <note>
      <ln t="tln" n="18"/>
      <lem>livery,</lem>
      <level n="1">attractive clothes (and, metaphorically, youthful flesh).</level>
   </note>
    <note>
      <ln t="tln" n="24"/>
      <lem>use</lem>
      <level n="1">investment.</level>
   </note>
    <note>
      <ln t="tln" n="26"/>
      <lem>excuse,"</lem>
      <level n="1">justify my accounting, and excuse my age.</level>
   </note>
    <note>
      <ln t="tln" n="27"/>
      <lem>succession</lem>
      <level n="1">through inheritance.</level>
   </note>
    <note>
      <ln t="tln" n="31"/>
      <lem>glass,</lem>
      <level n="1">mirror.</level>
   </note>
    <note>
      <ln t="tln" n="33"/>
      <lem>repair,</lem>
      <level n="1">youthful state.</level>
   </note>
    <note>
      <ln t="tln" n="34"/>
      <lem>beguile</lem>
      <level n="1">cheat.</level>
   </note>
    <note>
      <ln t="tln" n="35"/>
      <lem>uneared</lem>
      <level n="1">unplowed.</level>
   </note>
    <note>
      <ln t="tln" n="36"/>
      <lem>husbandry?</lem>
      <level n="1">farming (punningly).</level>
   </note>
    <note>
      <ln t="tln" n="41"/>
      <lem>age</lem>
      <level n="1">when you look back in your old age.</level>
   </note>
    <note>
      <ln t="tln" n="47"/>
      <lem>legacy?</lem>
      <level n="1">The extended financial image here is of a spendthrift, failing to return Nature's bounty.</level>
   </note>
    <note>
      <ln t="tln" n="49"/>
      <lem>frank,</lem>
      <level n="1">generous.</level>
   </note>
    <note>
      <ln t="tln" n="52"/>
      <lem>usurer,</lem>
      <level n="1">Previously a spendthrift, the youth is now a miser, failing to pass on his wealth of beauty.</level>
   </note>
    <note>
      <ln t="tln" n="54"/>
      <lem>traffic</lem>
      <level n="1">commerce.</level>
   </note>
    <note>
      <ln t="tln" n="60"/>
      <lem>5</lem>
      <level n="1">The following two sonnets can be read as a single poem, as the second expands further on the image of flowers distilled for their perfume as a figure for greater permanence in beauty.</level>
   </note>
    <note>
      <ln t="tln" n="61"/>
      <lem>hours</lem>
      <level n="1">the passage of time.</level>
   </note>
    <note>
      <ln t="tln" n="64"/>
      <lem>unfair</lem>
      <level n="1">mage ugly.</level>
   </note>
    <note>
      <ln t="tln" n="66"/>
      <lem>confounds</lem>
      <level n="1">destroys.</level>
   </note>
    <note>
      <ln t="tln" n="69"/>
      <lem>distillation</lem>
      <level n="1">distilled perfume.</level>
   </note>
    <note>
      <ln t="tln" n="70"/>
      <lem>pent</lem>
      <level n="1">held captive.</level>
   </note>
    <note>
      <ln t="tln" n="78"/>
      <lem>vial;</lem>
      <level n="1">container--metaphorically for the womb.</level>
   </note>
    <note>
      <ln t="tln" n="80"/>
      <lem>usury</lem>
      <level n="1">Laws against usury (lending money for interest) in the period were strict, though frequently ignored.</level>
   </note>
    <note>
      <ln t="tln" n="91"/>
      <lem>Orient</lem>
      <level n="1">east.</level>
   </note>
    <note>
      <ln t="tln" n="92"/>
      <lem>eye</lem>
      <level n="1">every earthly eye.</level>
   </note>
    <note>
      <ln t="tln" n="94"/>
      <lem>Serving</lem>
      <level n="1">paying respects.</level>
   </note>
    <note>
      <ln t="tln" n="95"/>
      <lem>hill,</lem>
      <level n="1">having risen to a peak at noon.</level>
   </note>
    <note>
      <ln t="tln" n="106"/>
      <lem>hear,</lem>
      <level n="1">(you) whom it is music to hear.</level>
   </note>
    <note>
      <ln t="tln" n="109"/>
      <lem>annoy?</lem>
      <level n="1">The paradox is that the youth is somber while listening to sweet sounds, instead of rejoicing in them.</level>
   </note>
    <note>
      <ln t="tln" n="113"/>
      <lem>bear:</lem>
      <level n="1">The youth defeats the possibility of harmony (musical parts) by remaining a single, unaccompanied tune.</level>
   </note>
    <note>
      <ln t="tln" n="115"/>
      <lem>ordering,</lem>
      <level n="1">sympathetic vibration: one string vibrating when another tuned to the same pitch is sounded.</level>
   </note>
    <note>
      <ln t="tln" n="118"/>
      <lem>one,</lem>
      <level n="1">Again the paradox of harmony is that it is one sound made up of many.</level>
   </note>
    <note>
      <ln t="tln" n="123"/>
      <lem>issueless</lem>
      <level n="1">childless.</level>
   </note>
    <note>
      <ln t="tln" n="125"/>
      <lem>still</lem>
      <level n="1">continually.</level>
   </note>
    <note>
      <ln t="tln" n="127"/>
      <lem>private</lem>
      <level n="1">separate, individual.</level>
   </note>
    <note>
      <ln t="tln" n="130"/>
      <lem>it;</lem>
      <level n="1">The economic argument, very modern, is that one person's spending stimulates the economy for others.</level>
   </note>
    <note>
      <ln t="tln" n="141"/>
      <lem>stick'st</lem>
      <level n="1">scruple.</level>
   </note>
    <note>
      <ln t="tln" n="142"/>
      <lem>roof</lem>
      <level n="1">his body; the metaphor is of an estate.</level>
   </note>
    <note>
      <ln t="tln" n="158"/>
      <lem>away:</lem>
      <level n="1">Sixty years would mean the end of civilization if there were no children born to carry on.</level>
   </note>
    <note>
      <ln t="tln" n="163"/>
      <lem>seal,</lem>
      <level n="1">a stamp used to create multiple impressions or images.</level>
   </note>
    <note>
      <ln t="tln" n="167"/>
      <lem>brave</lem>
      <level n="1">splendid.</level>
   </note>
    <note>
      <ln t="tln" n="169"/>
      <lem>sable</lem>
      <level n="1">black.</level>
   </note>
    <note>
      <ln t="tln" n="171"/>
      <lem>erst</lem>
      <level n="1">earlier.</level>
   </note>
    <note>
      <ln t="tln" n="172"/>
      <lem>girded</lem>
      <level n="1">bound.</level>
   </note>
    <note>
      <ln t="tln" n="173"/>
      <lem>bier</lem>
      <level n="1">metaphorically for the hay cart.</level>
   </note>
    <note>
      <ln t="tln" n="179"/>
      <lem>breed,</lem>
      <level n="1">except for having children.</level>
   </note>
    <note>
      <ln t="tln" n="182"/>
      <lem>here</lem>
      <level n="1">on earth.</level>
   </note>
    <note>
      <ln t="tln" n="186"/>
      <lem>determination;</lem>
      <level n="1">termination, end.</level>
   </note>
    <note>
      <ln t="tln" n="190"/>
      <lem>husbandry</lem>
      <level n="1">thriftiness (punningly).</level>
   </note>
    <note>
      <ln t="tln" n="196"/>
      <lem>pluck,</lem>
      <level n="1">foretell my conclusions.</level>
   </note>
    <note>
      <ln t="tln" n="199"/>
      <lem>dearths,</lem>
      <level n="1">famines.</level>
   </note>
    <note>
      <ln t="tln" n="200"/>
      <lem>tell,</lem>
      <level n="1">forecast to the last minute.</level>
   </note>
    <note>
      <ln t="tln" n="201"/>
      <lem>'Pointing</lem>
      <level n="1">appointing.</level>
   </note>
    <note>
      <ln t="tln" n="203"/>
      <lem>predict</lem>
      <level n="1">frequent prediction.</level>
   </note>
    <note>
      <ln t="tln" n="207"/>
      <lem>store</lem>
      <level n="1">abundance (children)</level>
   </note>
    <note>
      <ln t="tln" n="210"/>
      <lem>15</lem>
      <level n="1">For the first time, the writer suggests that his art might provide an alternative immortality; a proposition denied in the second sonnet of this group of two sonnets.</level>
   </note>
    <note>
      <ln t="tln" n="213"/>
      <lem>stage</lem>
      <level n="1">the earth.</level>
   </note>
    <note>
      <ln t="tln" n="216"/>
      <lem>checked</lem>
      <level n="1">encouraged and held back.</level>
   </note>
    <note>
      <ln t="tln" n="218"/>
      <lem>brave</lem>
      <level n="1">handsome.</level>
   </note>
    <note>
      <ln t="tln" n="219"/>
      <lem>conceit</lem>
      <level n="1">thought.</level>
   </note>
    <note>
      <ln t="tln" n="221"/>
      <lem>debateth</lem>
      <level n="1">consults, competes.</level>
   </note>
    <note>
      <ln t="tln" n="229"/>
      <lem>barren</lem>
      <level n="1">infertile.</level>
   </note>
    <note>
      <ln t="tln" n="231"/>
      <lem>unset,</lem>
      <level n="1">unplanted, without seeds.</level>
   </note>
    <note>
      <ln t="tln" n="233"/>
      <lem>counterfeit:</lem>
      <level n="1">portrait (in verse).</level>
   </note>
    <note>
      <ln t="tln" n="239"/>
      <lem>skill.</lem>
      <level n="1">skill in lovemaking.</level>
   </note>
    <note>
      <ln t="tln" n="246"/>
      <lem>numbers</lem>
      <level n="1">verses.</level>
   </note>
    <note>
      <ln t="tln" n="250"/>
      <lem>tongue,</lem>
      <level n="1">more talkative than truthful.</level>
   </note>
    <note>
      <ln t="tln" n="252"/>
      <lem>meter</lem>
      <level n="1">exaggerated lines (literally rhythm).</level>
   </note>
    <note>
      <ln t="tln" n="255"/>
      <lem>18</lem>
      <level n="1">The hesitancy in suggesting immortality through verse of the last two sonnets is discarded in this famous and triumphant sonnet.</level>
   </note>
    <note>
      <ln t="tln" n="259"/>
      <lem>lease</lem>
      <level n="1">the time available in summer.</level>
   </note>
    <note>
      <ln t="tln" n="260"/>
      <lem>heaven</lem>
      <level n="1">the sun.</level>
   </note>
    <note>
      <ln t="tln" n="262"/>
      <lem>sometime</lem>
      <level n="1">Everything beautiful declines eventually from that state of beauty.</level>
   </note>
    <note>
      <ln t="tln" n="263"/>
      <lem>untrimmed:</lem>
      <level n="1">by bad luck, or by the natural passage of time.</level>
   </note>
    <note>
      <ln t="tln" n="274"/>
      <lem>Phoenix</lem>
      <level n="1">a mythical, long-lived bird that was supposed to die in fire and be reborn from the ashes (here her blood).</level>
   </note>
    <note>
      <ln t="tln" n="280"/>
      <lem>antique</lem>
      <level n="1">(1) antic or capricious, (2) old.</level>
   </note>
    <note>
      <ln t="tln" n="281"/>
      <lem>untainted</lem>
      <level n="1">unstained, uninjured.</level>
   </note>
    <note>
      <ln t="tln" n="285"/>
      <lem>20</lem>
      <level n="1">This crucial sonnet creates a wry myth of origin: the youth's beauty is such that Nature fell in love with him, and, since Nature is a woman, she turned him at the last moment into a man. The ambiguous sense of sexuality in the poem is discussed in the introduction to this section.</level>
   </note>
    <note>
      <ln t="tln" n="286"/>
      <lem>painted</lem>
      <level n="1">natural; compare "painted" in the next sonnet.</level>
   </note>
    <note>
      <ln t="tln" n="287"/>
      <lem>mistress</lem>
      <level n="1">both master and mistress, male and female.</level>
   </note>
    <note>
      <ln t="tln" n="291"/>
      <lem>gazeth;</lem>
      <level n="1">The eye is imagined as giving forth beams that make the objects it sees shine.</level>
   </note>
    <note>
      <ln t="tln" n="292"/>
      <lem>controlling,</lem>
      <level n="1">a man whose appearance (color) is superior to all others, male or female.</level>
   </note>
    <note>
      <ln t="tln" n="297"/>
      <lem>nothing.</lem>
      <level n="1">Nature (a woman) added the one thing--a penis--that is of no use to the poet.</level>
   </note>
    <note>
      <ln t="tln" n="298"/>
      <lem>out</lem>
      <level n="1">marked, with a pun on "prick".</level>
   </note>
    <note>
      <ln t="tln" n="299"/>
      <lem>treasure.</lem>
      <level n="1">the poet will have his love, while women will have (treasure) his sexual activity. The pun is again on "use" as an investment; as in Sonnet 129 to the Dark Woman, orgasm is seen as "spending."</level>
   </note>
    <note>
      <ln t="tln" n="301"/>
      <lem>Muse,</lem>
      <level n="1">poet.</level>
   </note>
    <note>
      <ln t="tln" n="302"/>
      <lem>painted</lem>
      <level n="1">artificial.</level>
   </note>
    <note>
      <ln t="tln" n="304"/>
      <lem>rehearse,</lem>
      <level n="1">compares his loved one to every kind of beauty; compare Sonnet 130 to the dark woman.</level>
   </note>
    <note>
      <ln t="tln" n="308"/>
      <lem>rondure</lem>
      <level n="1">sphere (world).</level>
   </note>
    <note>
      <ln t="tln" n="312"/>
      <lem>air:</lem>
      <level n="1">stars.</level>
   </note>
    <note>
      <ln t="tln" n="313"/>
      <lem>hearsay</lem>
      <level n="1">gossip; what today we would call advertising.</level>
   </note>
    <note>
      <ln t="tln" n="316"/>
      <lem>glass</lem>
      <level n="1">mirror.</level>
   </note>
    <note>
      <ln t="tln" n="317"/>
      <lem>date;</lem>
      <level n="1">so long as you remain youthful.</level>
   </note>
    <note>
      <ln t="tln" n="319"/>
      <lem>expiate.</lem>
      <level n="1">end.</level>
   </note>
    <note>
      <ln t="tln" n="322"/>
      <lem>me;</lem>
      <level n="1">Your beauty is the decorous clothing of my heart, which is enclosed in your breast, as yours is in mine.</level>
   </note>
    <note>
      <ln t="tln" n="325"/>
      <lem>will,</lem>
      <level n="1">i will care for myself for your sake.</level>
   </note>
    <note>
      <ln t="tln" n="326"/>
      <lem>chary</lem>
      <level n="1">carefully.</level>
   </note>
    <note>
      <ln t="tln" n="329"/>
      <lem>again.</lem>
      <level n="1">the first warning of imperfect love: the youth should not expect to get his heart back if the writer's heart is "slain" (by loss of love or betrayal).</level>
   </note>
    <note>
      <ln t="tln" n="332"/>
      <lem>part;</lem>
      <level n="1">who gets stage fright.</level>
   </note>
    <note>
      <ln t="tln" n="334"/>
      <lem>heart;</lem>
      <level n="1">a wild animal whose fury weakens its heart.</level>
   </note>
    <note>
      <ln t="tln" n="335"/>
      <lem>trust,</lem>
      <level n="1">mistrusting myself.</level>
   </note>
    <note>
      <ln t="tln" n="339"/>
      <lem>books</lem>
      <level n="1">possibly the narrative poems <i xmlns="http://www.w3.org/1999/xhtml">Venus and Adonis</i> and <i xmlns="http://www.w3.org/1999/xhtml">The Rape of Lucrece</i>.</level>
   </note>
    <note>
      <ln t="tln" n="340"/>
      <lem>presagers</lem>
      <level n="1">silent messengers.</level>
   </note>
    <note>
      <ln t="tln" n="346"/>
      <lem>steeled</lem>
      <level n="1">engraved upon a tablet.</level>
   </note>
    <note>
      <ln t="tln" n="358"/>
      <lem>want</lem>
      <level n="1">lack.</level>
   </note>
    <note>
      <ln t="tln" n="364"/>
      <lem>for</lem>
      <level n="1">unexpectedly.</level>
   </note>
    <note>
      <ln t="tln" n="369"/>
      <lem>painful</lem>
      <level n="1">painstaking.</level>
   </note>
    <note>
      <ln t="tln" n="371"/>
      <lem>razèd</lem>
      <level n="1">erased.</level>
   </note>
    <note>
      <ln t="tln" n="375"/>
      <lem>26</lem>
      <level n="1">This poem is often taken as evidence that the youth was an aristocrat, since it can be read as requesting patronage. On the other hand, Shakespeare was good at metaphors.</level>
   </note>
    <note>
      <ln t="tln" n="376"/>
      <lem>vassalage</lem>
      <level n="1">allegiance.</level>
   </note>
    <note>
      <ln t="tln" n="378"/>
      <lem>embassage</lem>
      <level n="1">letter.</level>
   </note>
    <note>
      <ln t="tln" n="382"/>
      <lem>conceit</lem>
      <level n="1">good opinions.</level>
   </note>
    <note>
      <ln t="tln" n="383"/>
      <lem>it.</lem>
      <level n="1">place my poor (naked) verse in your inner thoughts.</level>
   </note>
    <note>
      <ln t="tln" n="385"/>
      <lem>aspect,</lem>
      <level n="1">astrological favor.</level>
   </note>
    <note>
      <ln t="tln" n="389"/>
      <lem>me.</lem>
      <level n="1">put me to the test.</level>
   </note>
    <note>
      <ln t="tln" n="390"/>
      <lem>27</lem>
      <level n="1">This sonnet and the next form a double sonnet.</level>
   </note>
    <note>
      <ln t="tln" n="392"/>
      <lem>travel</lem>
      <level n="1">The word means "travail" (hard work) as well.</level>
   </note>
    <note>
      <ln t="tln" n="409"/>
      <lem>oppressed,</lem>
      <level n="1">the day disturbed by lack of sleep, and sleep by the activities of the day.</level>
   </note>
    <note>
      <ln t="tln" n="412"/>
      <lem>one</lem>
      <level n="1">day; the other is night.</level>
   </note>
    <note>
      <ln t="tln" n="416"/>
      <lem>swart-complexioned</lem>
      <level n="1">dark-colored.</level>
   </note>
    <note>
      <ln t="tln" n="417"/>
      <lem>even;</lem>
      <level n="1">When the stars do not twinkle the youth's beauty makes the evening golden.</level>
   </note>
    <note>
      <ln t="tln" n="423"/>
      <lem>bootless</lem>
      <level n="1">useless.</level>
   </note>
    <note>
      <ln t="tln" n="426"/>
      <lem>Featured like him,</lem>
      <level n="1">with the same (good) looks.</level>
   </note>
    <note>
      <ln t="tln" n="427"/>
      <lem>scope,</lem>
      <level n="1">range (of power or learning).</level>
   </note>
    <note>
      <ln t="tln" n="428"/>
      <lem>enjoy</lem>
      <level n="1">most possess.</level>
   </note>
    <note>
      <ln t="tln" n="430"/>
      <lem>Haply</lem>
      <level n="1">by chance.</level>
   </note>
    <note>
      <ln t="tln" n="430"/>
      <lem>Haply</lem>
      <level n="1">perhaps.</level>
   </note>
    <note>
      <ln t="tln" n="436"/>
      <lem>sessions</lem>
      <level n="1">the sittings of a court; in the next line, witnesses are summoned.</level>
   </note>
    <note>
      <ln t="tln" n="439"/>
      <lem>waste;</lem>
      <level n="1">re-hash old woes, lamenting time wasted.</level>
   </note>
    <note>
      <ln t="tln" n="440"/>
      <lem>flow,</lem>
      <level n="1">unused to weeping.</level>
   </note>
    <note>
      <ln t="tln" n="441"/>
      <lem>dateless</lem>
      <level n="1">endless.</level>
   </note>
    <note>
      <ln t="tln" n="443"/>
      <lem>th'expense</lem>
      <level n="1">loss.</level>
   </note>
    <note>
      <ln t="tln" n="445"/>
      <lem>o'er</lem>
      <level n="1">retell.</level>
   </note>
    <note>
      <ln t="tln" n="451"/>
      <lem>hearts</lem>
      <level n="1">beloved by all.</level>
   </note>
    <note>
      <ln t="tln" n="453"/>
      <lem>parts,</lem>
      <level n="1">qualities.</level>
   </note>
    <note>
      <ln t="tln" n="455"/>
      <lem>obsequious</lem>
      <level n="1">mourning.</level>
   </note>
    <note>
      <ln t="tln" n="460"/>
      <lem>trophies</lem>
      <level n="1">memorials.</level>
   </note>
    <note>
      <ln t="tln" n="465"/>
      <lem>32</lem>
      <level n="1">This is the first poem that mentions the possibility of rival poets.</level>
   </note>
    <note>
      <ln t="tln" n="468"/>
      <lem>fortune</lem>
      <level n="1">by chance.</level>
   </note>
    <note>
      <ln t="tln" n="470"/>
      <lem>time,</lem>
      <level n="1">improvements in poetic style.</level>
   </note>
    <note>
      <ln t="tln" n="473"/>
      <lem>height</lem>
      <level n="1">greater eloquence.</level>
   </note>
    <note>
      <ln t="tln" n="476"/>
      <lem>birth</lem>
      <level n="1">better creation (poem).</level>
   </note>
    <note>
      <ln t="tln" n="477"/>
      <lem>equipage;</lem>
      <level n="1">better equipped (the metaphor is of an army).</level>
   </note>
    <note>
      <ln t="tln" n="480"/>
      <lem>33</lem>
      <level n="1">These next three sonnets form the arc of a disagreement, where the Youth has apparently injured the Poet in some way.</level>
   </note>
    <note>
      <ln t="tln" n="482"/>
      <lem>eye--</lem>
      <level n="1">the sun, gold in the morning.</level>
   </note>
    <note>
      <ln t="tln" n="484"/>
      <lem>alchemy--</lem>
      <level n="1">The alchemists sought to convert base metals to gold.</level>
   </note>
    <note>
      <ln t="tln" n="486"/>
      <lem>rack</lem>
      <level n="1">bank of clouds.</level>
   </note>
    <note>
      <ln t="tln" n="489"/>
      <lem>sun</lem>
      <level n="1">my loved one (the youth).</level>
   </note>
    <note>
      <ln t="tln" n="492"/>
      <lem>region</lem>
      <level n="1">of the upper air.</level>
   </note>
    <note>
      <ln t="tln" n="499"/>
      <lem>smoke?</lem>
      <level n="1">unwholesome vapors.</level>
   </note>
    <note>
      <ln t="tln" n="504"/>
      <lem>physic</lem>
      <level n="1">medicine; following the image of the salve two lines earlier.</level>
   </note>
    <note>
      <ln t="tln" n="507"/>
      <lem>cross.</lem>
      <level n="1">the original reads loss.</level>
   </note>
    <note>
      <ln t="tln" n="514"/>
      <lem>canker</lem>
      <level n="1">budworm.</level>
   </note>
    <note>
      <ln t="tln" n="516"/>
      <lem>compare,</lem>
      <level n="1">rationalizing his behavior through comparison.</level>
   </note>
    <note>
      <ln t="tln" n="519"/>
      <lem>sense;</lem>
      <level n="1">reason.</level>
   </note>
    <note>
      <ln t="tln" n="520"/>
      <lem>advocate,</lem>
      <level n="1">in the legal sense: defense lawyer. The metaphor continues in the following lines.</level>
   </note>
    <note>
      <ln t="tln" n="525"/>
      <lem>36</lem>
      <level n="1">This sonnet may form the first part of a double sonnet with 39.</level>
   </note>
    <note>
      <ln t="tln" n="526"/>
      <lem>twain,</lem>
      <level n="1">separate (two).</level>
   </note>
    <note>
      <ln t="tln" n="528"/>
      <lem>blots</lem>
      <level n="1">defects, perhaps of honor.</level>
   </note>
    <note>
      <ln t="tln" n="530"/>
      <lem>respect,</lem>
      <level n="1">attitude.</level>
   </note>
    <note>
      <ln t="tln" n="532"/>
      <lem>effect,</lem>
      <level n="1">effect of creating one sole (soul) person.</level>
   </note>
    <note>
      <ln t="tln" n="539"/>
      <lem>report.</lem>
      <level n="1">Since we are one, your good reputation becomes mine. This couplet is repeated in Sonnet 96.</level>
   </note>
    <note>
      <ln t="tln" n="541"/>
      <lem>decrepit</lem>
      <level n="1">aged and infirm.</level>
   </note>
    <note>
      <ln t="tln" n="543"/>
      <lem>lame</lem>
      <level n="1">handicapped.</level>
   </note>
    <note>
      <ln t="tln" n="547"/>
      <lem>parts,</lem>
      <level n="1">given nobility by your qualities.</level>
   </note>
    <note>
      <ln t="tln" n="548"/>
      <lem>store:</lem>
      <level n="1">abundance.</level>
   </note>
    <note>
      <ln t="tln" n="550"/>
      <lem>substance</lem>
      <level n="1">The concept is given reality; Shakespeare is using Platonic terminology.</level>
   </note>
    <note>
      <ln t="tln" n="556"/>
      <lem>want</lem>
      <level n="1">lack.</level>
   </note>
    <note>
      <ln t="tln" n="558"/>
      <lem>argument,</lem>
      <level n="1">topic, subject.</level>
   </note>
    <note>
      <ln t="tln" n="563"/>
      <lem>invention</lem>
      <level n="1">the creative urge.</level>
   </note>
    <note>
      <ln t="tln" n="564"/>
      <lem>Muse,</lem>
      <level n="1">In Greek mythology there were nine Muses, daughters of Apollo, god of music and poetry.</level>
   </note>
    <note>
      <ln t="tln" n="567"/>
      <lem>numbers</lem>
      <level n="1">verses.</level>
   </note>
    <note>
      <ln t="tln" n="575"/>
      <lem>for</lem>
      <level n="1">because of.</level>
   </note>
    <note>
      <ln t="tln" n="582"/>
      <lem>deceive.</lem>
      <level n="1">cover, ameliorate.</level>
   </note>
    <note>
      <ln t="tln" n="585"/>
      <lem>40</lem>
      <level n="1">This group of three sonnets suggests that the youth has seduced someone loved by the writer, possibly the dark woman; the poems are almost masochistic in their rationalization of the youth's behavior.</level>
   </note>
    <note>
      <ln t="tln" n="590"/>
      <lem>my love receivest,</lem>
      <level n="1">playing on the love the writer feels for the Youth, and the Poet's mistress, or lover.</level>
   </note>
    <note>
      <ln t="tln" n="591"/>
      <lem>usest;</lem>
      <level n="1">you use my loved one sexually.</level>
   </note>
    <note>
      <ln t="tln" n="597"/>
      <lem>injury.</lem>
      <level n="1">It is harder to accept injury from someone we love than from someone we hate.</level>
   </note>
    <note>
      <ln t="tln" n="601"/>
      <lem>liberty</lem>
      <level n="1">licentiousness.</level>
   </note>
    <note>
      <ln t="tln" n="608"/>
      <lem>she</lem>
      <level n="1">The original reads "he"; possibly it means that no man will leave until he has had sex with such a woman.</level>
   </note>
    <note>
      <ln t="tln" n="609"/>
      <lem>seat</lem>
      <level n="1">place (here his mistress).</level>
   </note>
    <note>
      <ln t="tln" n="622"/>
      <lem>abuse</lem>
      <level n="1">wrong.</level>
   </note>
    <note>
      <ln t="tln" n="623"/>
      <lem>approve</lem>
      <level n="1">test; try her out sexually.</level>
   </note>
    <note>
      <ln t="tln" n="630"/>
      <lem>43</lem>
      <level n="1">The following three sonnets can be read as a triple sonnet; they all explore absence from the loved one.</level>
   </note>
    <note>
      <ln t="tln" n="631"/>
      <lem>wink,</lem>
      <level n="1">sleep.</level>
   </note>
    <note>
      <ln t="tln" n="632"/>
      <lem>unrespected,</lem>
      <level n="1">of no interest.</level>
   </note>
    <note>
      <ln t="tln" n="634"/>
      <lem>directed.</lem>
      <level n="1">in the darkness of night; directed towards the brightness of the loved one.</level>
   </note>
    <note>
      <ln t="tln" n="635"/>
      <lem>bright,</lem>
      <level n="1">thou whose shadowy dream-self makes bright the shadows of night.</level>
   </note>
    <note>
      <ln t="tln" n="638"/>
      <lem>shade</lem>
      <level n="1">again, his dream-self.</level>
   </note>
    <note>
      <ln t="tln" n="646"/>
      <lem>substance</lem>
      <level n="1">heavy matter (the elements of earth and water, referred to later in the sonnet).</level>
   </note>
    <note>
      <ln t="tln" n="657"/>
      <lem>leisure</lem>
      <level n="1">wait for time to move in a leisurely fashion.</level>
   </note>
    <note>
      <ln t="tln" n="661"/>
      <lem>two,</lem>
      <level n="1">the other two elements, (light) air and fire.</level>
   </note>
    <note>
      <ln t="tln" n="664"/>
      <lem>present-absent,</lem>
      <level n="1">The paradox is explained in the following lines.</level>
   </note>
    <note>
      <ln t="tln" n="668"/>
      <lem>melancholy,</lem>
      <level n="1">The elements each represented a characteristic personality; melancholy was associated with earth and winter, hence with death.</level>
   </note>
    <note>
      <ln t="tln" n="669"/>
      <lem>composition</lem>
      <level n="1">The ideal was a balance between the four elements</level>
   </note>
    <note>
      <ln t="tln" n="675"/>
      <lem>46</lem>
      <level n="1">The next two sonnets form a pair exploring the duality of eye and heart.</level>
   </note>
    <note>
      <ln t="tln" n="678"/>
      <lem>bar,</lem>
      <level n="1">The syntax is inverted: the eye would bar the sight of the loved one from the heart.</level>
   </note>
    <note>
      <ln t="tln" n="682"/>
      <lem>defendant</lem>
      <level n="1">the eye; the metaphor of a trial continues in the following lines where thoughts are empanelled as a jury.</level>
   </note>
    <note>
      <ln t="tln" n="684"/>
      <lem>'cide</lem>
      <level n="1">decide.</level>
   </note>
    <note>
      <ln t="tln" n="687"/>
      <lem>moiety,</lem>
      <level n="1">share (literally, half).</level>
   </note>
    <note>
      <ln t="tln" n="691"/>
      <lem>league</lem>
      <level n="1">pact.</level>
   </note>
    <note>
      <ln t="tln" n="702"/>
      <lem>them,</lem>
      <level n="1">I am always with my thoughts.</level>
   </note>
    <note>
      <ln t="tln" n="707"/>
      <lem>truest</lem>
      <level n="1">strongest</level>
   </note>
    <note>
      <ln t="tln" n="709"/>
      <lem>wards</lem>
      <level n="1">prison cells.</level>
   </note>
    <note>
      <ln t="tln" n="717"/>
      <lem>part;</lem>
      <level n="1">come and go.</level>
   </note>
    <note>
      <ln t="tln" n="721"/>
      <lem>Against</lem>
      <level n="1">in preparation for.</level>
   </note>
    <note>
      <ln t="tln" n="723"/>
      <lem>sum,</lem>
      <level n="1">made a final accounting; the metaphor continues in the next line.</level>
   </note>
    <note>
      <ln t="tln" n="724"/>
      <lem>respects;</lem>
      <level n="1">careful thoughts.</level>
   </note>
    <note>
      <ln t="tln" n="728"/>
      <lem>gravity;</lem>
      <level n="1">find rationalizations (something Shakespeare's dramatic lovers are very good at).</level>
   </note>
    <note>
      <ln t="tln" n="729"/>
      <lem>ensconce</lem>
      <level n="1">fortify.</level>
   </note>
    <note>
      <ln t="tln" n="730"/>
      <lem>desert,</lem>
      <level n="1">merit.</level>
   </note>
    <note>
      <ln t="tln" n="735"/>
      <lem>50</lem>
      <level n="1">The next two sonnets explore similar imagery as the writer travels away from the object of his love.</level>
   </note>
    <note>
      <ln t="tln" n="736"/>
      <lem>heavy</lem>
      <level n="1">sadly.</level>
   </note>
    <note>
      <ln t="tln" n="754"/>
      <lem>posting</lem>
      <level n="1">haste.</level>
   </note>
    <note>
      <ln t="tln" n="756"/>
      <lem>extremity</lem>
      <level n="1">an extreme of speed.</level>
   </note>
    <note>
      <ln t="tln" n="761"/>
      <lem>weigh</lem>
      <level n="1">The original reads "neigh," which makes a kind of sense.</level>
   </note>
    <note>
      <ln t="tln" n="762"/>
      <lem>jade:</lem>
      <level n="1">an old horse.</level>
   </note>
    <note>
      <ln t="tln" n="769"/>
      <lem>For</lem>
      <level n="1">to avoid.</level>
   </note>
    <note>
      <ln t="tln" n="773"/>
      <lem>carcanet.</lem>
      <level n="1">or principal jewels in the necklace.</level>
   </note>
    <note>
      <ln t="tln" n="774"/>
      <lem>you</lem>
      <level n="1">(1) holds you, (2) watches over you.</level>
   </note>
    <note>
      <ln t="tln" n="782"/>
      <lem>shadows</lem>
      <level n="1">shades of the past: the mythical figures mentioned later in the poem.</level>
   </note>
    <note>
      <ln t="tln" n="783"/>
      <lem>shade,</lem>
      <level n="1">here the literal shadow cast by the sun.</level>
   </note>
    <note>
      <ln t="tln" n="787"/>
      <lem>Helen's</lem>
      <level n="1">helen of Troy, whose fabled beauty instigated the Trojan war. The writer uses both masculine (Adonis) and feminine ideals of beauty to describe the youth.</level>
   </note>
    <note>
      <ln t="tln" n="789"/>
      <lem>foison</lem>
      <level n="1">abundance, harvest.</level>
   </note>
    <note>
      <ln t="tln" n="800"/>
      <lem>blooms</lem>
      <level n="1">the dog rose, which has little scent.</level>
   </note>
    <note>
      <ln t="tln" n="805"/>
      <lem>unrespected</lem>
      <level n="1">unnoticed.</level>
   </note>
    <note>
      <ln t="tln" n="807"/>
      <lem>made:</lem>
      <level n="1">by distillation.</level>
   </note>
    <note>
      <ln t="tln" n="809"/>
      <lem>vade,</lem>
      <level n="1">fade, die.</level>
   </note>
    <note>
      <ln t="tln" n="814"/>
      <lem>stone,</lem>
      <level n="1">stone grave markers (on the floor of a church).</level>
   </note>
    <note>
      <ln t="tln" n="816"/>
      <lem>broils</lem>
      <level n="1">wars, battles.</level>
   </note>
    <note>
      <ln t="tln" n="817"/>
      <lem>Mars</lem>
      <level n="1">god of war.</level>
   </note>
    <note>
      <ln t="tln" n="819"/>
      <lem>enmity</lem>
      <level n="1">enmity, that brings forgetfulness.</level>
   </note>
    <note>
      <ln t="tln" n="827"/>
      <lem>appetite,</lem>
      <level n="1">let not love's urge be less keen than physical appetite.</level>
   </note>
    <note>
      <ln t="tln" n="831"/>
      <lem>fullness,</lem>
      <level n="1">until eyes close with satiety.</level>
   </note>
    <note>
      <ln t="tln" n="835"/>
      <lem>new</lem>
      <level n="1">two newly-engaged lovers.</level>
   </note>
    <note>
      <ln t="tln" n="840"/>
      <lem>57</lem>
      <level n="1">this and the next sonnet explore the image of the writer's slavish acceptance of his the youth's behaviors; they are so similar that they may be reworkings of the same sonnet rather than the kind of pair we find elsewhere.</level>
   </note>
    <note>
      <ln t="tln" n="841"/>
      <lem>tend</lem>
      <level n="1">attend.</level>
   </note>
    <note>
      <ln t="tln" n="845"/>
      <lem>world-without-end</lem>
      <level n="1">seemingly endless.</level>
   </note>
    <note>
      <ln t="tln" n="853"/>
      <lem>will,</lem>
      <level n="1">in your desire. Will is capitalized in the original version, emphasizing the pun on Shakespeare's name.</level>
   </note>
    <note>
      <ln t="tln" n="857"/>
      <lem>control</lem>
      <level n="1">that I should even think of controlling.</level>
   </note>
    <note>
      <ln t="tln" n="859"/>
      <lem>stay</lem>
      <level n="1">await.</level>
   </note>
    <note>
      <ln t="tln" n="861"/>
      <lem>liberty,</lem>
      <level n="1">Let me suffer the effect of your absence, while you are free (and behaving with liberty, licentiousness).</level>
   </note>
    <note>
      <ln t="tln" n="862"/>
      <lem>check,</lem>
      <level n="1">patiently suffer each rebuke you offer.</level>
   </note>
    <note>
      <ln t="tln" n="864"/>
      <lem>list,</lem>
      <level n="1">wish.</level>
   </note>
    <note>
      <ln t="tln" n="872"/>
      <lem>beguiled,</lem>
      <level n="1">deceived.</level>
   </note>
    <note>
      <ln t="tln" n="873"/>
      <lem>invention,</lem>
      <level n="1">trying to be original.</level>
   </note>
    <note>
      <ln t="tln" n="875"/>
      <lem>record</lem>
      <level n="1">historical record.</level>
   </note>
    <note>
      <ln t="tln" n="878"/>
      <lem>done,</lem>
      <level n="1">since thoughts were first expressed in writing.</level>
   </note>
    <note>
      <ln t="tln" n="881"/>
      <lem>mended,</lem>
      <level n="1">whether we are superior.</level>
   </note>
    <note>
      <ln t="tln" n="882"/>
      <lem>revolution</lem>
      <level n="1">the revolving of the sun; what goes around, comes around.</level>
   </note>
    <note>
      <ln t="tln" n="889"/>
      <lem>contend.</lem>
      <level n="1">in sequence, all struggle forward.</level>
   </note>
    <note>
      <ln t="tln" n="890"/>
      <lem>Nativity,</lem>
      <level n="1">the new-born child.</level>
   </note>
    <note>
      <ln t="tln" n="892"/>
      <lem>fight,</lem>
      <level n="1">The submerged metaphor here is of the span of human life compared to the sun moving across the sky.</level>
   </note>
    <note>
      <ln t="tln" n="894"/>
      <lem>transfix</lem>
      <level n="1">pierce through; destroy.</level>
   </note>
    <note>
      <ln t="tln" n="895"/>
      <lem>parallels</lem>
      <level n="1">wrinkles.</level>
   </note>
    <note>
      <ln t="tln" n="908"/>
      <lem>tenor</lem>
      <level n="1">direction.</level>
   </note>
    <note>
      <ln t="tln" n="925"/>
      <lem>Beated</lem>
      <level n="1">battered.</level>
   </note>
    <note>
      <ln t="tln" n="931"/>
      <lem>Against</lem>
      <level n="1">in preparation for the time when.</level>
   </note>
    <note>
      <ln t="tln" n="935"/>
      <lem>travelled</lem>
      <level n="1">also with the sense travailed, labored.</level>
   </note>
    <note>
      <ln t="tln" n="945"/>
      <lem>64</lem>
      <level n="1">The next two form a powerful double sonnet on the ravages of time and the fragility of love.</level>
   </note>
    <note>
      <ln t="tln" n="946"/>
      <lem>fell</lem>
      <level n="1">evil, destructive.</level>
   </note>
    <note>
      <ln t="tln" n="947"/>
      <lem>cost</lem>
      <level n="1">costly aged monuments.</level>
   </note>
    <note>
      <ln t="tln" n="949"/>
      <lem>eternal</lem>
      <level n="1">brass memorial plaques (torn down during the dissolution of the monasteries).</level>
   </note>
    <note>
      <ln t="tln" n="952"/>
      <lem>main,</lem>
      <level n="1">The coastline of England had changed within living memory.</level>
   </note>
    <note>
      <ln t="tln" n="953"/>
      <lem>loss,</lem>
      <level n="1">increasing abundance with famine, and vice versa.</level>
   </note>
    <note>
      <ln t="tln" n="961"/>
      <lem>sea,</lem>
      <level n="1">This one line summarizes the previous sonnet.</level>
   </note>
    <note>
      <ln t="tln" n="962"/>
      <lem>mortality</lem>
      <level n="1">solemn destruction.</level>
   </note>
    <note>
      <ln t="tln" n="966"/>
      <lem>days</lem>
      <level n="1">The metaphor is of besieging a castle with a battering ram.</level>
   </note>
    <note>
      <ln t="tln" n="970"/>
      <lem>hid?</lem>
      <level n="1">where shall the youth (Time's jewel) be hidden from the coffin (Time's chest)?</level>
   </note>
    <note>
      <ln t="tln" n="976"/>
      <lem>these</lem>
      <level n="1">the list that follows.</level>
   </note>
    <note>
      <ln t="tln" n="977"/>
      <lem>desert</lem>
      <level n="1">the deserving person.</level>
   </note>
    <note>
      <ln t="tln" n="978"/>
      <lem>nothing</lem>
      <level n="1">worthlessness.</level>
   </note>
    <note>
      <ln t="tln" n="979"/>
      <lem>forsworn,</lem>
      <level n="1">betrayed.</level>
   </note>
    <note>
      <ln t="tln" n="983"/>
      <lem>sway</lem>
      <level n="1">ineffective leadership.</level>
   </note>
    <note>
      <ln t="tln" n="985"/>
      <lem>doctor-like,</lem>
      <level n="1">with the authority of a teacher.</level>
   </note>
    <note>
      <ln t="tln" n="986"/>
      <lem>simplicity,</lem>
      <level n="1">foolishness.</level>
   </note>
    <note>
      <ln t="tln" n="987"/>
      <lem>ill:</lem>
      <level n="1">good waits on evil (its captain).</level>
   </note>
    <note>
      <ln t="tln" n="990"/>
      <lem>67</lem>
      <level n="1">This, and the next sonnet, explore a conflict between art and nature in the expression of beauty.</level>
   </note>
    <note>
      <ln t="tln" n="991"/>
      <lem>wherefore</lem>
      <level n="1">why.</level>
   </note>
    <note>
      <ln t="tln" n="993"/>
      <lem>achieve,</lem>
      <level n="1">sin will gain advantage by his presence.</level>
   </note>
    <note>
      <ln t="tln" n="994"/>
      <lem>lace</lem>
      <level n="1">adorn.</level>
   </note>
    <note>
      <ln t="tln" n="998"/>
      <lem>shadow,</lem>
      <level n="1">inferior beauty seeks false (shadow) roses (in its cheeks).</level>
   </note>
    <note>
      <ln t="tln" n="1001"/>
      <lem>exchequer</lem>
      <level n="1">treasury (Nature has spent all on the youth).</level>
   </note>
    <note>
      <ln t="tln" n="1003"/>
      <lem>stores,</lem>
      <level n="1">preserves.</level>
   </note>
    <note>
      <ln t="tln" n="1004"/>
      <lem>bad.</lem>
      <level n="1">The writer looks back to "the good old days" as being superior.</level>
   </note>
    <note>
      <ln t="tln" n="1008"/>
      <lem>fair</lem>
      <level n="1">artificial looks (makeup).</level>
   </note>
    <note>
      <ln t="tln" n="1010"/>
      <lem>dead,</lem>
      <level n="1">hair from those who had died was used to make wigs for the living.</level>
   </note>
    <note>
      <ln t="tln" n="1011"/>
      <lem>sepulchres,</lem>
      <level n="1">tombs.</level>
   </note>
    <note>
      <ln t="tln" n="1014"/>
      <lem>hours</lem>
      <level n="1">again, the ideal earlier days.</level>
   </note>
    <note>
      <ln t="tln" n="1022"/>
      <lem>Want</lem>
      <level n="1">lack.</level>
   </note>
    <note>
      <ln t="tln" n="1024"/>
      <lem>commend;</lem>
      <level n="1">Even enemies have to admit the truth of the youth's beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1025"/>
      <lem>Thy outward</lem>
      <level n="1">exterior beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1027"/>
      <lem>confound,</lem>
      <level n="1">contradict.</level>
   </note>
    <note>
      <ln t="tln" n="1030"/>
      <lem>deeds;</lem>
      <level n="1">they judge your mind through your actions.</level>
   </note>
    <note>
      <ln t="tln" n="1034"/>
      <lem>soil</lem>
      <level n="1">blemish.</level>
   </note>
    <note>
      <ln t="tln" n="1037"/>
      <lem>fair;</lem>
      <level n="1">slander always targets the beautiful.</level>
   </note>
    <note>
      <ln t="tln" n="1041"/>
      <lem>time;</lem>
      <level n="1">so long as you are virtuous, slander makes you more admirable, as time will prove your innocence.</level>
   </note>
    <note>
      <ln t="tln" n="1042"/>
      <lem>vice</lem>
      <level n="1">slander is compared to the canker worm.</level>
   </note>
    <note>
      <ln t="tln" n="1043"/>
      <lem>prime.</lem>
      <level n="1">youth (prime of life).</level>
   </note>
    <note>
      <ln t="tln" n="1044"/>
      <lem>days,</lem>
      <level n="1">the temptations of youth.</level>
   </note>
    <note>
      <ln t="tln" n="1048"/>
      <lem>ill</lem>
      <level n="1">some suspicion of evil.</level>
   </note>
    <note>
      <ln t="tln" n="1049"/>
      <lem>owe.</lem>
      <level n="1">own.</level>
   </note>
    <note>
      <ln t="tln" n="1050"/>
      <lem>71</lem>
      <level n="1">In the next two sonnets, the writer imagines the effect his death might have on the youth.</level>
   </note>
    <note>
      <ln t="tln" n="1052"/>
      <lem>bell</lem>
      <level n="1">the tocsin, the church bell that tolls when someone has died.</level>
   </note>
    <note>
      <ln t="tln" n="1060"/>
      <lem>clay,</lem>
      <level n="1">mingled with earth.</level>
   </note>
    <note>
      <ln t="tln" n="1061"/>
      <lem>rehearse,</lem>
      <level n="1">repeat.</level>
   </note>
    <note>
      <ln t="tln" n="1066"/>
      <lem>task</lem>
      <level n="1">require.</level>
   </note>
    <note>
      <ln t="tln" n="1075"/>
      <lem>untrue,</lem>
      <level n="1">that your love make you lie in order to speak well of me.</level>
   </note>
    <note>
      <ln t="tln" n="1078"/>
      <lem>forth,</lem>
      <level n="1">presumably this poem.</level>
   </note>
    <note>
      <ln t="tln" n="1080"/>
      <lem>73</lem>
      <level n="1">This most moving sonnet where the writer sees himself on the very brink of death is followed by one that attempts to find a positive resolution.</level>
   </note>
    <note>
      <ln t="tln" n="1084"/>
      <lem>late</lem>
      <level n="1">recently.</level>
   </note>
    <note>
      <ln t="tln" n="1088"/>
      <lem>seals</lem>
      <level n="1">closes.</level>
   </note>
    <note>
      <ln t="tln" n="1091"/>
      <lem>expire,</lem>
      <level n="1">The fire dies on the ashes created by its own earlier (youthful) burning.</level>
   </note>
    <note>
      <ln t="tln" n="1096"/>
      <lem>fell</lem>
      <level n="1">dreaded.</level>
   </note>
    <note>
      <ln t="tln" n="1098"/>
      <lem>line</lem>
      <level n="1">this poem.</level>
   </note>
    <note>
      <ln t="tln" n="1099"/>
      <lem>still</lem>
      <level n="1">always.</level>
   </note>
    <note>
      <ln t="tln" n="1102"/>
      <lem>his</lem>
      <level n="1">its.</level>
   </note>
    <note>
      <ln t="tln" n="1111"/>
      <lem>life,</lem>
      <level n="1">as food is to existence (essential).</level>
   </note>
    <note>
      <ln t="tln" n="1113"/>
      <lem>you</lem>
      <level n="1">the peace to be found in loving you.</level>
   </note>
    <note>
      <ln t="tln" n="1117"/>
      <lem>counting</lem>
      <level n="1">(1) counting on, depending on, (2) counting as a miser counts money.</level>
   </note>
    <note>
      <ln t="tln" n="1118"/>
      <lem>bettered</lem>
      <level n="1">pleased better.</level>
   </note>
    <note>
      <ln t="tln" n="1124"/>
      <lem>away.</lem>
      <level n="1">all (food taken) away.</level>
   </note>
    <note>
      <ln t="tln" n="1126"/>
      <lem>pride?</lem>
      <level n="1">new fashions (in writing poetry).</level>
   </note>
    <note>
      <ln t="tln" n="1129"/>
      <lem>strange?</lem>
      <level n="1">strange new poetic inventions.</level>
   </note>
    <note>
      <ln t="tln" n="1131"/>
      <lem>weed,</lem>
      <level n="1">clothing.</level>
   </note>
    <note>
      <ln t="tln" n="1135"/>
      <lem>still</lem>
      <level n="1">constantly.</level>
   </note>
    <note>
      <ln t="tln" n="1141"/>
      <lem>glass</lem>
      <level n="1">mirror.</level>
   </note>
    <note>
      <ln t="tln" n="1143"/>
      <lem>leaves</lem>
      <level n="1">pages (of a book or journal). </level>
   </note>
    <note>
      <ln t="tln" n="1151"/>
      <lem>children</lem>
      <level n="1">the creations written on the blank pages.</level>
   </note>
    <note>
      <ln t="tln" n="1153"/>
      <lem>offices,</lem>
      <level n="1">duties.</level>
   </note>
    <note>
      <ln t="tln" n="1155"/>
      <lem>78</lem>
      <level n="1">Several of the next sonnets compare the writer's verse with another writer (the rival poet), often unfavorably.</level>
   </note>
    <note>
      <ln t="tln" n="1158"/>
      <lem>use,</lem>
      <level n="1">every other writer has my inspiration.</level>
   </note>
    <note>
      <ln t="tln" n="1159"/>
      <lem>disperse.</lem>
      <level n="1">circulate.</level>
   </note>
    <note>
      <ln t="tln" n="1163"/>
      <lem>grace</lem>
      <level n="1">excellence</level>
   </note>
    <note>
      <ln t="tln" n="1164"/>
      <lem>compile,</lem>
      <level n="1">my own verses.</level>
   </note>
    <note>
      <ln t="tln" n="1173"/>
      <lem>numbers</lem>
      <level n="1">melodious verses.</level>
   </note>
    <note>
      <ln t="tln" n="1174"/>
      <lem>place.</lem>
      <level n="1">give way to another writer.</level>
   </note>
    <note>
      <ln t="tln" n="1175"/>
      <lem>argument</lem>
      <level n="1">the Youth as an attractive subject.</level>
   </note>
    <note>
      <ln t="tln" n="1187"/>
      <lem>spirit</lem>
      <level n="1">the rival poet.</level>
   </note>
    <note>
      <ln t="tln" n="1192"/>
      <lem>bark,</lem>
      <level n="1">small boat.</level>
   </note>
    <note>
      <ln t="tln" n="1193"/>
      <lem>main</lem>
      <level n="1">ocean.</level>
   </note>
    <note>
      <ln t="tln" n="1195"/>
      <lem>soundless</lem>
      <level n="1">bottomless.</level>
   </note>
    <note>
      <ln t="tln" n="1197"/>
      <lem>building,</lem>
      <level n="1">solid construction.</level>
   </note>
    <note>
      <ln t="tln" n="1201"/>
      <lem>Or</lem>
      <level n="1">either.</level>
   </note>
    <note>
      <ln t="tln" n="1203"/>
      <lem>hence</lem>
      <level n="1">(1) this poem, (2) the world.</level>
   </note>
    <note>
      <ln t="tln" n="1213"/>
      <lem>virtue</lem>
      <level n="1">power.</level>
   </note>
    <note>
      <ln t="tln" n="1215"/>
      <lem>82</lem>
      <level n="1">The following two sonnets can be read together, with the image of painting continued between them.</level>
   </note>
    <note>
      <ln t="tln" n="1217"/>
      <lem>attaint</lem>
      <level n="1">dishonor.</level>
   </note>
    <note>
      <ln t="tln" n="1218"/>
      <lem>words</lem>
      <level n="1">devoted words (punning on a poet's dedication of his work to a patron).</level>
   </note>
    <note>
      <ln t="tln" n="1221"/>
      <lem>praise,</lem>
      <level n="1">exceeding the limits of my ability to praise.</level>
   </note>
    <note>
      <ln t="tln" n="1223"/>
      <lem>days.</lem>
      <level n="1">modern days, improving on earlier times.</level>
   </note>
    <note>
      <ln t="tln" n="1226"/>
      <lem>sympathized</lem>
      <level n="1">expressed.</level>
   </note>
    <note>
      <ln t="tln" n="1228"/>
      <lem>painting</lem>
      <level n="1">description, punning on the use of makeup.</level>
   </note>
    <note>
      <ln t="tln" n="1232"/>
      <lem>fair</lem>
      <level n="1">your beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1234"/>
      <lem>tender</lem>
      <level n="1">worthless offer (the metaphor is of money).</level>
   </note>
    <note>
      <ln t="tln" n="1236"/>
      <lem>extant,</lem>
      <level n="1">alive.</level>
   </note>
    <note>
      <ln t="tln" n="1242"/>
      <lem>tomb.</lem>
      <level n="1">My silence does not damage your beauty, whereas others, in trying to bring it to life, fail, and bury it.</level>
   </note>
    <note>
      <ln t="tln" n="1246"/>
      <lem>more</lem>
      <level n="1">the most excessive praise can say no more.</level>
   </note>
    <note>
      <ln t="tln" n="1248"/>
      <lem>store</lem>
      <level n="1">in you the abundance is contained (walled in).</level>
   </note>
    <note>
      <ln t="tln" n="1250"/>
      <lem>penury</lem>
      <level n="1">poverty.</level>
   </note>
    <note>
      <ln t="tln" n="1256"/>
      <lem>wit,</lem>
      <level n="1">Such an equivalent shall make his wit famous.</level>
   </note>
    <note>
      <ln t="tln" n="1259"/>
      <lem>fond on</lem>
      <level n="1">doting on.</level>
   </note>
    <note>
      <ln t="tln" n="1263"/>
      <lem>character</lem>
      <level n="1">preserve your qualities.</level>
   </note>
    <note>
      <ln t="tln" n="1264"/>
      <lem>filed.</lem>
      <level n="1">polished.</level>
   </note>
    <note>
      <ln t="tln" n="1266"/>
      <lem>unlettered</lem>
      <level n="1">uneducated.</level>
   </note>
    <note>
      <ln t="tln" n="1270"/>
      <lem>praise</lem>
      <level n="1">the highest praise.</level>
   </note>
    <note>
      <ln t="tln" n="1272"/>
      <lem>his</lem>
      <level n="1">thought's (his here means its).</level>
   </note>
    <note>
      <ln t="tln" n="1276"/>
      <lem>his</lem>
      <level n="1">the rival poet's</level>
   </note>
    <note>
      <ln t="tln" n="1277"/>
      <lem>prize</lem>
      <level n="1">as in a pirate's prize, taking a ship captive.</level>
   </note>
    <note>
      <ln t="tln" n="1278"/>
      <lem>inhearse,</lem>
      <level n="1">place in a coffin.</level>
   </note>
    <note>
      <ln t="tln" n="1282"/>
      <lem>night</lem>
      <level n="1">the evil spirits that are assisting the rival poet.</level>
   </note>
    <note>
      <ln t="tln" n="1285"/>
      <lem>intelligence,</lem>
      <level n="1">deceives him with ideas.</level>
   </note>
    <note>
      <ln t="tln" n="1288"/>
      <lem>line,</lem>
      <level n="1">when your face provided the inspiration for his lines.</level>
   </note>
    <note>
      <ln t="tln" n="1292"/>
      <lem>estimate;</lem>
      <level n="1">value. The sustained metaphor in this sonnet is of legal contracts concerning property.</level>
   </note>
    <note>
      <ln t="tln" n="1293"/>
      <lem>charter</lem>
      <level n="1">contract, privilege.</level>
   </note>
    <note>
      <ln t="tln" n="1294"/>
      <lem>determinate.</lem>
      <level n="1">ended, terminated.</level>
   </note>
    <note>
      <ln t="tln" n="1297"/>
      <lem>wanting,</lem>
      <level n="1">lacking.</level>
   </note>
    <note>
      <ln t="tln" n="1298"/>
      <lem>patent</lem>
      <level n="1">right (of possession).</level>
   </note>
    <note>
      <ln t="tln" n="1301"/>
      <lem>misprision</lem>
      <level n="1">misunderstanding.</level>
   </note>
    <note>
      <ln t="tln" n="1306"/>
      <lem>light</lem>
      <level n="1">treat me lightly.</level>
   </note>
    <note>
      <ln t="tln" n="1311"/>
      <lem>part</lem>
      <level n="1">taking your side.</level>
   </note>
    <note>
      <ln t="tln" n="1312"/>
      <lem>attainted,</lem>
      <level n="1">dishonored.</level>
   </note>
    <note>
      <ln t="tln" n="1320"/>
      <lem>89</lem>
      <level n="1">The next group of sonnets contains some pairs that are ideally read together, as creating a kind of dialogue.</level>
   </note>
    <note>
      <ln t="tln" n="1323"/>
      <lem>halt,</lem>
      <level n="1">limp.</level>
   </note>
    <note>
      <ln t="tln" n="1326"/>
      <lem>change,</lem>
      <level n="1">to rationalize a change you desire.</level>
   </note>
    <note>
      <ln t="tln" n="1328"/>
      <lem>strange,</lem>
      <level n="1">I will stifle our friendship and pretend not to know you.</level>
   </note>
    <note>
      <ln t="tln" n="1332"/>
      <lem>haply</lem>
      <level n="1">accidentally.</level>
   </note>
    <note>
      <ln t="tln" n="1339"/>
      <lem>after-loss.</lem>
      <level n="1">wait to add to my loss.</level>
   </note>
    <note>
      <ln t="tln" n="1341"/>
      <lem>woe;</lem>
      <level n="1">come after I have recovered from sorrow.</level>
   </note>
    <note>
      <ln t="tln" n="1343"/>
      <lem>out</lem>
      <level n="1">to protract.</level>
   </note>
    <note>
      <ln t="tln" n="1353"/>
      <lem>ill,</lem>
      <level n="1">though they are ugly new fashions.</level>
   </note>
    <note>
      <ln t="tln" n="1365"/>
      <lem>92</lem>
      <level n="1">This sonnet should be read together with number 93.</level>
   </note>
    <note>
      <ln t="tln" n="1371"/>
      <lem>them</lem>
      <level n="1">the loss of friendship, seemingly a lesser problem.</level>
   </note>
    <note>
      <ln t="tln" n="1373"/>
      <lem>humor</lem>
      <level n="1">whims.</level>
   </note>
    <note>
      <ln t="tln" n="1375"/>
      <lem>lie.</lem>
      <level n="1">since my life depends (will end) when you revolt (deny my love).</level>
   </note>
    <note>
      <ln t="tln" n="1381"/>
      <lem>supposing</lem>
      <level n="1">believing.</level>
   </note>
    <note>
      <ln t="tln" n="1384"/>
      <lem>place.</lem>
      <level n="1">the consistent contrast between the eye, which sees only the surface, and the heart, which holds the true feeling.</level>
   </note>
    <note>
      <ln t="tln" n="1395"/>
      <lem>94</lem>
      <level n="1">This and the following sonnet can be read as an interconnected pair.</level>
   </note>
    <note>
      <ln t="tln" n="1397"/>
      <lem>show,</lem>
      <level n="1">seem to do, are capable of doing.</level>
   </note>
    <note>
      <ln t="tln" n="1401"/>
      <lem>husband</lem>
      <level n="1">preserve.</level>
   </note>
    <note>
      <ln t="tln" n="1403"/>
      <lem>stewards</lem>
      <level n="1">servants.</level>
   </note>
    <note>
      <ln t="tln" n="1416"/>
      <lem>sport,</lem>
      <level n="1">love affairs.</level>
   </note>
    <note>
      <ln t="tln" n="1423"/>
      <lem>large</lem>
      <level n="1">unlimited (also with the sense of morally loose).</level>
   </note>
    <note>
      <ln t="tln" n="1426"/>
      <lem>wantonness;</lem>
      <level n="1">playfulness, lechery.</level>
   </note>
    <note>
      <ln t="tln" n="1427"/>
      <lem>sport;</lem>
      <level n="1">courtly amorousness.</level>
   </note>
    <note>
      <ln t="tln" n="1428"/>
      <lem>less;</lem>
      <level n="1">loved by people of high and low rank.</level>
   </note>
    <note>
      <ln t="tln" n="1435"/>
      <lem>translate!</lem>
      <level n="1">convert.</level>
   </note>
    <note>
      <ln t="tln" n="1439"/>
      <lem>report.</lem>
      <level n="1">reputation. The same final couplet is used in sonnet 36.</level>
   </note>
    <note>
      <ln t="tln" n="1442"/>
      <lem>year!</lem>
      <level n="1">i.e. the summer.</level>
   </note>
    <note>
      <ln t="tln" n="1446"/>
      <lem>teeming</lem>
      <level n="1">pregnant.</level>
   </note>
    <note>
      <ln t="tln" n="1447"/>
      <lem>prime,</lem>
      <level n="1">carrying the fruit (crops) conceived by the spring (prime).</level>
   </note>
    <note>
      <ln t="tln" n="1449"/>
      <lem>issue</lem>
      <level n="1">offspring.</level>
   </note>
    <note>
      <ln t="tln" n="1453"/>
      <lem>cheer</lem>
      <level n="1">such a melancholy mood.</level>
   </note>
    <note>
      <ln t="tln" n="1457"/>
      <lem>proud-pied</lem>
      <level n="1">gorgeously multicolored.</level>
   </note>
    <note>
      <ln t="tln" n="1459"/>
      <lem>Saturn</lem>
      <level n="1">Associated with melancholy; Saturn was also the god of agriculture and fertility, both connected with the spring.</level>
   </note>
    <note>
      <ln t="tln" n="1460"/>
      <lem>lays</lem>
      <level n="1">songs.</level>
   </note>
    <note>
      <ln t="tln" n="1464"/>
      <lem>Nor</lem>
      <level n="1">neither.</level>
   </note>
    <note>
      <ln t="tln" n="1466"/>
      <lem>figures</lem>
      <level n="1">images.</level>
   </note>
    <note>
      <ln t="tln" n="1469"/>
      <lem>shadow</lem>
      <level n="1">portrait (literal, or in words).</level>
   </note>
    <note>
      <ln t="tln" n="1470"/>
      <lem>99</lem>
      <level n="1">This irregular sonnet has fifteen lines.</level>
   </note>
    <note>
      <ln t="tln" n="1471"/>
      <lem>forward</lem>
      <level n="1">early-flowering, with a sense of presumptuousness.</level>
   </note>
    <note>
      <ln t="tln" n="1475"/>
      <lem>grossly</lem>
      <level n="1">excessively.</level>
   </note>
    <note>
      <ln t="tln" n="1480"/>
      <lem>nor</lem>
      <level n="1">neither.</level>
   </note>
    <note>
      <ln t="tln" n="1483"/>
      <lem>canker</lem>
      <level n="1">budworm.</level>
   </note>
    <note>
      <ln t="tln" n="1489"/>
      <lem>fury</lem>
      <level n="1">inspiration.</level>
   </note>
    <note>
      <ln t="tln" n="1490"/>
      <lem>Darkening</lem>
      <level n="1">abasing.</level>
   </note>
    <note>
      <ln t="tln" n="1492"/>
      <lem>numbers,</lem>
      <level n="1">elegant verses.</level>
   </note>
    <note>
      <ln t="tln" n="1493"/>
      <lem>lays</lem>
      <level n="1">songs.</level>
   </note>
    <note>
      <ln t="tln" n="1494"/>
      <lem>argument.</lem>
      <level n="1">subject-matter.</level>
   </note>
    <note>
      <ln t="tln" n="1495"/>
      <lem>resty</lem>
      <level n="1">restless.</level>
   </note>
    <note>
      <ln t="tln" n="1497"/>
      <lem>decay,</lem>
      <level n="1">(his muse should) mock the process of decay.</level>
   </note>
    <note>
      <ln t="tln" n="1503"/>
      <lem>dyed?</lem>
      <level n="1">truth made integral with beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1507"/>
      <lem>color</lem>
      <level n="1">justification, </level>
   </note>
    <note>
      <ln t="tln" n="1508"/>
      <lem>lay,</lem>
      <level n="1">express.</level>
   </note>
    <note>
      <ln t="tln" n="1515"/>
      <lem>now.</lem>
      <level n="1">to make him seem to the future as he is now.</level>
   </note>
    <note>
      <ln t="tln" n="1519"/>
      <lem>merchandised,</lem>
      <level n="1">cheapened, as if for sale.</level>
   </note>
    <note>
      <ln t="tln" n="1522"/>
      <lem>wont to</lem>
      <level n="1">was used to.</level>
   </note>
    <note>
      <ln t="tln" n="1523"/>
      <lem>Philomel</lem>
      <level n="1">the nightingale.</level>
   </note>
    <note>
      <ln t="tln" n="1527"/>
      <lem>burdens</lem>
      <level n="1">weighs down; with a pun on burden meaning the chorus of a song.</level>
   </note>
    <note>
      <ln t="tln" n="1532"/>
      <lem>poverty</lem>
      <level n="1">poor verse.</level>
   </note>
    <note>
      <ln t="tln" n="1534"/>
      <lem>bare</lem>
      <level n="1">the subject itself, unadorned.</level>
   </note>
    <note>
      <ln t="tln" n="1537"/>
      <lem>glass,</lem>
      <level n="1">mirror.</level>
   </note>
    <note>
      <ln t="tln" n="1542"/>
      <lem>pass</lem>
      <level n="1">purpose.</level>
   </note>
    <note>
      <ln t="tln" n="1546"/>
      <lem>104</lem>
      <level n="1">This sonnet gives the clearest indication of the length of time over which the Sonnets were written.</level>
   </note>
    <note>
      <ln t="tln" n="1556"/>
      <lem>perceived;</lem>
      <level n="1">The dial of the clock moves, though its movement is imperceptible.</level>
   </note>
    <note>
      <ln t="tln" n="1557"/>
      <lem>stand,</lem>
      <level n="1">is unchanged.</level>
   </note>
    <note>
      <ln t="tln" n="1563"/>
      <lem>show,</lem>
      <level n="1">appear.</level>
   </note>
    <note>
      <ln t="tln" n="1565"/>
      <lem>so.</lem>
      <level n="1">focused on one person and subject; the argument is that such constancy cannot be considered wrong.</level>
   </note>
    <note>
      <ln t="tln" n="1572"/>
      <lem>change</lem>
      <level n="1">variation (in words only).</level>
   </note>
    <note>
      <ln t="tln" n="1575"/>
      <lem>one.</lem>
      <level n="1">The writer is flirting with idolatry as he denies it, since he is echoing, almost parodying, the doctrine of the Trinity.</level>
   </note>
    <note>
      <ln t="tln" n="1577"/>
      <lem>wasted</lem>
      <level n="1">past, useless.</level>
   </note>
    <note>
      <ln t="tln" n="1578"/>
      <lem>wights,</lem>
      <level n="1">people.</level>
   </note>
    <note>
      <ln t="tln" n="1581"/>
      <lem>blazon</lem>
      <level n="1">formal, heraldic description.</level>
   </note>
    <note>
      <ln t="tln" n="1583"/>
      <lem>antique</lem>
      <level n="1">old-fashioned.</level>
   </note>
    <note>
      <ln t="tln" n="1587"/>
      <lem>divining</lem>
      <level n="1">prophetic.</level>
   </note>
    <note>
      <ln t="tln" n="1593"/>
      <lem>come,</lem>
      <level n="1">the spirit of humankind, imagining the future.</level>
   </note>
    <note>
      <ln t="tln" n="1594"/>
      <lem>lease</lem>
      <level n="1">ending date.</level>
   </note>
    <note>
      <ln t="tln" n="1595"/>
      <lem>doom.</lem>
      <level n="1">imagined that there was to be a specific ending (use-by date).</level>
   </note>
    <note>
      <ln t="tln" n="1596"/>
      <lem>endured,</lem>
      <level n="1">This line is usually read as a reference to Queen Elizabeth, and may recall her death in 1603.</level>
   </note>
    <note>
      <ln t="tln" n="1597"/>
      <lem>presage;</lem>
      <level n="1">solemn prophets revise their own predictions.</level>
   </note>
    <note>
      <ln t="tln" n="1599"/>
      <lem>age.</lem>
      <level n="1">peace is assured (possibly referring to the optimism at the accession of James of Scotland to the English throne).</level>
   </note>
    <note>
      <ln t="tln" n="1600"/>
      <lem>balmy</lem>
      <level n="1">peaceful, or prosperous.</level>
   </note>
    <note>
      <ln t="tln" n="1601"/>
      <lem>subscribes,</lem>
      <level n="1">yields.</level>
   </note>
    <note>
      <ln t="tln" n="1605"/>
      <lem>spent.</lem>
      <level n="1">consumed, destroyed.</level>
   </note>
    <note>
      <ln t="tln" n="1607"/>
      <lem>character</lem>
      <level n="1">record in handwriting.</level>
   </note>
    <note>
      <ln t="tln" n="1608"/>
      <lem>figured</lem>
      <level n="1">illustrated.</level>
   </note>
    <note>
      <ln t="tln" n="1613"/>
      <lem>old;</lem>
      <level n="1">assuming nothing to be hackneyed or a cliché.</level>
   </note>
    <note>
      <ln t="tln" n="1618"/>
      <lem>page,</lem>
      <level n="1">servant.</level>
   </note>
    <note>
      <ln t="tln" n="1619"/>
      <lem>conceit</lem>
      <level n="1">thoughts.</level>
   </note>
    <note>
      <ln t="tln" n="1621"/>
      <lem>109</lem>
      <level n="1">In the next four sonnets, the writer attempts to make reparations for a seeming failure in friendship, possibly a scandal (see 112), or simply the writer's trade as actor and playwright.</level>
   </note>
    <note>
      <ln t="tln" n="1623"/>
      <lem>qualify;</lem>
      <level n="1">ardency of love to abate.</level>
   </note>
    <note>
      <ln t="tln" n="1626"/>
      <lem>ranged,</lem>
      <level n="1">strayed.</level>
   </note>
    <note>
      <ln t="tln" n="1628"/>
      <lem>time,</lem>
      <level n="1">exactly on time.</level>
   </note>
    <note>
      <ln t="tln" n="1629"/>
      <lem>stain;</lem>
      <level n="1">fault (leaving the loved one).</level>
   </note>
    <note>
      <ln t="tln" n="1631"/>
      <lem>blood,</lem>
      <level n="1">passions.</level>
   </note>
    <note>
      <ln t="tln" n="1636"/>
      <lem>110</lem>
      <level n="1">In this sonnet Shakespeare seems to be criticizing himself as a mere actor, one who dons the motley of the Fool's clothing (on stage).</level>
   </note>
    <note>
      <ln t="tln" n="1638"/>
      <lem>motley</lem>
      <level n="1">jester.</level>
   </note>
    <note>
      <ln t="tln" n="1639"/>
      <lem>Gored</lem>
      <level n="1">damaged.</level>
   </note>
    <note>
      <ln t="tln" n="1640"/>
      <lem>new.</lem>
      <level n="1">new passions.</level>
   </note>
    <note>
      <ln t="tln" n="1643"/>
      <lem>blenches</lem>
      <level n="1">flinchings or swervings, possibly deceits.</level>
   </note>
    <note>
      <ln t="tln" n="1644"/>
      <lem>essays</lem>
      <level n="1">less successful attempts.</level>
   </note>
    <note>
      <ln t="tln" n="1654"/>
      <lem>That</lem>
      <level n="1">who.</level>
   </note>
    <note>
      <ln t="tln" n="1655"/>
      <lem>breeds.</lem>
      <level n="1">Fortune has dictated that the writer must make a living in the public realm (as actor and playwright), which makes him behave like a commoner.</level>
   </note>
    <note>
      <ln t="tln" n="1656"/>
      <lem>brand,</lem>
      <level n="1">disgrace (criminals were branded).</level>
   </note>
    <note>
      <ln t="tln" n="1658"/>
      <lem>hand;</lem>
      <level n="1">the dyer's hand becomes permanently stained.</level>
   </note>
    <note>
      <ln t="tln" n="1661"/>
      <lem>eisel</lem>
      <level n="1">vinegar.</level>
   </note>
    <note>
      <ln t="tln" n="1667"/>
      <lem>th'impression</lem>
      <level n="1">wrinkle.</level>
   </note>
    <note>
      <ln t="tln" n="1668"/>
      <lem>scandal</lem>
      <level n="1">possibly another reference to his craft as actor.</level>
   </note>
    <note>
      <ln t="tln" n="1670"/>
      <lem>o'er-green</lem>
      <level n="1">cover (with new growth).</level>
   </note>
    <note>
      <ln t="tln" n="1673"/>
      <lem>else</lem>
      <level n="1">no-one else matters.</level>
   </note>
    <note>
      <ln t="tln" n="1674"/>
      <lem>steeled</lem>
      <level n="1">hardened.</level>
   </note>
    <note>
      <ln t="tln" n="1676"/>
      <lem>sense</lem>
      <level n="1">the hearing--adders (snakes) were supposed to be deaf.</level>
   </note>
    <note>
      <ln t="tln" n="1683"/>
      <lem>about</lem>
      <level n="1">the part of me that directs my actions.</level>
   </note>
    <note>
      <ln t="tln" n="1685"/>
      <lem>out;</lem>
      <level n="1">it seems to see, but is not functioning.</level>
   </note>
    <note>
      <ln t="tln" n="1687"/>
      <lem>latch;</lem>
      <level n="1">perceive.</level>
   </note>
    <note>
      <ln t="tln" n="1688"/>
      <lem>objects</lem>
      <level n="1">its living surroundings.</level>
   </note>
    <note>
      <ln t="tln" n="1690"/>
      <lem>if it</lem>
      <level n="1">the eye.</level>
   </note>
    <note>
      <ln t="tln" n="1695"/>
      <lem>untrue.</lem>
      <level n="1">my mind, being true to you, makes my perception false.</level>
   </note>
    <note>
      <ln t="tln" n="1697"/>
      <lem>whether</lem>
      <level n="1">either (connected to the same phrase two lines later).</level>
   </note>
    <note>
      <ln t="tln" n="1700"/>
      <lem>alchemy,</lem>
      <level n="1">capacity to convert the ugly to beauty, as the alchemists changed base metal to gold.</level>
   </note>
    <note>
      <ln t="tln" n="1701"/>
      <lem>indigest</lem>
      <level n="1">formless.</level>
   </note>
    <note>
      <ln t="tln" n="1702"/>
      <lem>cherubins</lem>
      <level n="1">angels.</level>
   </note>
    <note>
      <ln t="tln" n="1704"/>
      <lem>beams</lem>
      <level n="1">his "eyebeams".</level>
   </note>
    <note>
      <ln t="tln" n="1707"/>
      <lem>gust</lem>
      <level n="1">taste</level>
   </note>
    <note>
      <ln t="tln" n="1716"/>
      <lem>accidents</lem>
      <level n="1">time, which both counts and provides an ultimate reckoning, and its countless unforeseen circumstances.</level>
   </note>
    <note>
      <ln t="tln" n="1718"/>
      <lem>Tan</lem>
      <level n="1">darken, as with age, or exposure to the sun.</level>
   </note>
    <note>
      <ln t="tln" n="1719"/>
      <lem>things;</lem>
      <level n="1">Time causes even the strong-minded to change according to altered circumstances.</level>
   </note>
    <note>
      <ln t="tln" n="1722"/>
      <lem>incertainty,</lem>
      <level n="1">certain in the face of the uncertain future.</level>
   </note>
    <note>
      <ln t="tln" n="1724"/>
      <lem>babe;</lem>
      <level n="1">as figured in Cupid.</level>
   </note>
    <note>
      <ln t="tln" n="1728"/>
      <lem>impediments;</lem>
      <level n="1">allow problems; the word echoes the marriage service in the Book of Common Prayer.</level>
   </note>
    <note>
      <ln t="tln" n="1729"/>
      <lem>finds,</lem>
      <level n="1">when it finds change in the object of love.</level>
   </note>
    <note>
      <ln t="tln" n="1730"/>
      <lem>remove.</lem>
      <level n="1">the remover here is possibly disease or misfortune.</level>
   </note>
    <note>
      <ln t="tln" n="1733"/>
      <lem>bark,</lem>
      <level n="1">ship.</level>
   </note>
    <note>
      <ln t="tln" n="1734"/>
      <lem>taken.</lem>
      <level n="1">The elevation of the (North) star is known, but not its value.</level>
   </note>
    <note>
      <ln t="tln" n="1736"/>
      <lem>sickle's</lem>
      <level n="1">The sickle, used for reaping, is a symbol of the passage of time.</level>
   </note>
    <note>
      <ln t="tln" n="1742"/>
      <lem>scanted</lem>
      <level n="1">neglected.</level>
   </note>
    <note>
      <ln t="tln" n="1743"/>
      <lem>deserts</lem>
      <level n="1">deservings</level>
   </note>
    <note>
      <ln t="tln" n="1746"/>
      <lem>frequent</lem>
      <level n="1">familiar.</level>
   </note>
    <note>
      <ln t="tln" n="1750"/>
      <lem>Book</lem>
      <level n="1">record.</level>
   </note>
    <note>
      <ln t="tln" n="1751"/>
      <lem>accumulate;</lem>
      <level n="1">add suspicion to proof.</level>
   </note>
    <note>
      <ln t="tln" n="1752"/>
      <lem>level</lem>
      <level n="1">aim. The metaphor is from archery, as in the following line.</level>
   </note>
    <note>
      <ln t="tln" n="1754"/>
      <lem>appeal</lem>
      <level n="1">as in a legal appeal of a verdict.</level>
   </note>
    <note>
      <ln t="tln" n="1757"/>
      <lem>Like as</lem>
      <level n="1">just as.</level>
   </note>
    <note>
      <ln t="tln" n="1758"/>
      <lem>compounds</lem>
      <level n="1">sharp-flavored spices.</level>
   </note>
    <note>
      <ln t="tln" n="1760"/>
      <lem>purge;</lem>
      <level n="1">take medicines to purge (by induced vomiting or diarrhea). The medical metaphor is extended over the next lines.</level>
   </note>
    <note>
      <ln t="tln" n="1763"/>
      <lem>meetness</lem>
      <level n="1">appropriateness.</level>
   </note>
    <note>
      <ln t="tln" n="1765"/>
      <lem>policy</lem>
      <level n="1">strategy.</level>
   </note>
    <note>
      <ln t="tln" n="1768"/>
      <lem>goodness,</lem>
      <level n="1">overfed with good (health).</level>
   </note>
    <note>
      <ln t="tln" n="1770"/>
      <lem>Drugs</lem>
      <level n="1">medicines</level>
   </note>
    <note>
      <ln t="tln" n="1772"/>
      <lem>siren</lem>
      <level n="1">tempting. The Sirens sang songs so beautiful that they bewitched sailors such that they were wrecked on the neighboring rocks; there may be a suggestion of an affair.</level>
   </note>
    <note>
      <ln t="tln" n="1773"/>
      <lem>limbecks</lem>
      <level n="1">apparatus used for distillation; the beauty of the perfume distilled is contrasted with the ugliness of the still.</level>
   </note>
    <note>
      <ln t="tln" n="1775"/>
      <lem>Still</lem>
      <level n="1">continually.</level>
   </note>
    <note>
      <ln t="tln" n="1778"/>
      <lem>fitted</lem>
      <level n="1">have bulged (in the fever).</level>
   </note>
    <note>
      <ln t="tln" n="1787"/>
      <lem>befriends</lem>
      <level n="1">makes me feel better.</level>
   </note>
    <note>
      <ln t="tln" n="1789"/>
      <lem>bow,</lem>
      <level n="1">I must feel the weight of the wrong I have committed.</level>
   </note>
    <note>
      <ln t="tln" n="1793"/>
      <lem>taken</lem>
      <level n="1">have not taken the time.</level>
   </note>
    <note>
      <ln t="tln" n="1794"/>
      <lem>weigh</lem>
      <level n="1">consider.</level>
   </note>
    <note>
      <ln t="tln" n="1795"/>
      <lem>remembered</lem>
      <level n="1">reminded.</level>
   </note>
    <note>
      <ln t="tln" n="1797"/>
      <lem>tendered</lem>
      <level n="1">offered.</level>
   </note>
    <note>
      <ln t="tln" n="1798"/>
      <lem>salve</lem>
      <level n="1">medicinal ointment.</level>
   </note>
    <note>
      <ln t="tln" n="1799"/>
      <lem>trespass</lem>
      <level n="1">the earlier indiscretion.</level>
   </note>
    <note>
      <ln t="tln" n="1805"/>
      <lem>seeing.</lem>
      <level n="1">One might as well behave badly, and have the fun of doing so, if others are going to assume that you have been indiscreet.</level>
   </note>
    <note>
      <ln t="tln" n="1806"/>
      <lem>eyes</lem>
      <level n="1">the others' eyes judge by their own falseness.</level>
   </note>
    <note>
      <ln t="tln" n="1807"/>
      <lem>blood?</lem>
      <level n="1">spontaneous moods, or passions.</level>
   </note>
    <note>
      <ln t="tln" n="1810"/>
      <lem>level</lem>
      <level n="1">aim.</level>
   </note>
    <note>
      <ln t="tln" n="1812"/>
      <lem>bevel.</lem>
      <level n="1">biased.</level>
   </note>
    <note>
      <ln t="tln" n="1813"/>
      <lem>rank</lem>
      <level n="1">decaying, foul.</level>
   </note>
    <note>
      <ln t="tln" n="1817"/>
      <lem>tables,</lem>
      <level n="1">book of memorandums, journal.</level>
   </note>
    <note>
      <ln t="tln" n="1818"/>
      <lem>charactered</lem>
      <level n="1">written.</level>
   </note>
    <note>
      <ln t="tln" n="1819"/>
      <lem>rank</lem>
      <level n="1">the pages of the book (less important than the actual memories).</level>
   </note>
    <note>
      <ln t="tln" n="1823"/>
      <lem>each</lem>
      <level n="1">both heart and brain.</level>
   </note>
    <note>
      <ln t="tln" n="1825"/>
      <lem>retention</lem>
      <level n="1">the book itself.</level>
   </note>
    <note>
      <ln t="tln" n="1826"/>
      <lem>score;</lem>
      <level n="1">The metaphor is of sticks marked to keep score of money owing.</level>
   </note>
    <note>
      <ln t="tln" n="1830"/>
      <lem>import</lem>
      <level n="1">imply.</level>
   </note>
    <note>
      <ln t="tln" n="1833"/>
      <lem>might,</lem>
      <level n="1">These newer pyramids may refer to structures built in London to welcome James I in 1603.</level>
   </note>
    <note>
      <ln t="tln" n="1836"/>
      <lem>brief,</lem>
      <level n="1">life is short.</level>
   </note>
    <note>
      <ln t="tln" n="1837"/>
      <lem>thou</lem>
      <level n="1">time.</level>
   </note>
    <note>
      <ln t="tln" n="1840"/>
      <lem>registers</lem>
      <level n="1">records.</level>
   </note>
    <note>
      <ln t="tln" n="1847"/>
      <lem>love</lem>
      <level n="1">in this case, the emotion of love, not the person the poem is directed to.</level>
   </note>
    <note>
      <ln t="tln" n="1848"/>
      <lem>unfathered,</lem>
      <level n="1">it might be considered the illegitimate result of chance.</level>
   </note>
    <note>
      <ln t="tln" n="1852"/>
      <lem>pomp,</lem>
      <level n="1">comfortable luxury.</level>
   </note>
    <note>
      <ln t="tln" n="1853"/>
      <lem>discontent,</lem>
      <level n="1">the discontent of those oppressed.</level>
   </note>
    <note>
      <ln t="tln" n="1854"/>
      <lem>calls:</lem>
      <level n="1">which the current times see as fashionable.</level>
   </note>
    <note>
      <ln t="tln" n="1855"/>
      <lem>policy,</lem>
      <level n="1">pragmatic self-interest (which does not take the long view).</level>
   </note>
    <note>
      <ln t="tln" n="1857"/>
      <lem>politic,</lem>
      <level n="1">prudent.</level>
   </note>
    <note>
      <ln t="tln" n="1858"/>
      <lem>nor</lem>
      <level n="1">neither.</level>
   </note>
    <note>
      <ln t="tln" n="1859"/>
      <lem>time,</lem>
      <level n="1">those who live only for the present.</level>
   </note>
    <note>
      <ln t="tln" n="1862"/>
      <lem>aught</lem>
      <level n="1">did it matter.</level>
   </note>
    <note>
      <ln t="tln" n="1863"/>
      <lem>honoring,</lem>
      <level n="1">acknowledging external honor.</level>
   </note>
    <note>
      <ln t="tln" n="1864"/>
      <lem>bases</lem>
      <level n="1">plans.</level>
   </note>
    <note>
      <ln t="tln" n="1866"/>
      <lem>favor</lem>
      <level n="1">external forms and currying favor.</level>
   </note>
    <note>
      <ln t="tln" n="1867"/>
      <lem>rent,</lem>
      <level n="1">attention.</level>
   </note>
    <note>
      <ln t="tln" n="1868"/>
      <lem>savor,</lem>
      <level n="1">ignoring simple tastes in favor of excessive sweetness.</level>
   </note>
    <note>
      <ln t="tln" n="1869"/>
      <lem>spent?</lem>
      <level n="1">pitiful spendthrifts, bankrupted in their excessive admiration (of those they seek to impress).</level>
   </note>
    <note>
      <ln t="tln" n="1870"/>
      <lem>obsequious</lem>
      <level n="1">devoted.</level>
   </note>
    <note>
      <ln t="tln" n="1871"/>
      <lem>oblation,</lem>
      <level n="1">offering (the term is used in a religious context).</level>
   </note>
    <note>
      <ln t="tln" n="1872"/>
      <lem>seconds,</lem>
      <level n="1">is not adulterated.</level>
   </note>
    <note>
      <ln t="tln" n="1873"/>
      <lem>render,</lem>
      <level n="1">rendering, exchange.</level>
   </note>
    <note>
      <ln t="tln" n="1874"/>
      <lem>informer,</lem>
      <level n="1">bribed witness (presumably the person who accused the Poet of flattery).</level>
   </note>
    <note>
      <ln t="tln" n="1876"/>
      <lem>126</lem>
      <level n="1">This "sonnet" consists of six couplets, and concludes the first section, of poems presumably addressed to the Youth.</level>
   </note>
    <note>
      <ln t="tln" n="1878"/>
      <lem>glass,</lem>
      <level n="1">hourglass.</level>
   </note>
    <note>
      <ln t="tln" n="1879"/>
      <lem>grown,</lem>
      <level n="1">grown (in beauty) by getting older.</level>
   </note>
    <note>
      <ln t="tln" n="1881"/>
      <lem>wrack,</lem>
      <level n="1">decay.</level>
   </note>
    <note>
      <ln t="tln" n="1882"/>
      <lem>still</lem>
      <level n="1">continually.</level>
   </note>
    <note>
      <ln t="tln" n="1885"/>
      <lem>minion</lem>
      <level n="1">favorite.</level>
   </note>
    <note>
      <ln t="tln" n="1886"/>
      <lem>still</lem>
      <level n="1">forever.</level>
   </note>
    <note>
      <ln t="tln" n="1887"/>
      <lem>audit,</lem>
      <level n="1">the traditional reckoning at death.</level>
   </note>
    <note>
      <ln t="tln" n="1888"/>
      <lem>quietus</lem>
      <level n="1">final settlement.</level>
   </note>
    <note>
      <ln t="tln" n="1891"/>
      <lem>127</lem>
      <level n="1">This is the first of the poems written to the dark woman.</level>
   </note>
    <note>
      <ln t="tln" n="1892"/>
      <lem>age</lem>
      <level n="1">olden days (of traditional, Petrarchan love poetry).</level>
   </note>
    <note>
      <ln t="tln" n="1894"/>
      <lem>heir,</lem>
      <level n="1">proclaimed heir to the name of beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1895"/>
      <lem>beauty</lem>
      <level n="1">previous (fair/blonde) beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1897"/>
      <lem>face,</lem>
      <level n="1">the use of artificial makeup.</level>
   </note>
    <note>
      <ln t="tln" n="1898"/>
      <lem>bower,</lem>
      <level n="1">no place of refuge.</level>
   </note>
    <note>
      <ln t="tln" n="1903"/>
      <lem>esteem.</lem>
      <level n="1">bringing naturally created beauty into disrespect by their artificial good looks.</level>
   </note>
    <note>
      <ln t="tln" n="1904"/>
      <lem>they</lem>
      <level n="1">her eyes.</level>
   </note>
    <note>
      <ln t="tln" n="1906"/>
      <lem>128</lem>
      <level n="1">In this sonnet, the dark woman is playing on a virginal or early harpsichord.</level>
   </note>
    <note>
      <ln t="tln" n="1907"/>
      <lem>music,</lem>
      <level n="1">his mistress.</level>
   </note>
    <note>
      <ln t="tln" n="1908"/>
      <lem>wood</lem>
      <level n="1">the keyboard.</level>
   </note>
    <note>
      <ln t="tln" n="1910"/>
      <lem>concord</lem>
      <level n="1">the harmony of the strings.</level>
   </note>
    <note>
      <ln t="tln" n="1911"/>
      <lem>jacks</lem>
      <level n="1">technically, the device that plucks the string when the key is depressed; here more likely a reference to the keys themselves (see the pun in the penultimate line).</level>
   </note>
    <note>
      <ln t="tln" n="1916"/>
      <lem>chips,</lem>
      <level n="1">the keys (chips of wood).</level>
   </note>
    <note>
      <ln t="tln" n="1919"/>
      <lem>jacks</lem>
      <level n="1">punningly for cheeky knaves.</level>
   </note>
    <note>
      <ln t="tln" n="1921"/>
      <lem>129</lem>
      <level n="1">This deeply troubling sonnet recalls the difficult sexual world of <i xmlns="http://www.w3.org/1999/xhtml">Troilus and Cressida</i> and <i xmlns="http://www.w3.org/1999/xhtml">Measure for Measure</i>
      </level>
   </note>
    <note>
      <ln t="tln" n="1922"/>
      <lem>spirit</lem>
      <level n="1">vital spirits; the orgasm was seen as spending vital energy.</level>
   </note>
    <note>
      <ln t="tln" n="1936"/>
      <lem>130</lem>
      <level n="1">In this sonnet, the Poet mocks the tradition of Petrarchan verse with its ideal of fair haired beauty.</level>
   </note>
    <note>
      <ln t="tln" n="1939"/>
      <lem>dun;</lem>
      <level n="1">beige.</level>
   </note>
    <note>
      <ln t="tln" n="1940"/>
      <lem>wires,</lem>
      <level n="1">HGolden) wires.</level>
   </note>
    <note>
      <ln t="tln" n="1941"/>
      <lem>damasked,</lem>
      <level n="1">variegated.</level>
   </note>
    <note>
      <ln t="tln" n="1947"/>
      <lem>goddess go--</lem>
      <level n="1">walk.</level>
   </note>
    <note>
      <ln t="tln" n="1952"/>
      <lem>art,</lem>
      <level n="1">just as you are: dark.</level>
   </note>
    <note>
      <ln t="tln" n="1961"/>
      <lem>but</lem>
      <level n="1">only by.</level>
   </note>
    <note>
      <ln t="tln" n="1962"/>
      <lem>neck</lem>
      <level n="1">one after another.</level>
   </note>
    <note>
      <ln t="tln" n="1968"/>
      <lem>torment</lem>
      <level n="1">to torment.</level>
   </note>
    <note>
      <ln t="tln" n="1970"/>
      <lem>ruth</lem>
      <level n="1">pity.</level>
   </note>
    <note>
      <ln t="tln" n="1972"/>
      <lem>becomes</lem>
      <level n="1">suits.</level>
   </note>
    <note>
      <ln t="tln" n="1976"/>
      <lem>beseem</lem>
      <level n="1">be appropriate for.</level>
   </note>
    <note>
      <ln t="tln" n="1978"/>
      <lem>suit</lem>
      <level n="1">dress.</level>
   </note>
    <note>
      <ln t="tln" n="1981"/>
      <lem>133</lem>
      <level n="1">The next two sonnets suggest that the dark woman has had an affair with a friend, possibly the youth. See also sonnet 144.</level>
   </note>
    <note>
      <ln t="tln" n="1982"/>
      <lem>Beshrew</lem>
      <level n="1">curse.</level>
   </note>
    <note>
      <ln t="tln" n="1985"/>
      <lem>slavery</lem>
      <level n="1">totally enslaved.</level>
   </note>
    <note>
      <ln t="tln" n="1987"/>
      <lem>self</lem>
      <level n="1">his friend.</level>
   </note>
    <note>
      <ln t="tln" n="1989"/>
      <lem>crossed.</lem>
      <level n="1">suffered.</level>
   </note>
    <note>
      <ln t="tln" n="1990"/>
      <lem>ward;</lem>
      <level n="1">cell.</level>
   </note>
    <note>
      <ln t="tln" n="1994"/>
      <lem>pent</lem>
      <level n="1">imprisoned.</level>
   </note>
    <note>
      <ln t="tln" n="1998"/>
      <lem>will,</lem>
      <level n="1">(1) wishes, (2) sexual appetite.</level>
   </note>
    <note>
      <ln t="tln" n="1999"/>
      <lem>mine</lem>
      <level n="1">the youth.</level>
   </note>
    <note>
      <ln t="tln" n="2003"/>
      <lem>write</lem>
      <level n="1">as in providing a bond for bail.</level>
   </note>
    <note>
      <ln t="tln" n="2006"/>
      <lem>use,</lem>
      <level n="1">to gain interest.</level>
   </note>
    <note>
      <ln t="tln" n="2011"/>
      <lem>135</lem>
      <level n="1">the next two sonnets make much of punning on Shakespeare's name, Will, associating it with the term will as applied to sexual desire, passion, and free will.</level>
   </note>
    <note>
      <ln t="tln" n="2015"/>
      <lem>thus.</lem>
      <level n="1">(by adding myself.)</level>
   </note>
    <note>
      <ln t="tln" n="2017"/>
      <lem>thine?</lem>
      <level n="1">As the modern slang term <i xmlns="http://www.w3.org/1999/xhtml">willy</i> suggests, there is a sexual pun.</level>
   </note>
    <note>
      <ln t="tln" n="2024"/>
      <lem>kill;</lem>
      <level n="1">(1) let no unkind act disappoint those who seek your favors, (2) let no unkind "no" disappoint them.</level>
   </note>
    <note>
      <ln t="tln" n="2027"/>
      <lem>check</lem>
      <level n="1">rebuke.</level>
   </note>
    <note>
      <ln t="tln" n="2028"/>
      <lem>blind</lem>
      <level n="1">the soul, unreceptive to the senses.</level>
   </note>
    <note>
      <ln t="tln" n="2031"/>
      <lem>treasure</lem>
      <level n="1">fill the treasury (with sexual suggestion).</level>
   </note>
    <note>
      <ln t="tln" n="2033"/>
      <lem>receipt</lem>
      <level n="1">great capacity (suggesting that she has many like him).</level>
   </note>
    <note>
      <ln t="tln" n="2034"/>
      <lem>none.</lem>
      <level n="1">a single one is trivial; the Elizabethan saying was "one is no number".</level>
   </note>
    <note>
      <ln t="tln" n="2037"/>
      <lem>me,</lem>
      <level n="1">consider me to be nothing.</level>
   </note>
    <note>
      <ln t="tln" n="2042"/>
      <lem>Love,</lem>
      <level n="1">cupid, traditionally portrayed as blind.</level>
   </note>
    <note>
      <ln t="tln" n="2046"/>
      <lem>over-partial</lem>
      <level n="1">biased.</level>
   </note>
    <note>
      <ln t="tln" n="2047"/>
      <lem>ride,</lem>
      <level n="1">The metaphor is of a ship in a busy harbor; the suggestion is that the mistress is profligate.</level>
   </note>
    <note>
      <ln t="tln" n="2050"/>
      <lem>several</lem>
      <level n="1">separate, individual.</level>
   </note>
    <note>
      <ln t="tln" n="2056"/>
      <lem>138</lem>
      <level n="1">This subtle and ironic poem treats the mutual falsehoods of the writer and the dark woman with a light touch.</level>
   </note>
    <note>
      <ln t="tln" n="2061"/>
      <lem>thinking</lem>
      <level n="1">in vain; also self-deceivingly.</level>
   </note>
    <note>
      <ln t="tln" n="2063"/>
      <lem>credit</lem>
      <level n="1">foolishly I believe.</level>
   </note>
    <note>
      <ln t="tln" n="2065"/>
      <lem>wherefore</lem>
      <level n="1">why.</level>
   </note>
    <note>
      <ln t="tln" n="2068"/>
      <lem>told.</lem>
      <level n="1">counted up, totaled.</level>
   </note>
    <note>
      <ln t="tln" n="2069"/>
      <lem>lie</lem>
      <level n="1">(1) tell lies, (2) sleep with.</level>
   </note>
    <note>
      <ln t="tln" n="2073"/>
      <lem>heart;</lem>
      <level n="1">Do not ask me to rationalize your falseness. Compare the writer's ready excuses for the youth's behavior.</level>
   </note>
    <note>
      <ln t="tln" n="2075"/>
      <lem>art.</lem>
      <level n="1">Be direct, not artful.</level>
   </note>
    <note>
      <ln t="tln" n="2080"/>
      <lem>thee:</lem>
      <level n="1">so he does rationalize her behavior after all.</level>
   </note>
    <note>
      <ln t="tln" n="2081"/>
      <lem>looks</lem>
      <level n="1">at others.</level>
   </note>
    <note>
      <ln t="tln" n="2090"/>
      <lem>pity-wanting</lem>
      <level n="1">(1) unpitied, (2) pity-desiring.</level>
   </note>
    <note>
      <ln t="tln" n="2092"/>
      <lem>so,</lem>
      <level n="1">to tell me that you love me, even if you do not.</level>
   </note>
    <note>
      <ln t="tln" n="2093"/>
      <lem>testy</lem>
      <level n="1">irritable.</level>
   </note>
    <note>
      <ln t="tln" n="2097"/>
      <lem>ill-wresting</lem>
      <level n="1">twisting everything to the worst meaning possible.</level>
   </note>
    <note>
      <ln t="tln" n="2100"/>
      <lem>straight,</lem>
      <level n="1">again the image of the roving eye.</level>
   </note>
    <note>
      <ln t="tln" n="2105"/>
      <lem>dote.</lem>
      <level n="1">love foolishly.</level>
   </note>
    <note>
      <ln t="tln" n="2107"/>
      <lem>prone,</lem>
      <level n="1">nor is my sense of touch attracted to you.</level>
   </note>
    <note>
      <ln t="tln" n="2110"/>
      <lem>wits,</lem>
      <level n="1">The five wits were these: common sense, imagination, fantasy, judgment, and memory.</level>
   </note>
    <note>
      <ln t="tln" n="2112"/>
      <lem>man,</lem>
      <level n="1">(the heart) leaves him with no control, and thus only a shell of a person.</level>
   </note>
    <note>
      <ln t="tln" n="2117"/>
      <lem>hate,</lem>
      <level n="1">Her strength is to hate him--a virtue since he is sinning in loving her.</level>
   </note>
    <note>
      <ln t="tln" n="2122"/>
      <lem>ornaments,</lem>
      <level n="1">lips, but also the red seal that makes a legal document (bond) valid.</level>
   </note>
    <note>
      <ln t="tln" n="2124"/>
      <lem>rents.</lem>
      <level n="1">committed adultery with others (stealing the husbands' love--and semen--from their wives).</level>
   </note>
    <note>
      <ln t="tln" n="2126"/>
      <lem>importune</lem>
      <level n="1">beg of.</level>
   </note>
    <note>
      <ln t="tln" n="2128"/>
      <lem>deserve</lem>
      <level n="1">make you deserving.</level>
   </note>
    <note>
      <ln t="tln" n="2129"/>
      <lem>hide,</lem>
      <level n="1">the pity she is withholding.</level>
   </note>
    <note>
      <ln t="tln" n="2131"/>
      <lem>143</lem>
      <level n="1">one of the few comic touches in the sequence, this sonnet pictures the Poet as a crying child running after its mother.</level>
   </note>
    <note>
      <ln t="tln" n="2133"/>
      <lem>creatures</lem>
      <level n="1">hens or geese.</level>
   </note>
    <note>
      <ln t="tln" n="2145"/>
      <lem>still.</lem>
      <level n="1">soothe.</level>
   </note>
    <note>
      <ln t="tln" n="2146"/>
      <lem>144</lem>
      <level n="1">This deeply bitter sonnet is usually taken as confirmation of an affair between the dark woman and the youth.</level>
   </note>
    <note>
      <ln t="tln" n="2147"/>
      <lem>despair,</lem>
      <level n="1">one comforting (the youth), one creating despair (the dark woman).</level>
   </note>
    <note>
      <ln t="tln" n="2148"/>
      <lem>suggest</lem>
      <level n="1">tempt. The writer imagines the two loves like good and evil angel, each trying to win him over.</level>
   </note>
    <note>
      <ln t="tln" n="2155"/>
      <lem>fiend</lem>
      <level n="1">has fallen (as the rebellious angels fell from Heaven).</level>
   </note>
    <note>
      <ln t="tln" n="2157"/>
      <lem>me,</lem>
      <level n="1">away from.</level>
   </note>
    <note>
      <ln t="tln" n="2158"/>
      <lem>hell.</lem>
      <level n="1">with sexual suggestion of intercourse.</level>
   </note>
    <note>
      <ln t="tln" n="2160"/>
      <lem>fire</lem>
      <level n="1">The implication may be that the dark woman will pass on a sexually transmitted disease.</level>
   </note>
    <note>
      <ln t="tln" n="2161"/>
      <lem>145</lem>
      <level n="1">Written in shorter, octosyllabic lines, this sonnet may be from an earlier period in Shakespeare's life. There is a probable pun on Hathaway in the penultimate line: "'I hate' from 'hate' away she threw."</level>
   </note>
    <note>
      <ln t="tln" n="2168"/>
      <lem>doom,</lem>
      <level n="1">passing a mild sentence.</level>
   </note>
    <note>
      <ln t="tln" n="2176"/>
      <lem>146</lem>
      <level n="1">another unique sonnet, in its focus on spiritual questions.</level>
   </note>
    <note>
      <ln t="tln" n="2177"/>
      <lem>earth,</lem>
      <level n="1">body.</level>
   </note>
    <note>
      <ln t="tln" n="2178"/>
      <lem>Thrall to</lem>
      <level n="1">These words are one of a number of conjectured emendations; the original repeats the words "my sinful earth" from the previous line.</level>
   </note>
    <note>
      <ln t="tln" n="2180"/>
      <lem>gay?</lem>
      <level n="1">while there is famine (dearth) within, he dresses his body in fine clothes.</level>
   </note>
    <note>
      <ln t="tln" n="2182"/>
      <lem>mansion</lem>
      <level n="1">his short-lived, physical body.</level>
   </note>
    <note>
      <ln t="tln" n="2185"/>
      <lem>servant's</lem>
      <level n="1">the body's.</level>
   </note>
    <note>
      <ln t="tln" n="2187"/>
      <lem>dross,</lem>
      <level n="1">trade worthless hours spend on pleasure (dross) for time (terms) in heaven.</level>
   </note>
    <note>
      <ln t="tln" n="2195"/>
      <lem>Th'uncertain</lem>
      <level n="1">finicky.</level>
   </note>
    <note>
      <ln t="tln" n="2198"/>
      <lem>desperate</lem>
      <level n="1">crazed, irrational.</level>
   </note>
    <note>
      <ln t="tln" n="2199"/>
      <lem>except.</lem>
      <level n="1">forbid.</level>
   </note>
    <note>
      <ln t="tln" n="2208"/>
      <lem>correspondence</lem>
      <level n="1">accurate connection with.</level>
   </note>
    <note>
      <ln t="tln" n="2210"/>
      <lem>censures</lem>
      <level n="1">judges.</level>
   </note>
    <note>
      <ln t="tln" n="2216"/>
      <lem>watching</lem>
      <level n="1">staying awake.</level>
   </note>
    <note>
      <ln t="tln" n="2223"/>
      <lem>partake?</lem>
      <level n="1">take your side against myself.</level>
   </note>
    <note>
      <ln t="tln" n="2228"/>
      <lem>lour'st</lem>
      <level n="1">frownest.</level>
   </note>
    <note>
      <ln t="tln" n="2229"/>
      <lem>moan?</lem>
      <level n="1">immediate complaint.</level>
   </note>
    <note>
      <ln t="tln" n="2230"/>
      <lem>respect</lem>
      <level n="1">value.</level>
   </note>
    <note>
      <ln t="tln" n="2238"/>
      <lem>insufficiency</lem>
      <level n="1">shortcomings.</level>
   </note>
    <note>
      <ln t="tln" n="2240"/>
      <lem>brightness</lem>
      <level n="1">fair beauty (since she is dark, and associated with night).</level>
   </note>
    <note>
      <ln t="tln" n="2241"/>
      <lem>becoming</lem>
      <level n="1">making attractive.</level>
   </note>
    <note>
      <ln t="tln" n="2243"/>
      <lem>warrantise</lem>
      <level n="1">assurance.</level>
   </note>
    <note>
      <ln t="tln" n="2244"/>
      <lem>exceeds?</lem>
      <level n="1">Your worst exceeds all that is best.</level>
   </note>
    <note>
      <ln t="tln" n="2252"/>
      <lem>young</lem>
      <level n="1">Cupid is figured as a child.</level>
   </note>
    <note>
      <ln t="tln" n="2253"/>
      <lem>conscience</lem>
      <level n="1">guilty conscience; knowledge of sexuality and the attendant sin.</level>
   </note>
    <note>
      <ln t="tln" n="2257"/>
      <lem>part</lem>
      <level n="1">soul.</level>
   </note>
    <note>
      <ln t="tln" n="2260"/>
      <lem>rising</lem>
      <level n="1">as in an erection (the pun continues in the following lines).</level>
   </note>
    <note>
      <ln t="tln" n="2261"/>
      <lem>Proud of</lem>
      <level n="1">swollen with.</level>
   </note>
    <note>
      <ln t="tln" n="2267"/>
      <lem>forsworn,</lem>
      <level n="1">faithless.</level>
   </note>
    <note>
      <ln t="tln" n="2281"/>
      <lem>153</lem>
      <level n="1">The final two sonnets, to Cupid, seem to be from an earlier period in Shakespeare's career.</level>
   </note>
    <note>
      <ln t="tln" n="2282"/>
      <lem>brand,</lem>
      <level n="1">a torch (we still use the term); there is also a sexual suggestion in the image.</level>
   </note>
    <note>
      <ln t="tln" n="2283"/>
      <lem>Dian's</lem>
      <level n="1">goddess of the moon and chastity.</level>
   </note>
    <note>
      <ln t="tln" n="2285"/>
      <lem>ground,</lem>
      <level n="1">in that area.</level>
   </note>
    <note>
      <ln t="tln" n="2288"/>
      <lem>seething</lem>
      <level n="1">heated (literally boiling).</level>
   </note>
    <note>
      <ln t="tln" n="2289"/>
      <lem>sovereign</lem>
      <level n="1">highly effective.</level>
   </note>
    <note>
      <ln t="tln" n="2291"/>
      <lem>trial</lem>
      <level n="1">to test the re-lit torch.</level>
   </note>
    <note>
      <ln t="tln" n="2293"/>
      <lem>hied,</lem>
      <level n="1">hurried.</level>
   </note>
    <note>
      <ln t="tln" n="2301"/>
      <lem>votary</lem>
      <level n="1">vowed to chastity.</level>
   </note>
    <note>
      <ln t="tln" n="2303"/>
      <lem>general</lem>
      <level n="1">organizer, Cupid.</level>
   </note>
</app>