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About this text

  • Title: SQM Performance Bibliography
  • Author: Peter Cockett
  • Textual editors: Andrew Griffin, Helen Ostovich
  • Coordinating editor: Michael Best
  • Production editor: Peter Cockett

  • Copyright Peter Cockett. This text may be freely used for educational, non-profit purposes; for all other uses contact the Editor.
    Author: Peter Cockett
    Not Peer Reviewed

    SQM Performance Bibliography

    1. 1Bloom, Harold. Shakespeare: the Invention of the Human. New York: Riverhead Books, 1998.
    2. Cockett, Peter. "An Experiment in Elizabethan Comedy." The Shakespeare and the Queen's Men Project. Glen Morris Studio. January 2006.
    3. ---."The Ghost of Dick Tarlton, Gentleman." The Queen's Men Seminar. Shakespeare Association of America. April 2009.
    4. ---. Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Vice, and Tarlton the Clown. University of Toronto. Unpublished dissertation, 2001.
    5. 5---. "Performing Natural Folly: The Jests of Lean Leanard and the Touchstones of Robert Armin and David Tennant." New Theatre Quarterly. 22.2 (May 2006): 141-154.
    6. ---. "Performing the Queen's Men: A Project in Theatre Historiography." Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Ashgate: Farnham, 2009, 229-242.
    7. Cushman, Robert. "Play Descends into Skid Row." National Post. Web. Accessed online Nov 12, 2014. No pagination.
    8. ---. "The Difficulties of Love Times Three." National Post. Web. Accessed online Feb 11, 2015. No pagination.
    9. Dessen, Alan C. Recovering Shakespeare's Theatrical Vocabulary. Cambridge; New York: Cambridge University Press, 1995.
    10. 10---. Shakespeare and the Late Moral Plays. Lincoln: University of Nebraska Press, 1986.
    11. ---. Elizabethan Stage Conventions and Modern Interpreters. Cambridge UP, 1984.
    12. ---. "Stage Directions as Evidence: The Question of Provenance." Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Eds. Lois Potter, Arthur F. Kinney, and Barbara Silverstein. Delaware: U of Delaware P--Associated UP, 1999. 229-247.
    13. Dessen, Alan C., and Cockett, Peter. Inside Out: The Persistence of Allegory in Renaissance Performance. Glen Morris Studio. University of Toronto. Graduate Centre for Study of Drama and Poculi Ludique Societas. February 5-7, 2010.
    14. Dessen, Alan C., and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580-1642. Cambridge: Cambridge University Press, 1999.
    15. 15Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin, 1961.
    16. Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self. New York: Routledge, 2005.
    17. Greenblatt, Stephen. Renaissance Self-fashioning: From More to Shakespeare. Chicago: University of Chicago Press, 2005.
    18. Kaplan, Jon. Now Magazine. Jan 25, 2006.
    19. King, Pamela. "Review of [Queen's Men] at McMaster University, 24-29 October, 2006." Early Modern Literary Studies. 13.3 (January, 2008) 20.1-10.
    20. 20Lopez, Jeremy. "A Partial Theory of Original Practice." Shakespeare Survey 61: Shakespeare, Sound, and Screen (2008): 302-317.
    21. McMillin, Scott & MacLean Sally-Beth. The Queen's Men and their Plays. Cambridge: Cambridge University Press, 1998.
    22. Meagher, John C. Shakespeare's Shakespeare: How the Plays Were Made. New York: Continuum, 1997.
    23. ---. Pursuing Shakespeare's Dramaturgy: Some Contexts, Resources, and Strategies in His Playmaking. London: Associated University Press, 2003.
    24. Palfrey, Simon and Stern, Tiffany. Shakespeare in Parts. Oxford: Oxford University Press, 2007.
    25. 25Preston, Thomas. Cambyses: King of Persia. New York: AMS Press, 1970.
    26. Roberts-Smith, Jennifer. "The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583-1624." Early Theatre. 10.1 (2007): 109-144.
    27. Shakespeare, William. Hamlet. Ed. Harold Jenkins. The Arden Shakespeare. London: Routledge, 1982.
    28. Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Oxford University Press, 2000.
    29. Thomson, Peter. "Richard Tarlton." Oxford Dictionary of National Biography. Web. Accessed Feb 4, 2015. No pagination.
    30. 30Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. London: Routeledge, 2001.
    31. ---."The Taming of the Shrew." The Original Shakespeare Company. World Stage Festival. Toronto, Canada, April 25-7, 1996.
    32. White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England. New York: Cambridge University Press, 1993.
    33. Wiles, David. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.