Internet Shakespeare Editions

About this text

  • Title: Cymbeline: Early Modern Culture
  • Author: Jennifer Forsyth
  • Textual editors: James D. Mardock, Eric Rasmussen
  • Coordinating editor: Michael Best

  • Copyright Jennifer Forsyth. This text may be freely used for educational, non-profit purposes; for all other uses contact the Editor.
    Author: Jennifer Forsyth
    Not Peer Reviewed

    Early Modern Culture

    4. Excerpt from "Colin Clout," by John Skelton (1545)

    [This portion from "Colin Clout" represents an attack on the corrupt clergymen who would purportedly focus on the worldly comforts detailed here, demonstrating their failure to resist the temptations of power and wealth, or "worldly wantonness." However, in his depiction of richly-appointed chambers, Skelton also captures the state of luxurious interior furnishings that still existed at the time Shakespeare wrote Cymbeline, and the parallels between the classically-inspired scenes of seduction on the walls in "Colin Clout" and those in Cymbeline suggest a potential critique of Imogen's taste in decorating as unchaste, or at least suggestive.]

    Building royally
    Their mansions curiously{elaborately}
    With turrets and with towers,
    With halls and with bowers,
    Stretching to the stars
    With glass windows and bars;
    Hanging about the walls,
    Cloths of gold and palls{rich, decorative hanging cloths},
    Arras{tapestry} of rich array
    Fresh as flowers in May
    With dame Diana naked,
    How lusty Venus quaked,
    And how Cupid shaked
    His dart and bent his bow
    For to shoot a crow
    At her tirly tirlow{singing},
    And how Paris of Troy
    Danced a lege de moy{the name of a dance},
    Made lusty sport and joy
    With dame Helen the queen,
    With such stories bedene{together};
    Their chambers well be seen{furnished}
    With triumphs of Caesar
    And of his Pompeius' war,
    Of renown and of fame
    By them to get a name.