Toolbox

1. Berry, Ralph. Shakespeare and the Awareness of the Audience. London: Macmillan, 1984.
2. Bridges, Robert Seymour, 1844-1930., et al.. The Influence of the Audience on Shakespeare's Drama. --. New York: Haskell House, 1966.
3. Cartwright, Kent. Shakespearean Tragedy and Its Double: The Rhythms of Audience Response. University Park, Pa: Pennsylvania State University Press, 1991.
4. Cook, Ann Jennalie. The Privileged Playgoers of Shakespeare's London, 1576-1642. Princeton: Princeton University Press, 1981.
5. Dawson, Anthony B, and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge; New York: Cambridge University Press, 2001.
6. Dessen, Alan C. Elizabethan Drama and the Viewer's Eye. Chapel Hill: University of North Carolina Press, 1977.
7. Gosson, Stephen. Playes Confuted in Five Actions. Ed Arthur Freeman. New York: Garland Pub, 1972.
8. Gosson, Stephen. The School of Abuse, 1579. Menston: Scolar Press, 1972.
9. Gosson, Stephen. The Schoole of Abuse, Conteining a Plesaunt Inuectiue against Poets, Pipers, Plaiers, Iesters, and Such Like Caterpillers of a Commonwelth. Amsterdam: Theatrum Orbis Terrarum, 1972.
10. Gurr, Andrew. Playgoing in Shakespeare's London. Cambridge: Cambridge University Press, 1987.
11. Gurr, Andrew. Playgoing in Shakespeare's London. 2nd ed. Cambridge: Cambridge University Press, 1996.
12. Harbage, Alfred. As They Liked It. New York: Macmillan, 1947.
13. Harbage, Alfred. Shakespeare and the Rival Traditions. N. Y.: Macmillan, 1952.
14. Harbage, Alfred. Shakespeare's Audience. New York: Columbia University Press, 1941.
15. Homan, Sidney. Shakespeare's Theater of Presence: Language, Spectacle, and the Audience. Cranbury, N.J: Associated University Presses, 1986.
16. Howard, Jean E. Shakespeare's Art of Orchestration: Stage Technique and Audience Response. Urbana: University of Illinois Press, 1984.
17. Richman, David. Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the Theater. Newark: University of Delaware Press, 1990.
18. Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances 1590-1890. London: Sussex University Press, 1975.
19. Shurgot, Michael W.. Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance. Newark: University of Delaware Press, 1998.
20. Weimann, Robert. Shakespeare and the Popular Tradition in the Theater. Ed Robert Schwartz. Baltimore Md.: Johns Hopkins Press, 1978.

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