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1. Ames-Lewis, Francis and Mary Ruth Rogers, eds.. Concepts of Beauty in Renaissance Art. Aldershot, Hants, England: Ashgate, 1998.
2. Andres, Glenn M, John M. Hunisak, and A. Richard Turner. The Art of Florence. New York: Abbeville Press, 1988. 2 vols.
3. Blomfield, Reginald. A History of Renaissance Architecture in England, 1500-1800. London: George Bell and Sons, 1897. 2 vols.
4. Clark, Kenneth. The Art of Humanism. London: Murray, 1983.
5. Cocks, Anna Somers.Charles Truman. Renaissance Jewels, Gold Boxes, and Objets De Vertu. London: Sotheby Publications, 1984.
6. Cole, Bruce, 1938-. Italian Art, 1250-1550: The Relation of Renaissance Art to Life and Society. New York: Harper & Row, 1987.
7. Coward, Barry. The Stuart Age: A History of England 1603-1714. London: Longman, 1980.
8. Dempsey, Charles. The Portrayal of Love: Botticelli's Primavera and Humanist Culture at the Time of Lorenzo the Magnificent. Princeton, NJ: Princeton University Press, 1992.
9. Denvir, Bernard. From the Middle Ages to the Stuarts: Art, Design, and Society, before 1689. London: Longman, 1988.
10. Evett, David. Literature and the Visual Arts in Tudor England. Athens: University of Georgia Press, 1990.
11. Farmer, Norman K. Poets and the Visual Arts in Renaissance England. Austin: University of Texas Press, 1984.
12. Freedberg, Sydney J. Painting in Italy, 1500 to 1600. 3 ed. New Haven: Yale University Press, 1993.
13. Fritze, Ronald H. and William Baxter Robison, eds.. History Dictionary of Stuart England, 1603-1689. Westport, Conn.: Greenwood Press, 1996.
14. Gaunt, William. Court Painting in England: From Tudor to Victorian Times. London: Constable, 1980.
15. Gent, Lucy. Picture and Poetry 1560-1620: Relations between Literature and the Visual Arts in the English Renaissance. Leamington Spa: J. Hall, 1981.
16. Gent, Lucy, and Nigel Llewellyn, eds. Renaissance Bodies: The Human Figure in English Culture C. 1540-1660. London: Reaktion Books, 1990.
17. Gesner, Konrad (1516-1565). Beasts and Animals in Decorative Woodcuts of the Renaissance. Ed Carol Belanger Grafton. New York: Dover Publications, 1983.
18. Hale, John R. Artists and Warfare in the Renaissance. New Haven: Yale University Press, 1990.
19. Hale, John Rigby. England and the Italian Renaissance: The Growth of Interest in Its History and Art. London: Faber and Faber, 1954.
20. Harris, Eileen, and Nicholas Savage. British Architectural Books and Writers, 1556-1785. Cambridge: Cambridge University Press, 1990.
21. Hay, Denys, ed. The Age of the Renaissance. London: Thames & Hudson, 1986 [1967].
22. Howarth, David. Images of Rule: Art and Politics in the English Renaissance, 1485-1649. Berkeley: University of California Press, 1997.
23. Hulse, Clark. The Rule of Art: Literature and Painting in the Renaissance. Chicago, IL: U of Chicago P, 1990.
24. Johnson, Charles. Religion & Politics: The Renaissance Print in Social Context. Richmond: Marsh Art Gallery, 1999.
25. Kempers, Bram. Painting, Power and Patronage: The Rise of the Professional Artist in the Italian Renaissance. Trans. Beverley Jackson. London: Allen Lane, the Penguin Press, 1992.
26. Lockyer, Roger. The Early Stuarts: A Political History of England, 1603-1642. London and New York: Longman, 1989.
27. Murray, Peter. The Architecture of the Italian Renaissance. London: Thames and Hudson, 1986.
28. Murray, Peter, and Linda Murray. The Art of the Renaissance. Norwich: Thames and Hudson, 1963.
29. Panofsky, Erwin. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. New York: Harper & Row, 1972.
30. Roston, Murray. Renaissance Perspectives in Literature and the Visual Arts. Princeton: Princeton University Press, 1987.
31. Seiler, edited by Clifford Davidson and Thomas H.. The Iconography of Hell. Kalamazoo, Mich: Medieval Institute Publications, Western, 1992.
32. Shirley, John W., and David Hoeniger, eds. Science and the Arts in the Renaissance. Washington, D.C: Folger Books, 1985.
33. Singleton, Edited by Charles S.. Art, Science, and History in the Renaissance. Baltimore: Johns Hopkins Press, 1967.
34. Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. Englewood Cliffs, NJ: Prentice-Hall, 1985.
35. Steadman, John M. Redefining a Period Style: "Renaissance," "Mannerism," and "Baroque" in Literature. Pittsburgh, PA: Duquesne University Press, 1990.
36. Stechow, Wolfgang, ed. Northern Renaissance Art, 1400-1600: Sources and Documents. Englewood Cliffs, NJ: Prentice-Hall, 1966.
37. Strong, Roy. The Elizabethan Image: Painting in England 1540-1620. London: The Tate Gallery, 1969.
38. Strong, Roy. The English Icon: Elizabethan and Jacobean Portraiture. London: Routledge and Kegan Paul, 1969.
39. Sullivan, Margaret A.. Bruegel's Peasants: Art and Audience in the Northern Renaissance. Cambridge: Cambridge University Press, 1994.
40. Tayler, Edward William. Nature and Art in Renaissance Literature. New York: Columbia University Press, 1964.
41. Vallance, Aymer. Art in England During the Elizabethan and Stuart Periods. New York: Thornton-Smith, 19??
42. Verdon, Timothy, and John Henderson, eds. Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento. Syracuse, NY: Syracuse University Press, 1990.
43. Waterhouse, Ellis Kirkham. Painting in Britain, 1530 to 1790. 5th ed. Harmondsworth: Penguin Books, 1994 (1978).
44. Wind, Edgar. The Eloquence of Symbols: Studies in Humanist Art. Ed Jaynie Anderson. Oxford: Clarendon Press, 1983.
45. Wind, Edgar. Pagan Mysteries in the Renaissance. Harmondsworth: Penguin, 1967.

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