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American Shakespeare Center, Love's Labour's Lost. To Jun. 15, 2013.
American Shakespeare Center, Twelfth Night. To Jun. 16, 2013.
American Shakespeare Center, Return to the Forbidden Planet. To Dec. 1, 2013.
Folger Shakespeare Library, Twelfth Night. To Jun. 9, 2013.
American Shakespeare Center, The Duchess of Malfi. To Jun. 15, 2013.
More Performances…
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Twelfth Night: Bibliography

Authors: David Carnegie, Mark Houlahan
Not Peer Reviewed
  1. Allen, Shirley S. Samuel Phelps & Sadler's Wells Theatre. Middletown, Conn.: Wesleyan UP, 1971.
  2. Anderson, Linda. A Kind of Wild Justice: Revenge in Shakespeare's Comedies. Newark: U of Delaware P, 1987.
  3. Arlidge, Anthony. Shakespeare and the Prince of Love: The Feast of Misrule in the Middle Temple. London: Giles de la Mare, 2000.
  4. Armfield, Neil. Dir. Twelfth Night. Australian Film Institute, 1986.
  5. Auden, W.H. Lectures on Shakespeare. Ed. Arthur Kirsch. London: Faber & Faber, 2000.
  6. Barber, C.L. Shakespeare's Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom. 1959. Cleveland & New York: Meridian, 1963.
  7. Barnet, Sylvan. "Charles Lamb and the Tragic Malvolio." Philological Quarterly 33 (1954): 178-188.
  8. Barton, Ann. 'As You Like It and Twelfth Night: Shakespeare's Sense of an Ending', Shakespearean Comedy, Stratford upon Avon Studies 14. London Edward Arnold, 1972. 160-181.
  9. Bate, Jonathan. Soul of the Age: the Life, Mind and World of William Shakespeare. London: Viking, 2008.
  10. Bate, Jonathan and Eric Rasmussen, eds. William Shakespeare: Complete Works. London: MacMillan, 2007.
  11. Belsey, Catherine. "Disrupting Sexual Difference: Meaning and Gender in the Comedies." Alternative Shakespeares. Ed. John Drakakis. New Accents. London: Methuen, 1985. 166-191.
  12. Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time, 1590-1642. Princeton: Princeton UP, 1972.
  13. Billington, Michael. Ed. Directors' Shakespeare: Approaches to Twelfth Night by Bill Alexander, John Barton, John Caird, Terry Hands. London: Nick Hern Books, 1990.
  14. Blake, Ann. "Location, Imagination and Heterotopia in Twelfth Night." Procházka 66-80.
  15. Booth, Stephen. Precious Nonsense: The Gettysburg Address, Ben Jonson's Epitaphs on His Children, and Twelfth Night. Berkeley: U of California P, 1998.
  16. -----."Twelfth Night 1.1: The Audience as Malvolio." Shakespeare's "Rough Magic": Renaissance Essays in Honor of C.L.Barber. Ed. Peter Erickson and Coppélia Kahn. Newark: Delaware U P; London and Toronto: Associated University P, 1985: 149-168.
  17. Bradbrook, Muriel. Shakespeare the Craftsman: the Clark Lectures 1968. Cambridge: Cambridge UP, 1969.
  18. Bradley, A.C. "Feste the Jester." Gollancz 164-169.
  19. Branagh, Kenneth. dir. Twelfth Night. directed for television by Paul Kaeno. Thames Television, 1988. DVD
  20. Brittin, Norman A. "The Twelfth Night of Shakespeare and of Professor Draper." Shakespeare Quarterly 7 no. 2 (Spring 1956): 211-216.
  21. Brown, John Russell. Shakespeare's Plays In Performance. London: Edward Arnold, 1966.
  22. Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare Volume II: The Comedies, 1597-1603. London: Routledge and Kegan Paul, 1958.
  23. Callaghan, Dympna. "'And all is semblative a woman's part': Body Politics in Twelfth Night." Textual Practice 7.3 (Winter 1993):428- 453.
  24. Carnegie, David. "'Maluolio within'": Performance Perspectives on the Dark House", Shakespeare Quarterly 52.3 (Fall 2001): 393- 414.
  25. -----. "'What country, friends, is this?': Australian and New Zealand Productions of Twelfth Night in the Twentieth Century." Multicultural Shakespeare: Translation, Appropriation and Performance 8.23 (2011): 19-38.
  26. Castiglione, Baldassare. The Book of the Courtier. Trans. Sir Thomas Hoby (1561). Everyman's Library. London: Dent, 1966.
  27. Chalk, Darryl. "'To Creep in at Mine Eyes': Theatre and Secret Contagion in Twelfth Night." Rapt in Secret Studies: Emerging Shakespeares. Eds. Darryl Chalk and Laurie Johnson. Newcastle upon Tyne: Cambridge Scholars, 2010. 172-193.
  28. Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 Volumes. Oxford: Clarendon Press, 1951. (1930).
  29. Charlton, H.B. Shakespeare's Comedies: the Culmination. Manchester: Manchester UP, 1937.
  30. Cook, Ann Jennalee. "Off the Book: Extra-Textual Effects in Trevor Nunn's Twelfth Night." Clayton, Brock & Forés 75-87.
  31. Clayton, Tom, Susan Brock & Vicente Forés, Eds. Shakespeare and the Mediterranean: the Selected Proceedings of the International Shakespeare Association World Congress Valencia, 2001 Newark: U of Delaware P, 2004.
  32. Coddon, Karin S. ""Slander in an Allow'd Fool": Twelfth Night's Crisis of the Aristocracy", SEL: Studies in English Literature 33 (1993): 309-325.
  33. Cressy, David. "Gender Trouble and Cross-Dressing in Early Modern England," Journal of British Studies 35, no. 4 (October 1996): 438-465.
  34. Cunnington, Phillis, and Catherine Lucas. Occupational Costume in England. London: Adam & Charles Black, 1967.
  35. Dean, Paul. "'Comfortable Doctrine': Twelfth Night and the Trinity." Review of English Studies New Series 52, no. 208 (2001): 516- 524.
  36. Donnelan, Declan. Dir. Twelfth Night: Cheek by Jowl. Programme for Sydney Festival, 2006.
  37. Dean, David M. Law-making and Society in Late Elizabethan England: The Parliament of England, 1584-1601. Cambridge Studies in Early ModernBritish History. Cambridge: Cambridge UP, 2002.
  38. Dexter, John. dir. Twelfth Night. Granada, 1969. VCR.
  39. Dobson, Michael. "Shakespeare Performances in England, 2003." Shakespeare Survey 57 (2004): 268.
  40. Doughtie, Edward, ed. Lyrics from English Airs 1596-1622. Cambridge, Mass.: Harvard UP, 1970.
  41. Drakakis, John. "Michael Bogdanov in Conversation." Shakespeare Survey 60 (2007): 196-214.
  42. Draper, John W. The Twelfth Night of Shakespeare's Audience. Stanford: Stanford UP, 1950.
  43. Duffin, Ross W. Shakespeare's Songbook. With a companion CD. New York: Norton, 2004.
  44. Dutton, Richard, Alison Findlay and Richard Wilson. Region, Religion and Patronage: Lancastrian Shakespeare. Manchester: Manchester UP, 2003.
  45. Dvenadtsataya noch. (Twelfth Night). dir. Yakov Fried. Lenfilm, 1955.
  46. Eagleton, Terry. William Shakespeare. Rereading Literature. Oxford: Basil Blackwell, 1986.
  47. Edmondson, Paul. Twelfth Night. The Shakespeare Handbooks. Houndmills, Basingstoke Hampshire: Palgrave Macmillan, 2005.
  48. Empson, William. Seven Types of Ambiguity. 1929. London: Chatto and Windus, 1949.
  49. Elam, Keir. Ed & Intr. Twelfth Night. The Arden Shakespeare: Third Series. London: Cengage Learning, 2008.
  50. Erne, Lukas. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge UP, 2004.
  51. Evans, Bertrand. Shakespeare's Comedies. Oxford: Clarendon, 1960.
  52. Ficino, Marsilio. Marsilio Ficino's Commentary on Plato's Symposium: The Text and a Translation, with an Introduction by Sears Reynolds Jane, A. M. The University of Missouri Studies. Columbia, Miss. U. Of Missouri , 1944.
  53. Finkelpearl, Philip J. John Marston of the Middle Temple: An Elizabethan Dramatist in His Social Setting. Cambridge, Mass.: Harvard UP, 1969.
  54. Fisher, Will. "Staging the Beard: Masculinity in Early Modern English Culture." Harris and Korda 230-257.
  55. Fischer, Sandra K. Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama. Newark: U of Delaware P, 1985.
  56. Foakes, R.A. "The Owl and the Cuckoo: Voices of Maturity in Shakespeare's Comedies," in Shakespearian Comedy . Stratford-Upon-Avon Studies 14. London: Edward Arnold, 1972. 121-142.
  57. Forman, Valerie. "Material Dispossessions and Counterfeit Investments: the Economies of Twelfth Night." Woodbridge 112- 127.
  58. Freeman, Penelope. "The Pronouns of Propriety and Passion: you and thou in Shakespeare's Italian Comedies." Clayton, Brock and Forés 168-179.
  59. Furness, Horace Howard, ed. Twelfth Night or, What You Will: A New Variorum Edition of Shakespeare. 1901. New York: Dover, 1964.
  60. Gay, Penny. The Cambridge Introduction to Shakespeare's Comedies. Cambridge: Cambridge UP, 2008.
  61. Gollancz, Israel. "Bits of Timber: Some Observations on Shakespearian Names—'Shylock'; 'Polonius'; 'Malvolio.'" Gollancz 170-178.
  62. -----. Ed. A Book of Homage to Shakespeare. Oxford: Humphrey Milford/Oxford UP, 1916.
  63. Gorrie, John. dir. Twelfth Night. BBC, 1980.
  64. Gras, Henk K. "Direct Evidence and Audience Response to Twelfth Night; The Case of John Manningham of the Middle Temple," Shakespeare Studies 21 (1993): 109-154.
  65. Greenblatt, Stephen. Shakespearean Negotiations, Berkeley and Los Angeles: U of California P, 1988.
  66. Greif, Karen. "A Star is Born: Feste on the Modern Stage." Shakespeare Quarterly 39. 1 (1988): 61-78.
  67. Gurr, Andrew. The Shakespearean Stage 1574-1642, 3rd ed. Cambridge: Cambridge UP, 1992
  68. Gurr, Andrew, & Mariko Ichikawa. Staging in Shakespeare's Theatres. Oxford Shakespeare Topics. Oxford: Oxford UP, 2000.
  69. Hakluyt, Richard. The Principal Navigations , Voyages, Traffiques, and Discoveries of the English Nation. London: 1599.
  70. Halliwell. James O. The Works of William Shakespeare. The text Formed From a new Collation of Early Editions: to which are added all the original novels and tales on which the plays are founded; copious archaeological annotations on each play, an essay on the formation of the text; and a life of the poet. The Illustrations and Wood-Engravings by Frederick William Fairholt, Esq. 16 volumes. F.S.A. London: 1853.
  71. Hanna, Sara. "From Illyria to Ellysium: Geographical Fantasy in Twelfth Night." Procházka 21-46.
  72. Harrison, G.B. The Elizabethan Journals: Being a Record of Those Things Most Talked of During the Years 1591-1603. 1938. London: Routledge and Kegan Paul, 1955.
  73. Hartman, Geoffrey H. "Shakespeare's Poetical Character in Twelfth Night". Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. London: Methuen, 1985. 37-54.
  74. Hawkes, Terry. "Comedy, Orality and Duplicity: Twelfth Night." Waller 168-174.
  75. Hay, Natasha. "Love's a Beach". Rev. of Auckland Theatre Company Twelfth Night, New Zealand Listener July 29 (2006),9 Feb 2012 http://www.listener.co.nz.ezproxy.waikato.ac.nz/culture/theat re/loves-a- beach/.
  76. Hinman, Charlton. The Printing and Proof-reading of the First Folio of Shakespeare. 2 vols. Oxford: Clarendon, 1963.
  77. Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry 1500-1700. Princeton: Princeton UP, 1961.
  78. Houlahan, Mark. " 'Like to th'Egyptian thief': Shakespeare Sampling Heliodorus in Twelfth Night. Rapt in Secret Studies: Emerging Shakespeares. Eds. Darryl Chalk & Laurie Johnson. Cambridge, UK: Cambridge Scholars, 2010. 305- 317.
  79. Hotson, Leslie. The First Night of Twelfth Night. London: Mercury Books, 1961. R. Hart-Davis, 1954.
  80. Howard, Jean. "Shakespeare, Geography, and the Work of Genre on the Early Modern Stage." Modern Language Quarterly 64:3 (September 2003): 299-322.
  81. -----. The Stage and Social Struggle in Early Modern England. London: Routledge,1994.
  82. Jonson, Ben. The Complete Poems. Ed. George Parfitt. Penguin English Poets. Harmondsworth: Penguin,1980.
  83. Jorgensen, Caitlin L. "'A Madmen's Epistles are no Gospels': Alienation in Twelfth Night and Anti-Martinist Discourse," Renaissance Papers (1999): 67-78.
  84. Kermode, Frank. Pieces of My Mind: Essays and Criticism 1958- 2002. New York: Farrar, Strauss and Giroux, 2002.
  85. Kerwin, William. Beyond the Body: the Boundaries of Medicine and English Renaissance Drama. Amherst: U of Massachusetts P, 2005.
  86. Kott, Jan. Shakespeare Our Contemporary. Trans. Boleslaw Taborski. 2nd ed. London: Methuen, 1967.
  87. Krieger, Elliot. "Twelfth Night: 'The morality of indulgence". White 37-71.
  88. Lamb, Charles. Elia and the Last Essays of Elia. Ed. Jonathan Bate. Oxford World's Classics. Oxford: Oxford UP, 1987.
  89. Leclercle, Anne. "Country House, Catholicity and the crypt(ic) in Twelfth Night." Dutton, Findlay and Wilson: 84-101.
  90. Leech, Clifford. Twelfth Night and Shakespearean Comedy. Toronto: U of Toronto P, 1965.
  91. Leggatt, Alexander. Shakespeare's Comedy of Love. 1973. London: Methuen, 1974.
  92. Lewalski, Barbara. "Thematic Patterns in Twelfth Night." Shakespeare Studies I (1965): 168-182
  93. Lindley, David. Shakespeare and Music. The Arden Critical Companions. London: Thomson Learning, 2006.
  94. Loxton, Harry. Rev. of Unicorn Theater Twelfth Night (2009), 20 Feb 2012. http://www.britishtheatreguide.info/reviews/12thnightu nicorn-rev.htm.
  95. Luce, Morton. Ed. The Works of Shakespeare: Twelfth Night or What You Will. Arden Shakespeare. 1906. London: Methuen, 1937.
  96. -----, ed. Rich's 'Apolonius & Silla,' an Original of Shakespeare's 'Twelfth Night'. The Shakespeare Classics. London: Chatto & Windus, 1912.
  97. McEachern, Claire. Ed. Twelfth Night. Barnes and Noble Shakespeare. New York: Barnes & Noble, 2007.
  98. Maguire, Laurie and Thomas Berger. Eds. Textual Formations and Reformations. Newark: U of Delaware P, 1998.
  99. Mahood, M.M. Bit Parts in Shakespeare's Plays. Cambridge: Cambridge UP, 1992.
  100. Mallin, Eric S. Inscribing the Time: Shakespeare and the End of Elizabethan England. Los Angeles: U of California P, 1995.
  101. Manningham, John. The Diary of John Manningham of the Middle Temple, 1602-1603 Ed. Robert Parker Sorlien. Hanover, N.H.: U. Press of New England, 1976.
  102. Mann, David. The Elizabethan Player: Contemporary Stage Representation. London and New York: Routledge, 1991.
  103. Massai, Sonia. Ed. William Shakespeare's Twelfth Night: A Sourcebook. London: Routledge, 2007.
  104. Menon, Madhavi. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham, N.C. and London: Duke UP, 2011.
  105. Milward, Peter. "The Religious Dimension of Shakespeare's Illyria." Clayton, Brock and Forés 381-387.
  106. Muir, Kenneth. The Sources of Shakespeare's Plays. London: Methuen, 1977
  107. Mulryne, J.R. and Margaret Shewring. Eds. Theatre of the English and Italian Renaissance. London: Macmillan, 1991.
  108. Munro, Lucy. "Music and Sound." The Oxford Handbook of Early Modern Theatre. Ed. Richard Dutton. Oxford: Oxford UP, 2009. 543-560.
  109. Novy, Marianne. Love's Argument: Gender Relations in Shakespeare. Chapel Hill and London: U of North Carolina P, 1984.
  110. Nunn, Trevor, dir. Twelfth Night. Fine Line, 1995. DVD
  111. O'Dell, George C. D. Shakespeare from Betterton to Irving. 2 vols. With a New Introduction by Robert Hamilton Ball. New York: Dover, 1966
  112. O'Harvey, Richard, ed. History of the Middle Temple. Oxford and Portland, Oregon: Hart Publishing, 2011.
  113. Osborne, Laurie E. The Trick of Singularity: Twelfth Night and the Performance Editions. Iowa City: U. of Iowa P, 1996.
  114. Palfrey, Simon and Tiffany Stern. Shakespeare in Parts.  Oxford: Oxford UP, 2007.
  115. Palmer, D.J. "Art and Nature in Twelfth Night", Critical Quarterly IX 3 (1967) 201-12.
  116. Palmer, D.J. ed. Shakespeare: Twelfth Night: A Selection of Critical Essays. London: Macmillan, 1972.
  117. Parker, Patricia. "Barbers and Barbary: Early Modern Cultural Semantics." Renaissance Drama NS 33 (2004): 201-245.
  118. -----, "Was Illyria as Mysterious and Foreign as We Think?" The Mysterious and the Foreign in Early Modern England. Ed. Helen Ostovich, Mary V. Silcox, and Graham Roebuck. Newark: U. of Delaware P, 2008: 209-234.
  119. Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearian Stage. Chicago: Chicago UP, 2004.
  120. Pentland, Elizabeth. "Some early modern backgrounds to Twelfth Night." Schiffer 149-166.
  121. Pequigney, Joseph. 'The Two Antonios and Same-Sex Love in Twelfth Night and The Merchant of Venice', English Literary Renaissance XXII (1992), pp. 201-21.
  122. Plautus. Menaecmi. A pleasant and fine Conceited Comædie, taken out of the most excellent wittie Poet Plautus. Whitworth 188-221.
  123. Potter, Lois. Twelfth Night: Text and Performance. Houndmills, Basingstoke: Macmillan, 1985.
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  131. Schafer, Elizabeth. "Unsettling AustrIllyria: Twelfth Night, Exotic Englishness and Empire." Contemporary Theatre Review 19.3 (2009): 342-353.
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  133. Schalkwyk, David. Shakespeare, Love and Service. Cambridge: Cambridge UP, 2008.
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  140. Sherley, Anthony, Sir. A True Report of Sir Anthony Shierlies Iourney ouerland to VENICE, from thence by sea to ANTIOCH, ALEPPO, and Babilon, and soe to Casbine in Persia: his entertainment there by the great Sophie: his Oration: his letters of Credence to the Christian Princes: and the Priuiledge obtained of the great Sophie, for the quiet passage and trafique of all Christian Marchants, throughout his whole Dominions. London: 1600.
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