Lucrece (Quarto, 1594)

Author: William Shakespeare

Editor: Hardy M. Cook

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Lucrece (Modern)
- Work
- Stanza
  1. Dedication
  2. Argument
  3. 1 — 5
  4. 6 — 10
  5. 11 — 15
  6. 16 — 20
  7. 21 — 25
  8. 26 — 30
  9. 31 — 35
  10. 36 — 40
  11. 41 — 45
  12. 46 — 50
  13. 51 — 55
  14. 56 — 60
  15. 61 — 65
  16. 66 — 70
  17. 71 — 75
  18. 76 — 80
  19. 81 — 85
  20. 86 — 90
  21. 91 — 95
  22. 96 — 100
  23. 101 — 105
  24. 106 — 110
  25. 111 — 115
  26. 116 — 120
  27. 121 — 125
  28. 126 — 130
  29. 131 — 135
  30. 136 — 140
  31. 141 — 145
  32. 146 — 150
  33. 151 — 155
  34. 156 — 160
  35. 161 — 165
  36. 166 — 170
  37. 171 — 175
  38. 176 — 180
  39. 181 — 185
  40. 186 — 190
  41. 191 — 195
  42. 196 — 200
  43. 201 — 205
  44. 206 — 210
  45. 211 — 215
  46. 216 — 220
  47. 221 — 225
  48. 226 — 230
  49. 231 — 235
  50. 236 — 240
  51. 241 — 245
  52. 246 — 250
  53. 251 — 255
  54. 256 — 260
  55. 261 — 265
Lucrece (Quarto, 1594)
- Work
- Stanza
  1. Titlepage
  2. Dedication
  3. Argument
  4. 1 — 5
  5. 6 — 10
  6. 11 — 15
  7. 16 — 20
  8. 21 — 25
  9. 26 — 30
  10. 31 — 35
  11. 36 — 40
  12. 41 — 45
  13. 46 — 50
  14. 51 — 55
  15. 56 — 60
  16. 61 — 65
  17. 66 — 70
  18. 71 — 75
  19. 76 — 80
  20. 81 — 85
  21. 86 — 90
  22. 91 — 95
  23. 96 — 100
  24. 101 — 105
  25. 106 — 110
  26. 111 — 115
  27. 116 — 120
  28. 121 — 125
  29. 126 — 130
  30. 131 — 135
  31. 136 — 140
  32. 141 — 145
  33. 146 — 150
  34. 151 — 155
  35. 156 — 160
  36. 161 — 165
  37. 166 — 170
  38. 171 — 175
  39. 176 — 180
  40. 181 — 185
  41. 186 — 190
  42. 191 — 195
  43. 196 — 200
  44. 201 — 205
  45. 206 — 210
  46. 211 — 215
  47. 216 — 220
  48. 221 — 225
  49. 226 — 230
  50. 231 — 235
  51. 236 — 240
  52. 241 — 245
  53. 246 — 250
  54. 251 — 255
  55. 256 — 260
  56. 261 — 265
- Page
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84
  85. 85
  86. 86
  87. 87
  88. 88
  89. 89
  90. 90
  91. 91
  92. 92
  93. 93

¶At last shee cals to mind where hangs a peece
¶Of skilfull painting, made for PRIAMS Troy,
¶Before the which is drawn the power of Greece,
¶For HELENS rape, the Cittie to destroy,
1370Threatning cloud-kissing ILLION with annoy,
¶_VVhich the conceipted Painter drew so prowd,
¶_As Heauen (it seem'd) to kisse the turrets bow'd.

¶A thousand lamentable obiects there,
¶In scorne of Nature, Art gaue liuelesse life,
1375Many a dry drop seem'd a weeping teare,
¶Shed for the slaughtred husband by the wife.
¶The red bloud reek'd to shew the Painters strife,
¶_And dying eyes gleem'd forth their ashie lights,
¶_Like dying coales burnt out in tedious nights.

1380There might you see the labouring Pyoner
¶Begrim'd with sweat, and smeared all with dust,
¶And from the towres of Troy, there would appeare
¶The verie eyes of men through loop-holes thrust,
¶Gazing vppon the Greekes with little lust,
1385_Such sweet obseruance in this worke was had,
¶_That one might see those farre of eyes looke sad.

¶In great commaunders, Grace, and Maiestie,
¶You might behold triumphing in their faces,
¶In youth quick-bearing and dexteritie,
1390And here and there the Painter interlaces
¶Pale cowards marching on with trembling paces.
¶_VVhich hartlesse peasaunts did so wel resemble,
¶_That one would swear he saw them quake & trēble.

¶In AIAX and VLYSSES, ô what Art
1395Of Phisiognomy might one behold!
¶The face of eyther cypher'd eythers heart,
¶Their face, their manners most expreslie told,
¶In AIAX eyes blunt rage and rigour rold,
¶_But the mild glance that slie VLYSSES lent,
1400_Shewed deepe regard and smiling gouernment.

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Lucrece (Quarto, 1594)

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Lucrece (Quarto, 1594)