Internet Shakespeare Editions

Works Cited

  1. Adelman, Janet. Introduction. Twentieth Century Interpretations of King Lear. Englewood Cliffs: Prentice Hall, 1978.
  2. Arden Shakespeare CD-ROM: Texts and Sources for Shakespeare Studies. Thomas Nelson, 1997.
  3. ------ "The Text of Performance and the Performance of Text in the Electronic Edition." Forthcoming in Computers and the Humanities.
  4. ------. "From Book to Screen: A Window on Renaissance Electronic Texts." Early Modern Literary Studies 1.2 (1995): 4.1-27 <http://purl.oclc.org/emls/01-2/bestbook.html>.
  5. Braunmuller, A. R., and Devid S. Rhodes. Macbeth. CD ROM. Voyager, 1994.
  6. Brooks, Cleanth. "The Naked Babe and the Cloak of Manliness." In The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace, 1947. PR502 B7 1947.
  7. Burk, Alan, James Kerr, and Andy Pope. "Archiving and Text Fluidity / Version Control." In The Credibility of Electronic Publishing: A Report to the Humanities and Social Sciences Federation of Canada, Raymond Siemens, Michael Best, et al. Malaspina University-College, 2000. <http://web.mala.bc.ca/hssfc/Final/Archiving.htm>.
  8. Carson, Christie, and Jacky Bratton. The Cambridge King Lear CD-ROM: Text and Performance Archive. Cambridge, Cambridge University Press, 2000. Copyright is held by Royal Holloway, University of London.
  9. Concordance. Computer software, developed by Rob Watt. <http://www.rjcw.freeserve.co.uk/>.
  10. De Grazia, Margreta, and Peter Stallybrass. "The Materiality of the Shakespearean Text." Shakespeare Quarterly 44.3 (1993): 264.
  11. Dorval, Patricia. "Shakespeare on Screen: Threshold Aesthetics in Oliver Parker's Othello." Early Modern Literary Studies 6.1 (May, 2000):1.1-15 <http://purl.oclc.org/emls/06-1/dorvothe.htm>.
  12. Egan, Robert. Drama Within Drama: Shakespeare's Sense of His Art. New York: Columbia UP, 1975.
  13. Finn, Patrick. "Reforming the Information Age: Formalism and Philology on the Net." Mots Pluriels. <http://www.arts.uwa.edu.au/MotsPluriels/MP1901pf.html>. October 2001.
  14. Foster, Donald. "SHAXICON '95." <http://ShakespeareAuthorship.com/shaxicon.html>.
  15. Goldberg, Jonathan. "Perspectives: Dover Cliff and the Conditions of Representation." In Shakespeare's Tragedies. Ed. Susan Zimmerman. New York: St. Martin's Press, 1998. 155-166.
  16. Hill, W. Speed. "Where We Are and How We Got Here: Editing after Poststructuralism." Shakespeare Studies 24 (1996): 38-46.
  17. Kott, Jan. Shakespeare Our Contemporary. Trans. Boleslaw Taborski. New York: Norton, 1974.
  18. Lancashire, Ian. "Probing Shakespeare's Idiolect in Troilus and Cressida I.3.1-29." UTQ 68.3 (1999): 728-67.
  19. ------. "The Common Reader's Shakespeare." Early Modern Literary Studies 3.3 / Special Issue 2 (January, 1998): 4.1-12 <http://purl.oclc.org/emls/03-3/lancshak.html>.
  20. Levenson, Jill, ed. Romeo and Juliet. Oxford: Oxford University Press, 2000. See also her web database of prompt-books at <http://www.library.utoronto.ca/crrs/Rommain.html>.
  21. ------. Shakespeare in Performance: "Romeo and Juliet". Manchester: Manchester University Press, 1987.
  22. Lusardi, James P. and June Schlueter. Reading Performance: King Lear. London: Associated University Press: 1991.
  23. Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. (New York: Routledge, 1997)
  24. McCleod, Randal ["Random Cloud"]. "The Marriage of Good and Bad Quartos." Shakespeare Quarterly 33.4 (1982): 421-431.
  25. McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.
  26. ------. "The Rationale of Hypertext." Institute for Advanced Technology: University of Virginia, 1995. <http://jefferson.village.virginia.edu/public/jjm2f/rationale.html>. Visited 28 September 2001.
  27. Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge MA: MIT Press, 1997.
  28. Shakespeare, William. King Lear (1970). Director: Peter Brook. Principal actors: Paul Schofield, Cyril Cusack, Tom Fleming, Patrick Magee, Alan Webb, Irene Worth. Black and white film. Filmways, Inc., in association with the Royal Shakespeare Company, released by Columbia Pictures.
  29. ------. King Lear (1984). Director: Michael Elliot. Principal Actors: Laurence Olivier, Colin Blakely, Anna Calder-Marshall, John Hurt, Jeremy Kemp, Robert Lang, Robert Lindsay, Leo McKern, Diana Rigg, David Threlfall, Dorothy Tutin.
  30. ------. King Lear (1988). Tony Davenall. Principal actors: Patrick Magee, Ray Smith, Wendy Allnut, Ann Lynn, Beth Harris, Ronald Radd, Patrick Mower and Robert Coleby. Thames Television.
  31. ------. King Lear (1998). Director: Richard Eyre. Principal actors: Ian Holm, Barbara Flynn, Amanda Redman, David lyon, Michael Simkins, Victoria Hamilton, Adrian Irvine. BBC and the Royal National Theatre.
  32. ------. A Midsummer Night's Dream: Concordance. <http://web.UVic.CA/shakespeare/Annex/Articles/SAA2002/MNDConcordance/framconc.htm>.
  33. Skura, Meredith. "Is There a Shakespeare after the New New Bibliography?" In Elizabethan Theater, ed. R. B. Parker and S. P. Zitner (Newark: University of Delaware Press, 1996).
  34. Spurgeon, Caroline. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge University Press, 1935.
  35. Taylor, Gary, Reinventing Shakespeare: A Cultural History, from the Restoration to the Present (New York: Weidenfeld & Nicolson, 1989: 291.
  36. Warren, Michael. "'Pray You Undo This Button. Thank You Sir': Clarifying the Action." Paper presented at the meeting of the Shakespeare Association of America: Miami, 2001.

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