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Shakespeare on Stage
SIP Editors, Measure for Measure. To Aug. 4, 2013.
American Shakespeare Center, Return to the Forbidden Planet. To Dec. 1, 2013.
Original Shakespeare Company, As You Like It. To Jun. 23, 2013.
American Shakespeare Center, All's Well That Ends Well. To Nov. 29, 2013.
SIP Editors, King Henry VIII. To Aug. 4, 2013.
More Performances…
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Works Cited

  1. Adelman, Janet. Introduction. Twentieth Century Interpretations of King Lear. Englewood Cliffs: Prentice Hall, 1978.
  2. Arden Shakespeare CD-ROM: Texts and Sources for Shakespeare Studies. Thomas Nelson, 1997.
  3. ------ "The Text of Performance and the Performance of Text in the Electronic Edition." Forthcoming in Computers and the Humanities.
  4. ------. "From Book to Screen: A Window on Renaissance Electronic Texts." Early Modern Literary Studies 1.2 (1995): 4.1-27 <http://purl.oclc.org/emls/01-2/bestbook.html>.
  5. Braunmuller, A. R., and Devid S. Rhodes. Macbeth. CD ROM. Voyager, 1994.
  6. Brooks, Cleanth. "The Naked Babe and the Cloak of Manliness." In The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace, 1947. PR502 B7 1947.
  7. Burk, Alan, James Kerr, and Andy Pope. "Archiving and Text Fluidity / Version Control." In The Credibility of Electronic Publishing: A Report to the Humanities and Social Sciences Federation of Canada, Raymond Siemens, Michael Best, et al. Malaspina University-College, 2000. <http://web.mala.bc.ca/hssfc/Final/Archiving.htm>.
  8. Carson, Christie, and Jacky Bratton. The Cambridge King Lear CD-ROM: Text and Performance Archive. Cambridge, Cambridge University Press, 2000. Copyright is held by Royal Holloway, University of London.
  9. Concordance. Computer software, developed by Rob Watt. <http://www.rjcw.freeserve.co.uk/>.
  10. De Grazia, Margreta, and Peter Stallybrass. "The Materiality of the Shakespearean Text." Shakespeare Quarterly 44.3 (1993): 264.
  11. Dorval, Patricia. "Shakespeare on Screen: Threshold Aesthetics in Oliver Parker's Othello." Early Modern Literary Studies 6.1 (May, 2000):1.1-15 <http://purl.oclc.org/emls/06-1/dorvothe.htm>.
  12. Egan, Robert. Drama Within Drama: Shakespeare's Sense of His Art. New York: Columbia UP, 1975.
  13. Finn, Patrick. "Reforming the Information Age: Formalism and Philology on the Net." Mots Pluriels. <http://www.arts.uwa.edu.au/MotsPluriels/MP1901pf.html>. October 2001.
  14. Foster, Donald. "SHAXICON '95." <http://ShakespeareAuthorship.com/shaxicon.html>.
  15. Goldberg, Jonathan. "Perspectives: Dover Cliff and the Conditions of Representation." In Shakespeare's Tragedies. Ed. Susan Zimmerman. New York: St. Martin's Press, 1998. 155-166.
  16. Hill, W. Speed. "Where We Are and How We Got Here: Editing after Poststructuralism." Shakespeare Studies 24 (1996): 38-46.
  17. Kott, Jan. Shakespeare Our Contemporary. Trans. Boleslaw Taborski. New York: Norton, 1974.
  18. Lancashire, Ian. "Probing Shakespeare's Idiolect in Troilus and Cressida I.3.1-29." UTQ 68.3 (1999): 728-67.
  19. ------. "The Common Reader's Shakespeare." Early Modern Literary Studies 3.3 / Special Issue 2 (January, 1998): 4.1-12 <http://purl.oclc.org/emls/03-3/lancshak.html>.
  20. Levenson, Jill, ed. Romeo and Juliet. Oxford: Oxford University Press, 2000. See also her web database of prompt-books at <http://www.library.utoronto.ca/crrs/Rommain.html>.
  21. ------. Shakespeare in Performance: "Romeo and Juliet". Manchester: Manchester University Press, 1987.
  22. Lusardi, James P. and June Schlueter. Reading Performance: King Lear. London: Associated University Press: 1991.
  23. Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. (New York: Routledge, 1997)
  24. McCleod, Randal ["Random Cloud"]. "The Marriage of Good and Bad Quartos." Shakespeare Quarterly 33.4 (1982): 421-431.
  25. McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.
  26. ------. "The Rationale of Hypertext." Institute for Advanced Technology: University of Virginia, 1995. <http://jefferson.village.virginia.edu/public/jjm2f/rationale.html>. Visited 28 September 2001.
  27. Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge MA: MIT Press, 1997.
  28. Shakespeare, William. King Lear (1970). Director: Peter Brook. Principal actors: Paul Schofield, Cyril Cusack, Tom Fleming, Patrick Magee, Alan Webb, Irene Worth. Black and white film. Filmways, Inc., in association with the Royal Shakespeare Company, released by Columbia Pictures.
  29. ------. King Lear (1984). Director: Michael Elliot. Principal Actors: Laurence Olivier, Colin Blakely, Anna Calder-Marshall, John Hurt, Jeremy Kemp, Robert Lang, Robert Lindsay, Leo McKern, Diana Rigg, David Threlfall, Dorothy Tutin.
  30. ------. King Lear (1988). Tony Davenall. Principal actors: Patrick Magee, Ray Smith, Wendy Allnut, Ann Lynn, Beth Harris, Ronald Radd, Patrick Mower and Robert Coleby. Thames Television.
  31. ------. King Lear (1998). Director: Richard Eyre. Principal actors: Ian Holm, Barbara Flynn, Amanda Redman, David lyon, Michael Simkins, Victoria Hamilton, Adrian Irvine. BBC and the Royal National Theatre.
  32. ------. A Midsummer Night's Dream: Concordance. <http://web.UVic.CA/shakespeare/Annex/Articles/SAA2002/MNDConcordance/framconc.htm>.
  33. Skura, Meredith. "Is There a Shakespeare after the New New Bibliography?" In Elizabethan Theater, ed. R. B. Parker and S. P. Zitner (Newark: University of Delaware Press, 1996).
  34. Spurgeon, Caroline. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge University Press, 1935.
  35. Taylor, Gary, Reinventing Shakespeare: A Cultural History, from the Restoration to the Present (New York: Weidenfeld & Nicolson, 1989: 291.
  36. Warren, Michael. "'Pray You Undo This Button. Thank You Sir': Clarifying the Action." Paper presented at the meeting of the Shakespeare Association of America: Miami, 2001.

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