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Shakespeare on Stage

A sample of upcoming productions around the world.

Atlanta Shakespeare Company, Romeo and Juliet. To Feb. 29, 2012.
American Shakespeare Center, Dido, Queen of Carthage. To Apr. 7, 2012.
Atlanta Shakespeare Company, The Merry Wives of Windsor. To Apr. 1, 2012.
American Shakespeare Center, Much Ado about Nothing. To Apr. 8, 2012.
Orlando Shakespeare Theater in Partnership with UCF, Cymbeline. To Mar. 18, 2012.
More Performances…
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Works Cited

  1. Arden Shakespeare CD-ROM: Texts and Sources for Shakespeare Studies. Thomas Nelson, 1997.
  2. ArdenOnline. Web site no longer available. The Arden Shakespeare site is found at <http://www.ardenshakespeare.com/>.
  3. Best, Michael. "From Book to Screen: A Window on Renaissance Electronic Texts." Early Modern Literary Studies 1.2 (1995): 4.1-27. <http://purl.oclc.org/emls/01-2/bestbook.html>.
  4. Braunmuller, A. R., and Devid S. Rhodes. Macbeth. CD-ROM. Voyager, 1994.
  5. Burk, Alan, James Kerr, and Andy Pope. "Archiving and Text Fluidity / Version Control." In The Credibility of Electronic Publishing: A Report to the Humanities and Social Sciences Federation of Canada, Raymond Siemens, Michael Best, et al. Malaspina University-College, 2000. <http://web.mala.bc.ca/hssfc/Final/Archiving.htm>.
  6. Carson, Christie, and Jacky Bratton. The Cambridge King Lear CD-ROM: Text and Performance Archive. Cambridge, Cambridge University Press, 2000. Copyright is held by Royal Holloway, University of London.
  7. Concordance Computer software, developed by Rob Watt. <http://www.rjcw.freeserve.co.uk/>.
  8. De Grazia, Margreta, and Peter Stallybrass. "The Materiality of the Shakespearean Text." Shakespeare Quarterly 44.3 (1993): 264.
  9. Faulhaber, Charles. "Guidelines for Electronic Scholarly Editions." Modern Language Association of America, Committee on Scholarly Editing, 1997. <http://sunsite.berkeley.edu/MLA/guidelines.html>. Visited 30 January 2002.
  10. Finn, Patrick. "Reforming the Information Age: Formalism and Philology on the Net." Mots Pluriels. <http://www.arts.uwa.edu.au/MotsPluriels/MP1901pf.html>. October 2001.
  11. Foster, Donald. "SHAXICON '95." <http://ShakespeareAuthorship.com/shaxicon.html>.
  12. Hill, W. Speed. "Where We Are and How We Got Here: Editing after Poststructuralism." Shakespeare Studies 24 (1996): 38-46.
  13. Lancashire, Ian. "The Common Reader's Shakespeare." Early Modern Literary Studies 3.3 / Special Issue 2 (January, 1998): 4.1-12. <http://purl.oclc.org/emls/03-3/lancshak.html>.
  14. ------. "Probing Shakespeare's Idiolect in Troilus and Cressida I.3.1-29." UTQ 68.3 (1999): 728-67.
  15. Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. (New York: Routledge, 1997)
  16. McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.
  17. ------. "The Rationale of Hypertext." Institute for Advanced Technology: University of Virginia, 1995. <http://jefferson.village.virginia.edu/public/jjm2f/rationale.html>. Visited 28 September 2001.
  18. McCleod, Randal ["Random Cloud"]. "The Marriage of Good and Bad Quartos." Shakespeare Quarterly 33.4 (1982): 421-431.
  19. Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge MA: MIT Press, 1997.
  20. Shakespeare, William. King Lear: An Original-Spelling Concordance of Q1 and F. <[yet to be posted]>.
  21. Skura, Meredith. "Is There a Shakespeare after the New New Bibliography?" In Elizabethan Theater, ed. R. B. Parker and S. P. Zitner (Newark: University of Delaware Press, 1996).
  22. Spurgeon, Caroline. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge University Press, 1935.
  23. Taylor, Gary, Reinventing Shakespeare: A Cultural History, from the Restoration to the Present (New York: Weidenfeld & Nicolson, 1989).
  24. Urkowitz, Steven. "'Well-Sayd Olde Mole': Burying Three Hamlets in Modern Editions." In Shakespeare Study Today: The Horace Howard Furness Memorial Lectures. Ed. G. Ziegler. Ams Studies in Renaissance. New York: AMS, 1986.
  25. Warren, Michael. "'Pray You Undo This Button. Thank You Sir': Clarifying the Action." Paper presented at the meeting of the Shakespeare Association of America: Miami, 2001.
  26. ------. "The Theatricalization of Text: Beckett, Jonson, Shakespeare." Library Chronicle of the University of Texas 20.1-2 (1990): 38-59.

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